The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Hooray for anthocyanin. Where would we be without it? It has long been my favourite water-soluble, vacuolar, glucosidic pigment, and I feel that this autumn has justified my preference. True, chlorophyll is more important until then, being essential for photosynthesis, so we should all be in dead trouble without it; and the carotenoids, carotene and
Patrick Appel, standing in for Andrew while the Boss Man takes a break, has the audacity to nominate Terry Teachout for one of Mr Sullivan’s “Poseur Alert Nominee” awards. Yikes! What has the urbane Mr Teachout written to deserve such teasing? Why only this: “I know how it feels to see the design for the
A Countryman in Town: Robert Bevan and the Cumberland Market Group Southampton City Art Gallery, until 14 December The Women’s Land Army — A Portrait St Barbe Museum, New Street, Lymington, until 10 January The recent Camden Town exhibition at the Tate was a useful reminder of the originality of one of the few significant
Dean Spanley U, Nationwide Dean Spanley is a family film and a sweet film and a kindly film with the most delicious cast (Peter O’Toole, Jeremy Northam, Sam Neill, Judy Parfitt) but it is also a slow film — the first hour is almost unbearably uneventful — which could do with a bit of a
Riders to the Sea Coliseum Ascanio in Alba King’s Place Vaughan Williams’s short opera Riders to the Sea was to have been conducted by Richard Hickox, but in the sad event it was played as a tribute to him, and conducted by Edward Gardner. It had a kind of appropriateness, but my own abiding memory
In a Dark Dark House Almeida I Found My Horn Tristan Bates Maria Friedman: Re-Arranged Trafalgar Studios What, already? Another Neil LaBute play? Here we go again then. This time his close-knit group of eloquent and stylishly tormented yuppies (he doesn’t do other types) are haunted by the aftermath of a child abuse episode. As
Over the years I have met some unusual obstacles to my self-appointed task of spreading interest in unaccompanied singing around the globe. The main one is that music without instruments doesn’t have any ‘musicians’ in it and therefore cannot be taken seriously. Another is that church music which is not by Bach falls into a
If I had been given a monkey for every time someone had told me knowledgeably that Boris Johnson was a comical buffoon unfit for high office, I’d be able to open a very large ape house. It annoys me not just because it’s not true but also because of what it says about the stupidity
You know you’re getting old when the people who made the TV programmes you liked as a kid start dying. So, farewell, Oliver Postgate, creator of Ivor the Engine and, of course, the immortal Bagpuss. I suppose those of us born in the mid-1970s (post-Clangers then) were the last for whom Postgate’s work was a
Saul Steinberg: Illuminations Dulwich Picture Gallery, until 15 February 2009 Cartoons & Coronets: The Genius of Osbert Lancaster The Wallace Collection, until 11 January 2009 Saul Steinberg (1914–99) was born in Romania and studied architecture in 1930s Milan. His first cartoons appeared in 1936 and he began to build a reputation, despite the threat of
My favourite programme last week was France on a Plate (BBC4, Sunday) in which Dr Andrew Hussey investigated the link between gastronomy and la gloire; French glory and destiny. He began with a recreation of François Mitterrand’s last meal, which climaxed with the illegal consumption of ortolans, an endangered songbird which is blinded then boiled
It is worth remembering that the BBC, despite its recent, excessively well-aired problems, gives us a great many stimulating, well-made programmes, on both radio and television. Rather surprisingly, given its format and the yawning, ever-present potential for dumbed-down disaster, the BBC2 Maestro series, aired in August/September this year, turned out to be all of those
Oleg Vassiliev: Recent Works Faggionato Fine Arts, 49 Albemarle Street, London W1, until 23 January 2009 The septuagenarian Russian artist Oleg Vassiliev is exhibiting for the first time in London. Vassiliev was born in Moscow, in 1931, and studied graphic art at the Surikov Art Institute (Moscow State Art Institute), a training which provided him
Qatar’s Museum of Islamic Art Islamic art is a fast growing subject of study. Too many countries are involved for it to be categorised like French or Japanese art. In New York and London Islamic art tends to be confined to a section of an institution such as the Met, the British Museum or the
