The pick of the Elvis songbook
Stuart Reid suggests that if we really want to pay a fitting tribute to Elvis thirty years on from his untimely demise we should put up Lawdy Miss Clawdy. So here it is:
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Stuart Reid suggests that if we really want to pay a fitting tribute to Elvis thirty years on from his untimely demise we should put up Lawdy Miss Clawdy. So here it is:
I do not know whether, as was so often claimed, Tony Wilson, who has died aged 57, was a genius. But, as music mogul, club entrepreneur, loudmouth and zealous Mancunian, he was certainly one of the most important and remorseless figures in British popular culture of the past 30 years. Immortalised by Steve Coogan’s performance
‘I’m sure I’ve read this before,’ said the Fawn, skimming through my review of Heroes in the week-before-last’s Speccie. ‘I’m sure I’ve read this before,’ said the Fawn, skimming through my review of Heroes in the week-before-last’s Speccie. ‘You can’t have done, we were away when it came out,’ I said. ‘Well, it seems very
It was a bit surprising to find a programme marking the 62nd anniversary of the bombing of Hiroshima and Nagasaki on Radio Two (Tuesday), not Radio Four. The stations are changing, morphing into each other as they seek ever more urgently to catch that elusive thing, a dedicated listener. Next we’ll find Terry Wogan putting
When the public ignores a playwright, it’s not because the public is wrong but because the playwright deserves to be ignored. Director Paul Miller and translator Clare Bayley have ‘rediscovered’ an obscure Swedish novelist, Victoria Benedictsson, who wrote one play (and it shows) and then stabbed herself in the throat. Set in Paris, The Enchantment
Oh, to be an Early Adopter. They are the marketing man’s friends. Oh, to be an Early Adopter. They are the marketing man’s friends. Early Adopters buy only the latest thing, they are up to the minute, maybe even up to the second, these crazed opinion-formers whose reckless compulsion to spend all their money on
‘I fear the opera will be banned — unless the whole thing is parodied in a bad performance — : only mediocre performances can save me! Perfectly good ones will be bound to drive people mad, — I cannot imagine it otherwise.’ So Wagner famously wrote to Mathilde Wesendonck, his muse while he was composing
Why do people spend their lives doing something which makes them nervous, even to the point of making them sick? I have watched musicians go on stage so frightened that it has been obvious to everyone present that they could not possibly be about to perform as well as they could. They look pale, they
If you are planning a holiday visit to Shakespeare country and fancy a change of mood and visual pace from the usual round of sightseeing and theatre-going, Compton Verney is a splendid alternative destination. Besides the remarkable permanent collections of paintings, Chinese bronzes and English folk art, there is a programme of changing exhibitions which
On 30 January 1999, not long after the Royal Academy had mounted its second Monet exhibition, The Spectator published my first exhibition review. It was about a renewal of Cubism in the sculpture of Ivor Abrahams and began as follows: ‘The end of a century, like a wedding, notoriously calls for something new. A millennium
‘Hello, Gavin. Have you got the sackbuts with you?’ Administrative magician Rebecca Rickard is dealing with what is, for her, a fairly ordinary sort of phone call in the greater scheme of things. As it turns out, Gavin (Henderson) has indeed got no fewer than three sackbuts, and is planning to bring them with him
If we must have frequent Impressionist exhibitions, and it’s clear from the public’s insatiable appetite for them that we must, then at least let’s have good ones. The current show at the Academy is a well-conceived and enjoyable expedition into a theme. All too often themed shows seem forced — the art selected to illustrate
According to an Hellenic historian, Nebuchadnezzar built the Hanging Gardens of Babylon in the 6th century BC to make his wife, who was from a mountainous region of Iran, feel at home. In fact, he and other rulers of Mesopotamia before him (the first such gardens were probably at Nineveh) were seeking to impress a
L’Amore dei tre Re; Macbeth Montemezzi’s L’amore dei tre Re has had a puzzling history. It was first performed at La Scala in 1913 and was quite successful; far more successful under Toscanini at the New York Met, until after the second world war, and a fair number of performances elsewhere, often as a vehicle
