Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

When we dropped the Bomb by mistake

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In January 1976 New York’s late-lamented National Lampoon produced a bicentennial calendar as a contribution to the general rejoicing. For every day of that year a selection of disastrous news events was commemorated. Presidents of the United States were cut down, marine life was wiped out by oil spills, native Indian women and children were

The long and winding story of the Danube

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For much of its history the Danube has been a disappointment. It looks so tempting on the map but, far from being a natural motorway for trade and ideas, its sheer awkwardness has thwarted generations of visionaries, engineers, soldiers and dictators. Freezing up, expanding into baffling flood-plains, racing through narrow defiles and randomly scattered with

Simon Winchester slides off the map

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This book begins with Simon Winchester becoming a US citizen two years ago: ‘I swore a solemn oath before a federal judge on the afterdeck of the warship USS Constitution in Boston Harbor.’ On several occasions during the 450-plus pages that follow, I wondered if becoming a US citizen had driven him a bit mad.

The men who invented Napoleon

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Writing about Napoleon is a risky business. It exposes the author to the brickbats of the blind worshippers for whom he is a numinous hero and the equally challenged detractors who see in him only the petty tyrant. By the same token, most historians find themselves negotiating a slippery path between approval and censure of

A life of Michelangelo on the grand scale

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Early on in this dazzling new biography, Martin Gayford compares Michelangelo, with his daunting artistic tasks, to Hercules, the subject of an early (and now lost) sculpture. A Michelangelo biographer is likewise faced with an intimidatingly Herculean task. ‘Few other human beings except the founders of religions,’ acknowledges Gayford, ‘have been more intensively studied and

James Bond, author

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There is one last James Bond book from the late 1950s that remains unpublished. We will not find the typescript lurking in the archives, nor hidden amongst the papers held by Ian Fleming’s estate, for this book is not about James Bond but written by Bond himself. It is from Fleming’s 1959 novel Goldfinger that

Why is Doris Kearns Goodwin raking up old muck?

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Theodore Roosevelt and the Progressive Era are well-worn subjects for both professional and amateur historians, so it’s pertinent to ask why Doris Kearns Goodwin devoted so many words —and her considerable reputation — to the writing of The Bully Pulpit. Kearns’s thesis seems clear enough: at the close of the 19th century, mythically egalitarian America

What nannies know

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Soon after moving to London at the age of 20, Nina Stibbe wrote to her sister Vic saying, ‘Being a nanny is great. Not like a job really, just like living in someone else’s life.’ She was working for Mary-Kay Wilmers, the editor of the London Review of Books, and her letters home to Lincolnshire

Weaving Scotland’s history

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A couple of years ago, while tracking down paintings for the Public Catalogue Foundation in the far north of Scotland, I had the chance to see a rarely displayed sequence of banners, created in 1993, telling the story of Earl Rognvald’s epic voyage to Jerusalem in 1151. Suspended between the pillars of the shadowy nave

In defence of Herodotus

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How many writers would give their eye teeth to have a book reissued 2,500 years after their death? It certainly beats being pulped after a year or two. And who better to receive the Penguin Hardback Classic treatment than Herodotus, the fifth-century BC ‘Father of History’, he to whom historians today owe so much, whether

Secrets of the Kremlin

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A building bearing testimony to the power of eternal Russia; a timeless symbol of the Russian state; a monument to Russian sovereignty. To the modern eye, the Kremlin fortress seems as if it had always been there, as if it had never changed and never will. All of which is utter nonsense, as Catherine Merridale’s

Sam Leith

How honest was Bernard Berenson?

Lead book review

When the great Jewish-American art expert Bernard Berenson died in 1959, he had acquired the status of a sort of sage. He was the relic of a prewar culture that had vanished. He was an embodiment of the idea of connoisseurship that had at once given birth to a great boom in art collecting and

The mad, mum-fixated maiden aunt of modernism

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Marianne Moore’s poems are notoriously ‘difficult’ but her personality and the circumstances of her life are as fascinating today as they were to the avant-garde writers and artists of 1920s New York. Much of the fascination lies in the contrast between what Linda Leavell calls Moore’s ‘maiden-aunt persona’ and her position as a ground-breaking modernist,

What family life — and love — was like in East Germany

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Historians still argue over whether the regime of the GDR can be called a totalitarian one. Some say that the definition reduces the difference between the Socialist Unity Party and National Socialism —that the Nazis left millions dead while the SED left millions of Stasi files. It’s a loaded question, and one that will occur

Competition: That was the year that was

Spectator literary competition No. 2828 As the New Year hurtles towards us, it’s time for a retrospective commentary, in verse, on 2013. Please email entries of up to 16 lines to lucy@spectator.co.uk by midday on 9 December (the shorter deadline is because of our seasonal production schedule). The recent competition to supply a poem for

A book that’s inspired by a movie (for a change)

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Books become films every day of the week; more rarely does someone feel inspired to write a book after seeing a film. Peter Conradi’s Hot Dogs And Cocktails tells the story of King George VI and Queen Elizabeth’s visit to North America in the summer of 1939 and specifically the couple of days they spent

Have a crime-filled Christmas

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Pity the poor novelist whom commercial pressures trap within a series, doomed with each volume to diminish the stock of options for the next one. It’s even harder when the series is not yours to begin with. Jill Paton Walsh has now written her fourth instalment of the Lord Peter Wimsey and Harriet Vane detective

When Francis Davison made me judge — and burn — his art

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In 1983, Damien Hirst saw an exhibition at the Hayward Gallery of the collages of Francis Davison which ‘blew him away’. He spent the next two years trying to emulate them, in vain. As he discovered, although Davison’s works might look casually thrown together, they are in fact immaculately crafted orchestrations of colour, shape and