Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

‘Culture knows no political borders’

Arts feature

Tiffany Jenkins talks to James Cuno about looting, exporting and owning antiquities James Cuno is a busy man. I pin him down between two projects: promoting the new Modern Art Wing at the Art Institute of Chicago, opening next year, where he is president and director, and the launch of his new book Who Owns

Torment of languor

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It’s easy to see the way opera Inszenierung is going. We are in for a spate of US-located productions, just as we emerge from 19th-century industrial locations and nondescript car parks. Hollywood, Las Vegas, the prairies, Texas oilfields and the omnipresence of TV, something we are hardly likely to forget, are where Poppea, Giulio Cesare,

Dystopian love STOR.E

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WALL.E, the latest CGI animation from Pixar in collaboration with Disney, has already been hailed as a ‘modern masterpiece’ — in America, at least — but I’m not so sure. It has a cracking, enthralling, wonderfully dystopian first half, but after that it appears mostly concerned with hurtling towards one of those predictable endings that

Lloyd Evans

Wasted journey

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The Royal Court’s search for new scripts has gone global. Its tireless talent scouts, assisted by the British Council, fan out across France, Spain, Russia, Nigeria, Syria and Mexico laying on seminars, workshops and ‘residencies’. They go to India, too, although quite why the Court spends energy nurturing dramatists in a country with the world’s

Shifting truths

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Before getting down to a discussion of Wyndham Lewis and an exhibition I’ve been looking forward to for months, I want to register a protest about this year’s recipient of the Wollaston Award at the Royal Academy Summer Exhibition. This prestigious prize is worth £25,000 and thus ranks with the Turner Prize as a top

Comprehensive prescription

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IT would have been fun to be at the planning meeting for Harley Street (ITV, Thursday), the new medical drama series about a group of stunningly good-looking doctors in private practice. ‘Look, we get all the bloody bits, the emotional traumas, and the scenes where someone’s pushed down a hospital corridor on a trolley at

Value for money

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How far will the proposed road tax changes influence what we actually buy in the new car market? Not as much, perhaps, as the government likes to think. After all, if you want something like the admirable Fiat Panda you are never going to look at the (differently admirable) Audi A8 anyway. It’s those in

Making sense

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If your ears go back, like a frightened horse, at the word ‘conceptualism’ when applied to modern art, you may not be very pleased to know that this is a hot topic in landscape design at the moment. If your ears go back, like a frightened horse, at the word ‘conceptualism’ when applied to modern

Alex Massie

Wodehouse on TV?

In response to this post, a reader asks how did I like the Fry and Laurie TV adaptations? Well, only up to a point is my answer. They are, probably, as good an effort as television can muster but they still, to my mind, fail to cut the mustard. An honorable failure, then. Or rather,

Summer Culture

Clemency Burton-Hill, who will be presenting The Proms on BBC 4 this summer, offers her suggestions for what to do and see on the cultural front this summer here. Well worth a read.

Thank you for the music

There’s no denying we are heading into a major recession. The newspapers are full of doom and gloom, inflation rates are sky-high, there’s an epidemic of knife crime, global warming weather seems to have totally bypassed England and yet everyone I met this weekend who’d been to see Abba’s Mamma Mia was grinning from ear

Alex Massie

Blogging Beckett

Noah Millman, one of my favourite bloggers, on Brian Dennehy appearing in Krapp’s Last Tape: It’s a marvelously devastating bit of theater, as Beckett should be.Krapp’s Last Tape is – and should be – a particularly uncomfortable play for a blogger. Here sits a man, a writer, having reached his grand climacteric, looking back on

What a carry on

Arts feature

James Walton suggests reading George Orwell in order to understand the appeal of Carry On films Recently, we’ve been hearing quite a lot about how the winds of revolutionary change blew through Britain in 1968. Which doesn’t really explain why, in 1969, the highest-grossing film at the UK box office wasn’t Midnight Cowboy, The Wild