A strange night at the Soho. Before curtain-up the place was crowded with people excitedly conversing with each other yet there was practically no noise. They were deaf. Signed conversation requires full and constant eye contact, which makes it more intense, intimate and animated than our conversation, and as I watched the deaf exchanging their
The older I become, the easier I find it to sink into that old-gittish state of believing everything has got worse with the passage of time. In my childhood there was the hippie movement, when young people felt that peace and love and expanding your mind might be a nice idea, helped along by the
Yet another rash of programmes has erupted marking the anniversary of yet another of Britain’s disastrous foreign policy decisions. At midnight on 14 August it will be 60 years since Nehru, as the prime minister of newly independent India, pronounced those fateful words, ‘A moment comes, which comes but rarely in history, when we step
I was fascinated to watch the low-key struggle the other day between BBC and ITV executives, and members of the Commons culture committee. The television people said they were appalled by the chicanery revealed in various programmes — premium-rate phone-ins, the show about the Queen, for example — and would take urgent steps to make
The death of Ingmar Bergman coincides with the re-release of his greatest film, The Seventh Seal (1957), a meditation upon death and the fear of godlessness set in the middle ages but inspired by the nuclear terrors of the Cold War. The bleakness of Bergman’s oeuvre is undeniable, but his films were not cold: there
Which super power would you choose? When I was young, the one I quite wanted was invisibility. I imagined myself sneaking into the bedrooms of all the girls I fancied and persuading them that I was an incubus come to satisfy their every desire. An ability to arrest time with a stopwatch would be a
Adorable, sensational Joseph. I was bowled over by this show, not just by the slick vitality of the 60-strong cast, not just by the teasingly satirical hippy-trippy lighting effects, not just by Preeya Kalidas’s gloriously stylish Narrator, and not just by the Mel Brooksian chorus-line of high-kicking Jewish shepherds, no — by the material. Talk
In idle mood — perhaps prompted by the news of terrible further flooding — I’ve just listened for the first time in many years to Peter Grimes. In idle mood — perhaps prompted by the news of terrible further flooding — I’ve just listened for the first time in many years to Peter Grimes. Idleness
As you’d expect — doh! — The Simpsons Movie has some glorious lines in it. Lisa to Marge: ‘I’m so angry.’ Marge to Lisa: ‘You’re a woman. You can hold it in for years.’ Bart to Homer: ‘This is the worst day of my life.’ Homer to Bart: ‘No, son. This is the worst day
Autograph-hunters are easily maligned. When not frequenting sci-fi conventions, they are to be found lurking like discomfited pigeons at film premières or the opening nights of West End theatre productions, clutching pocketbooks bearing signatures of the famous. Autograph-hunters are easily maligned. When not frequenting sci-fi conventions, they are to be found lurking like discomfited pigeons
The Naked Portrait Scottish National Portrait Gallery, Edinburgh, until 2 September, then Compton Verney, Warwickshire, from 29 September to 9 December The advance publicity I saw for this on the whole excellently curated exhibition contained a health warning: ‘Please note this show contains nudity. Children under 16 must be accompanied by an adult.’ The title
Così fan tutte; Summer ConcertRoyal Opera House The Royal Opera, for its last revival of the season, got Jonathan Miller to make over his 1995 production of Così fan tutte, everyone’s favourite Mozart opera these days, owing to its sceptical view of sexual relationships, combined with a subtle acknowledgement of how painful we often find
Andrew Lambirth delights in the National Gallery’s exhibition of a Golden Age I’ve been reading Still Life with a Bridle by the poet Zbigniew Herbert in preparation for Dutch Portraits: The Age of Rembrandt and Franz Hals at the National Gallery. It’s a fascinating collection of essays which examines and pays tribute to the Golden
Peter Suderman and Isaac Chotiner each highlight an interview with Matt Damon (who is promoting the latest Jason Bourne thrilla, The Bourne Ultimatum). I like Damon. He’s an increasingly interesting actor and his excellent performance in The Good Shepherd last year was every bit as under-rated as the movie itself. Nevertheless, he’s also an ass.
It’s official. A nation mourns. Mr Eugenides strikes a mournful, plangent note: Stop all the clocks, cut off the telephone,Prevent the dog from barking with a juicy T-bone,Silence the tambourines and with muffled drumsBring out the burger buns, let the ketchup come. Let cattle trucks circle moaning round the barnScribbling in the dirt the message,