The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
On the banks of the River Thames in central London, an ancient Egyptian obelisk, known as Cleopatra’s Needle, reaches towards the sky. Carved from a single slab of red granite, it is 69 feet tall, weighs a substantial 224 tonnes, is decorated with hieroglyphs, and was made for the Pharaoh Thotmes III in 1460 BC.
At last! It has taken over two years, but a British publisher has summoned up the nerve to bring out Going Clear, an astonishing exposé of the Church of Scientology by Lawrence Wright of the New Yorker. Wright — who won the Pulitzer Prize for The Looming Tower, his investigation of 9/11 — is the
Irvine Welsh’s 1993 debut novel Train-spotting flicked a hearty V-sign in the face of alarm-clock Britain. ‘Ah choose no tae choose life,’ crows its giro-cheating antihero Mark Renton, proudly enslaved to heroin instead of mortgage repayments. But when Welsh revisited his native Leith for a 2012 prequel, Skagboys, he threw over this bourgeois-taunting amorality for
What is it about birds? They are the wild creatures we see most often, their doings and calls a daily reassurance that humans are not isolated in our sentience. They descend from the first reptiles, while we come from the first mammals. Across a gulf of evolution we contemplate a parallel life which has evolved
The plot of Hideo Yokoyama’s Six Four begins in 1989, with the murder of Shoko, a seven-year-old girl. Fourteen years later the perpetrator has yet to be apprehended, and the case is viewed as Tokyo’s police force’s most damning failure. The commissioner of police plans to visit the home of Shoko’s father to pay his
‘Now I am a mother and a married woman, but not long ago I led a life of crime,’ begins this really very short book (assisted here, in its lumpen-ness, by the ingenious placement of two or three blank pages in between each of its 16 very short chapters). But it is not something scratched
Given this year’s 400th anniversary of Shakespeare’s death, there was always going to be a slew of new publications; few, I suspect, will have as long-lasting an effect as John Kerrigan’s. His field of inquiry is both straightforward and complicated. It is almost retrospectively obvious that Shakespeare’s plays contain a great amount of vows, oaths,
[audioplayer src=”http://feeds.soundcloud.com/stream/260046943-the-spectator-podcast-obamas-eu-intervention-the-pms.mp3″ title=”Lloyd Evans and Dr Daniel Swift discuss how Shakespeare died” startat=1008] Listen [/audioplayer]Who’s there? Shakespeare’s most famous play opens with this slightly hokey line, and the question remains for his countless audiences, biographers and scholars. Who was this man? What makes his works so apparently endless? Like the plays, his life is studded
Nicola Barker is both prodigiously talented and admirably fearless. I have loved her books. But for some time I had little or no idea what the point of the story of Sri Ramakrishna was. In fact he was one of the outstanding men of 19th-century India. Characteristically of Barker, the narrative of her latest book
Modern life is too fast. Everyone is always in a hurry; people skim-read and don’t take the time to eat properly; the art of conversation is dying; technology places too much stress on the human brain. This litany of familiar complaints comes, of course, from the late 19th century, as collected by the American writer
In his friendly and beguiling voice, Jean-Christophe Rufin explains (in a way that reminded me of the pre-journey relish of Camilo José Cela’s Journey to the Alcarria) that, before setting off on foot for Santiago de Compostela, he went to a little shop in Paris and joined the Association of Friends of St James. I
Well, he’s back. Though you’d be forgiven for thinking he’d never been away. Fresh from delivering the Reith lectures, exhibitions nationwide, various television shows for Channel 4, countless broadsheet interviews, building his ‘dream house’ in Essex and much else besides, Grayson Perry is back. His latest offering is a book of sketches, selected from across
In deciding to write a book about her forebears and herself, Juliet Nicolson follows in their footsteps. Given that her grandparents were Harold Nicolson and Vita Sackville-West, and her father was Nigel Nicolson, that they all wrote copiously about themselves, that Knole and Sissinghurst are stuffed with family records, and that she is herself a
The mechanic, blinded in one eye by shrapnel, spent three days searching for his family in the destroyed buildings and broken streets of Darayya. Finally he found his father’s body in a farmhouse, alongside those of three boys, already starting to decay. ‘Can you tell me why they would kill an old man?’ he asked,