Clemency suggests | 12 July 2008

Festivals In only its third year, the laid-back Latitude (17-20 July) has gained a reputation for being one of Britain’s finest festivals, and it certainly has one of the most enticing and interesting line-ups of any event this summer. More than a merely musical extravaganza, the beautiful site on Henham Park Estate in Suffolk will

Uncool fun

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My body aches, my bones creak and I have a nagging headache that paracetamol won’t shift. It’s a bit like having a hangover again, but mercifully without the attendant guilt. As I write, my son Ed, his friend Ollie and I have just spent the weekend at Guilfest, accurately and succinctly billed in the Daily

Lost in translation | 12 July 2008

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My interest in ridiculous sacred words began with a Victorian edition of Verdi’s ‘Requiem’, which I met at school. At the unbelievably splendid, and brassy, ‘Tuba mirum’ we were asked to sing the translation: ‘Hark! The trumpet sounds appalling’. I later discovered that there is a very enjoyable sub-culture of these things, mostly hidden away

Shifting combinations

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Margaret Mellis: A Life in Colour Until 31 August Constructed: 40 Years of the UEA Collection Sainsbury Centre for Visual Arts, until 14 December The painter and construction-maker Margaret Mellis has led a remarkable and productive life, though sadly she is now living out the remainder of her existence in the twilight of Alzheimer’s, confined

Wanted! Lost portraits

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Criminals can turn into detectives: consider the career of Eugène-François Vidocq, thief, convict and subsequently head of the Paris Sûreté. And, as we have seen recently in London, political journalists can metamorphose into successful politicians. So it is not all that surprising that, once in a while, an art critic should cross the line and

Lloyd Evans

Take two couples

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On the Rocks Hampstead In My Name Trafalgar Studios All Nudity Shall Be Punished Union Uh oh. Writers writing about writers writing. Amy Rosenthal’s new play is set in 1916 in a Cornish village. D.H. Lawrence, suffering from writer’s block, has suggested to the publisher John Middleton Murry and his lover Katherine Mansfield, who is

Super trouper

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Mamma Mia PG, Nationwide Mamma Mia has to be the most fun you can have with your clothes on. Or is it off? When you get to my age, it’s such a struggle to remember. Either way, though, if you are now expecting this review to be subtly and cleverly interweaved with punning ABBA song

James Delingpole

No rude awakening

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My favourite part of Banged Up (Channel 4, Monday) — the new reality show in which juvenile delinquents get to spend ten days in fake prison so they’re never tempted to end up in a real one — was the bit where the other inmates discovered Barry was a nonce. ‘Oi, Bazza. Just dropped me

A world elsewhere

Arts feature

Henrietta Bredin visits Oslo’s new opera house and finds it impressive, both inside and out Oslo is a small city, with a population of just over half a million, but it now boasts, funded entirely from the public purse, and on budget — Olympic Committee, please note — a spanking new all-singing, all-dancing opera house

Here be monsters

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The Mist 15, Nationwide As any fan of Howard Hawks, George A. Romero or John Carpenter will know, it’s not the monsters outside your window that you should worry about. It’s the people who are trapped indoors with you. Your friends, family, acquaintances and colleagues. The Humans. They’re the most horrific things of all. This

Inspired and thrilling

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Le nozze di Figaro Royal Opera House The first night of the latest revival of the Royal Opera House’s Le nozze di Figaro I count among the dozen, or perhaps fewer than that, most glorious evenings I have spent in the theatre. Figaro is the opera that a critic sees most often, and it is

Lloyd Evans

What about the Iraqis?

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Black Watch Barbican Whatever Happened to Cotton Dress Girl? New End Divas Apollo   Disney does death. That’s how Black Watch looks to me. The hit show has arrived in London with its bracing portrait of the famous Highland regiment. All its tactics and traditions are presented without criticism, including its devious recruitment policy. Get