Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Colour charts

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Gerhard Richter: 4900 Colours Serpentine Gallery, until 16 November Lucian Freud: Early Works, 1940–58 Hazlitt Holland-Hibbert, 38 Bury Street, London SW1, until 12 December At the Serpentine is an exhibition of little squares of colour, randomly arranged in grids. There are 49 paintings on show, each one composed of four panels consisting of 25 squares

Angry, icy, goofy and dumb

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Burn After Reading 15, Nationwide Burn After Reading, a ‘comedy thriller’, is the latest Coen brothers movie, their first after No Country for Old Men, and it is a very, very hard film to like. I wanted to like it, I tried to like it, I strained to like it with all the fibres of

Handel’s oddity

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Partenope English National Opera In his introduction to Handel’s Partenope in the programme book of ENO’s new production, John Berry, artistic director of the company, writes: ‘Partenope is full of wonderful music and a perfect vehicle for the gifted director Christopher Alden.’ We see where the priorities are — some dead metaphors are quite interesting,

An insidious form of censorship

Arts feature

Dominic Cooke on why we must guard against a self-perpetuating climate of fear and timidity Forty years ago, the Theatres Bill removed from the Lord Chamberlain his centuries-old power to censor the British stage. Under a law unchanged since 1843, every work intended for production in British theatres had first to be submitted to, and

Lloyd Evans

Fun with Vermeer

Theatre

Girl with a Pearl Earring Theatre Royal Haymarket Waste Almeida Creditors Donmar I don’t know much about art but I know what I dislike. Art history. It forces one to view paintings and sculpture through the medium of literature. Every word spoken in appreciation of art is a step away from true art appreciation, which

On the road | 11 October 2008

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For some reason October this year is yielding the kind of running about the place more normally associated with the summer festivals. From Naples to St Asaph, from Paris to Evora to St Omer and back to Evora in as many days with the added excitement of a broken-down Eurostar and various throat- and ankle-related

In the doldrums

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There’s something agreeably aimless, even melancholy, about late Saturday afternoons, after you’ve finished whatever you were doing in the day and before it’s time to go out. I found myself in a hotel room in Yorkshire last week at the crepuscular hour of 5.30, too lazy to do any work, too enervated to shower and

Moving vista

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Joan Eardley The Fleming Collection, 13 Berkeley Street, London W1, until 20 December The interplay between realism and abstraction that occurred in the 1950s and 1960s in British art gave rise to a number of fascinating paintings as artists struggled to resolve the balance to their own satisfaction. The co-existence of these extremes in the

Finding Pooter’s house

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These days, Charles Pooter, the City clerk and narrator of George and Weedon Grossmith’s The Diary of a Nobody (1892) — the enduring comedy of hum-drum middle-class, late-19th-century life — could never afford to rent (or buy) his six-bedroom house, The Laurels, in Brickfield Terrace, Holloway. The Pooters of this world fled north London a

Credit where it’s due

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This is a time for making the most of small mercies. One of the greatest of these, as the financial system collapses around us, is the splendid joke that is Robert Peston of the BBC. His extraordinarily camp, over-emphatic delivery would be perfect for reporting glitzy Broadway first nights but seems hilariously at odds with

Fickle fortune

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‘I couldn’t understand most of it. I mean I could understand each word but not when they were put together,’ says one of the characters in Tulips in Winter on Radio Three on Sunday night. I knew immediately what he meant. There was something wonderful going on in Michelene Wandor’s play word for word, but

A power to enthral

Arts feature

Henrietta Bredin on how book illustrations can bring the narrative to life The illustrations in children’s books play a crucial role in expanding the imaginative horizons of the reader and fixing the story in the memory. The very best book illustration is so inextricably linked to the text that it is hard to think of

IPod dilemma

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A musician friend of mine acquired his first iPod recently, and like small boys who don’t realise that everyone else went through this about five years ago, he and I frequently discuss our battles with the things. A musician friend of mine acquired his first iPod recently, and like small boys who don’t realise that