‘Insufficiency’ is a favourite David Szalay word. The narrator of his previous novel, Spring, suffered from ‘insufficiency of feeling’; in this new collection of carefully juxtaposed tales, a Scottish ne’er-do-well adrift in Croatia decides his smile is ‘insufficient’. Szalay’s dissections of masculinity can produce wonders from such banal anxieties. Over 400 pages, he goes to
‘This happens to other people.’ The Guardian journalist Decca Aitkenhead says she had heard the phrase countless times, interviewing the survivors of random disasters, and the idea had always puzzled her: ‘Why would they think other people are any different from them?’ But when her partner of ten years drowned while rescuing their small son
Military history is more popular than respected. It is not hard to see why. It is masculine history, a trifecta of logistical planning, technical detail and violent death. It shows the value of hierarchy and duty, sacrifice and patriotism — disgraceful notions which the young and impressionable might be inspired to emulate. And,with its sudden
Is there anything new to be said about T.E. Lawrence? I mean, really. In the century since his stirring exploits in the Arabian desert we have had all manner of biographies, from simpering hagiography to heartless hatchet job. We have had Lawrence the colonial hero and faithful imperial servant; Lawrence the linguist, explorer and spy,
Peter Popham is commendably quick off the blocks with this excellent account of the run-up to last November’s Burmese general election, in which Aung San Suu Kyi’s National League for Democracy swept the board. At the time of writing this review, Suu is taking four ministries, including foreign affairs. So she will do what she
All it takes is a spark. In her compelling new thriller, Ten Days (Canongate, £14.99), Gillian Slovo tracks the progress of a riot as it spreads across a rundown London estate. When Ruben, a black man of fragile nature, is accidentally killed in a police action, his friends and neighbours gather to protest his needless
Many of the great faith narratives (the Holy Quran being a notable exception) are clumsy, rough-hewn things; makepiece amalgams of different texts from an abundance of sources that have been gradually hacked together over hundreds — sometimes even thousands — of years. Most have been found useful or resonant (spiritually and politically) at various stages
This is a very upsetting book. The Harvard sociologist Matthew Desmond spent a year and a half living in low-income housing in Milwaukee — first in a trailer park on the mostly white South Side and later in a rooming house in the black inner city. Desmond himself plays no part in the body of
The Comintern was the name given to the international communist network in the Soviet era, advancing the cause wherever it could. The ‘Homintern’, a wry play on that, was first coined at Oxford by Maurice Bowra and gladly passed on by Cyril Connolly, Auden and others, inferring an international homosexual network of mutual interest and
While reading this book in a London café, I was politely buttonholed by an Irishman: ‘Sorry to disturb you, but I saw what you were reading and wondered how far back it went.’ I answered that, as it was a group biography of the men who led the Dublin Easter Rising of 1916, it began
Garth Greenwell’s debut novel is as dreary and oppressive as the Soviet-era apartment buildings among which it takes place. But presumably this was intentional. Having grown up in a rural backwater where ‘disease was the only story anyone ever told about men like me’, the book’s American narrator, a teacher in Sofia, seeks to escape
Every second novel is fated to be measured against its predecessor; and that comparison is particularly hard when the debut in question was acclaimed (Jenni Fagan’s The Panopticon was shortlisted for the Desmond Elliott Prize) or held to exemplify some modish literary sub-genre. Fagan’s style was tagged as ‘gritty Scottish realism’, and ill-served by comparisons
His professional achievements aside, Quentin Blake’s life has been rather short on biographical event, so this book is not a biography. (That gets dispatched briefly in a six-page timeline.) Rather, it’s a grateful appreciation — partisan, certainly, but well argued — of all that this remarkable artist has given us. Through his books, his pictures
Spectator readers know Andrew Taylor from his reviews of crime fiction. Many will also know him as an admirable writer of the stuff. In a recent issue, however, he remarked that there are fewer murders now, and added that this made things difficult for crime novelists. Detection has been taken over by the scientists, DNA
The Iliad begins with a grudge and ends with a funeral. In between are passages, if not necessarily of boredom, to alter the war adage, of lists, pathos, sex, humour, fairytale strangeness (golden fembots, a talking horse) and lyric images, punctuated by moments of pure terror (eyes popped out of heads, a spear throbbing in