The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions Metropolitan Museum, until 1 February 2009 Philippe de Montebello retires from the position of Director at the Metropolitan Museum of Art in New York, after 31 years of service, at the end of this year. A forum of curators has organised an exhibition of
It all started earlier this year, when my friend Chris managed to get four tickets for the first Leonard Cohen concerts at the O2. ‘There’s one for you if you want it,’ he said. Well, obviously I wanted it, but cash was a little short at the time — in fact, not so much short
Les Contes d’Hoffmann Royal Opera Der fliegende Holländer Barbican Astonished delight was the first reaction, of everyone, I think, at the Royal Opera’s latest revival of John Schlesinger’s production of Offenbach’s Les Contes d’Hoffmann: astonishment that Rolando Villazón seems not only to have overcome his vocal and possibly other crises, but to be, in all
Lakeview Terrace 15, Nationwide Summer 15, Key Cities Lakeview Terrace is one of those menacing, neighbour-from-hell type thrillers with Samuel L. Jackson playing Abel Turner, an LAPD cop who bristles with hostility from the moment Chris and Lisa, an interracial couple — he’s white, she’s black — move in next door. This is a movie
The Family Reunion Donmar Chicken Hackney Empire August: Osage County Lyttelton T.S. Eliot was in his fifties when he turned to the theatre. What’s amazing about his 1939 play, The Family Reunion, is its experimental verve and nonchalant risk-loving energies. Harry, a country squire, returns from eight years abroad to take possession of his estate.
A Sondheim premiere in New York! Besotted fans of one of the four greatest-ever Broadway composer-lyricists (the others being Irving Berlin, Frank Loesser and Cole Porter, all, regrettably, dead) were resigned never to seeing another. I feared that we were going to have to make do, perpetually, with repeated, indeed incessant, revivals of Sweeney Todd,
Carolyn Bartholomew talks to Tilda Swinton, an actor who has made a career out of being unconventional Tilda Swinton is undoubtedly one of the great artists of her generation, although it is only relatively recently that she has become more conspicuous with mainstream films such as The Chronicles of Narnia and Michael Clayton (for which
Caught by chance on Remembrance Sunday, the broadcast of the composer’s celebrated recording of War Requiem kept me hooked, listening with half an ear, half fascinated, half repelled, for the whole duration of a trip down memory lane, recalling the wave of patriotic fervour and heart-on-sleeve emotion surrounding the work’s première, 1962, in the new
Changeling 15, Nationwide Changeling, produced and directed by Clint Eastwood, is a most melodramatic melodrama starring Angelina Jolie and her totally amazing, bee-stung lips. (I was stung by a bee once, but on the eyelid; it didn’t look so great.) Anyway, based on a true story, it’s set in Los Angeles in 1928 and is
Hänsel und Gretel Royal Academy of Music Jenufa Birmingham Hippodrome Pelléas et Mélisande Sadler’s Wells Humperdinck’s Hänsel und Gretel loses none of its charm with repeated viewings, a good thing since there are plenty of productions of it around this year in the UK, the latest being at the Royal Academy of Music. I saw
The TV programmes you watched as a child are like acid flashbacks. You never fully understood them at the time and you understand them even less now that you’ve forgotten most of the context and detail. But by golly, don’t they half haunt the imagination ever after? Terry Nation’s late Seventies series Survivors had just
Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. The fourth centenary of John Milton, which falls on
Duality, yin and yang, twin-tub theatre. Call it what you like, a Christmas show must straddle the generations and please both kids and adults at once. Casting Keith Allen as Long John Silver in Treasure Island was clearly intended to achieve this double-barrel effect. To kids he’s Lilly Allen’s dad while adults know him
Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald Macleod. Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald
Byzantium 330-1454 Royal Academy, until 22 March 2009 In his excellent book Portrait Painters, written more than half-a-century ago but still full of wisdom and stimulating observations, Allan Gwynne-Jones includes a note on the character of English art. He has been discussing the great glories of the medieval school of manuscript illumination in Britain, often