Lloyd Evans

Playing games

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Six Characters in Search of an Author Gielgud Riflemind Trafalgar Studios Pirandello, the master of pretentious bombast, is perhaps the most talent-free of all Nobel laureates. Here he is in the West End with one of his better-known experiments updated by Rupert Goold and his collaborator Ben Power. Playing games with the conventions of theatre

Sound sensations

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Why do some sounds endure to jolt the memory and take us back to a specific moment in time, like Proust’s taste sensations, while others fade away? The chunter-chunter-chunt of a steam train, for instance, is instantly recognisable even for those too young ever to have been on a ‘real’ steam journey. When they hear

Meditation on meaning

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Rothko Tate Modern, until 1 February 2009 The first thing that should be noted is that this exhibition is not the retrospective that its title implies. In fact, it’s a severely limited show, concentrating on the late work only. There are therefore none of the joyful, brightly coloured paintings that sell so well around the

Losing is the new winning

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How to Lose Friends and Alienate People 15, Nationwide How to Lose Friends and Alienate People is based on Toby Young’s best-selling memoir of the same name and, already, I know what you are thinking. You are thinking: what, a film based on Toby’s book? Well, he kept that very quiet, the sly old devil.

James Delingpole

Campaigning genius

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Jamie’s Ministry of Food (Channel 4, Tuesday); Ian Hislop Goes off the Rails (BBC4, Thursday) ‘People have a problem with me,’ claims Jamie Oliver, but I’m not one of them. I’ve had my doubts in the past — overuse of phrases like ‘luvly jubbly’, the Sainsbury’s ads, the general extreme jealousy of his stupendous wealth,

The turf | 1 October 2008

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An old friend in journalism, well aware that he was prone to conspiracy theories, especially where his own career was concerned, used to say to me, ‘Just because I’m paranoid doesn’t mean the bastards aren’t out to get me.’ So were the authorities out to get Aidan O’Brien when they convicted him and jockey Colm

Ayckbourn’s unflinching gaze

Arts feature

Veronica Lee profiles the playwright as the Old Vic revives his best-known work Alan Ayckbourn, so theatre lore has it, is the second-most performed British playwright after Shakespeare. So why has he become so unfashionable among theatre cognoscenti? Partly, it’s his own doing. In 2002, disillusioned by the musical-laden, drama-free territory it had become and

Michael Henderson suggests

Theatre   It promises to be a wonderful autumn for London’s theatre-goers. Ivanov, Tom Stoppard’s adaptation of Chekhov’s early play, has opened the ‘Donmar at Wyndham’s’ season, to superb reviews. Joining it in a quest to bring the increasingly dowdy West End into repute is No Man’s Land, Harold Pinter’s 1975 masterpiece, revived at the

Nanny knows best

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Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could ever leave England for good. Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could

A unique acoustic

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Robin Holloway on the unique orchestra layout that produces the Festspielhaus’s unique acoustic There was no space in my report last month, on a first visit to the Bayreuth Festival, for what was in retrospect its most exciting quart d’heure, a privileged informal investigation of the unique orchestra layout that produces the Festspielhaus’s unique acoustic.

Other people’s lives

Television

There was a sad moment in The Family (Channel 4, Wednesday) this week when Dad, the very long-suffering Simon Hughes, is inspecting his daughters’ bedroom, and doesn’t like what he sees. He has been assured that the room is neat and clean, so he responds with a blast of sarcasm. ‘Oh, look at this tidy,

Sense of occasion

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The first Rolls-Royce I drove was a 1960s Shadow, across the Cairngorms on the glorious A939 to Tomintoul. It was a memorable drive, clear skies, snow-capped mountains, little traffic. When we returned to his Speyside house the owner suggested I try his Jaguar XJ6, which he thought a better drive than the Shadow. It was: