The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
If you haven’t already done so, I urge you to read Jenny McCartney’s piece in this week’s issue of the magazine. Together with Christopher Fletcher’s personal appreciation of Seamus Heaney published here earlier this week, it is among the most original and thoughtful takes on the late Nobel Laureate’s life and work. It’s typical of Jenny’s
Happy New Year! No, it isn’t three months’ early if you’re Jewish, and those of you who aren’t might like to cash in on the celebration. So, in honour of Rosh Hashanah – Jewish New Year – today, I thought I’d pick out a few of my favourite Jewish books. This proved to be such
Philip Ziegler is best known for his biographies, often official, of politicians, royalty and soldiers. They include Harold Wilson, Edward VIII and Louis Mountbatten, whose correspondence he also edited. What has driven him to write about an actor — and one whose life has been fully covered in so many biographies, the most recent being
The term ‘419’ is drawn from the article in the Nigerian penal code that addresses fraud. However, it has transcended its origins in statute and become shorthand for trickery across West Africa. When I worked as a correspondent in Sierra Leone, 1,400 miles from Nigeria’s capital Abuja, the phrase was in widespread use. Deception is
Novels about growing up have two great themes: loss of innocence and the forging of identity. With this sparky, sharp-eyed and often painfully funny novel, her fourth, Charlotte Mendelson (winner of the Somerset Maugham and John Llewellyn Rhys prizes and now on the Man Booker longlist) explores both through the story of a girl and
Why do we know so little about the Habsburg empire, given that it is the prime formative influence on modern Europe? Its pomp gave us the art, music, literature and pageantry of our high culture; its relationship with the Ottoman East and burgeoning European protestantism drew our religious and our political maps; its collapse fomented
In Germany in 1923 money was losing its value so fast that the state printing works could not keep up. The work had to be contracted out to 130 different printing firms, all churning out marks with the lifespan of mayflies. Only ten years earlier, the mark had been as good as gold. Then Germany
His publishers describe this ‘ground-breaking book on evolution’ by ‘the most celebrated living heir to Darwin’ as ‘the summa work of Edward O. Wilson’s legendary career’. As emeritus professor of biology at Harvard, Wilson, now 84, is revered across the world as the doyen of Darwinists. And in announcing that he will offer a new
This biography has somewhat more news value than most literary biographies. Its subject worked hard to ensure that. After 1965, J.D. Salinger, having published one novel, a volume of short stories and two pairs of novellas, withdrew permanently from public life. His last publication, a long story entitled ‘Hapworth 16, 1924’, was never printed in
Sound the trumpets. Let rip the Byzantine chorus of clattering bells and gongs, the thunder of cannons, drums and flashing Greek fire. Raid cellars and let champagne corks fly. Eighty years after Patrick Leigh Fermor’s epic trudge across Europe, 20 years after the death of his long-suffering publisher Jock Murray, ten years after the passing
Have school libraries had their day? The printed book’s previously unassailable supremacy as the medium of learning is rapidly being replaced by other more sophisticated electronic means. Books are still popular among the young, often promoted by social networking, but with the internet and much else, is their future (if they have one) merely recreational?
The Guardian notes that Ladbrokes and William Hill share Philip Hensher’s hunch for the Booker shortlist, which is to be unveiled next week. ‘Hunch’ isn’t the right word. Hensher wrote in these pages a fortnight ago: ‘The shortlist should comprise McCann, Tóibín, Mendelson, Crace, House and Catton. House’s novel is the one you ought to
Our unrelenting appetite for historical drama is fed by a ceaseless stream of novels and dramatisations – usually, these days, something to do with those naughty Tudors. Perhaps it is how my generation, dosed on pick n’ mix modules and special options (Industrial Revolution or Origins of WW1 anyone?), recovers lost ground. But it is
It may be that only geological erosion, expected to occur sometime over the next ten million years, will finally remove Gibraltar as a source of friction between Britain and Spain. In the meantime, with a poll showing that nearly two thirds of Spaniards support their government’s current tough line on the territory, David Cameron has
‘So.’ So begins Seamus Heaney’s translation of ‘Beowulf’. I know it didn’t come easy to him. The morning after he had been awarded the Whitbread Prize for the work I found myself having breakfast at the Savoy with him and his wife Marie. I’d asked some time before whether I could borrow some of the
For a few days last week, it seemed that Jonathan Lethem had achieved something unique: he had become the first person to use a particular four-letter word – the one beginning with F – in the New York Times. (Sensitive readers should be warned that I will stop using euphemisms after this sentence.) ‘I’m delighted,’
It’s one of the most famous – indeed infamous – episodes in English literary history. In the summer of 1816 Lord Byron took a villa on the banks of Lake Geneva. He was attended by his doctor, John William Polidori, and another nearby house was rented by Percy Bysshe Shelley, Mary Wollstonecraft Godwin, with whom
The unlikely heroine of Mave Fellowes’s Chaplin & Company (Cape, £16.99) is a highly-strung, posh-speaking, buttoned-up 18-year-old with the unhelpful name Odeline Milk. Utterly friendless, she dislikes both humans and animals, but she has one huge, far-reaching private passion. She wants to be a mime artist — like the great Marcel Marceau. To launch her
Almost 30 years after his death, François Truffaut remains a vital presence in the cinema. Terrence Malick and Wes Anderson are among maverick directors who have acknowledged their debt to him, while Noah Baumbach’s recent Frances Ha is in part an hommage à Truffaut in a way the French director would have appreciated: for example,
This is a book about the clash of faith and reason over the truth or otherwise of a catastrophic, world-shaping flood — and it doesn’t once mention climate change. The debate here is much less stale. David Montgomery is a prize-winning geology professor at the University of Washington, Seattle, and he recounts the history of
I’m now half way through Atlas Shrugged and I’m loving almost every moment. But Ayn Rand isn’t someone you read for pleasure, I’m beginning to realise. She’s someone you read so you can underline sentences and scrawl in the margins ‘Yes’, ‘God that is so TRUE!’ and ‘YES!!!’ For example, at the heart of the
On hearing that Easy Jet had changed its hand luggage allowance, two questions struck me. First, was the airline in league with the luggage makers’ guild? Second, which paperbacks would replace the hardbacks I was going to take with me to the beach? Such considerations may strike you as ‘old world’, a bit last century.
Thick, sentimental and with a narrative bestriding four decades, Meg Wolitzer’s The Interestings feels above all like a Victorian novel, one which finds itself as comfortable in our time as it would have been 150 years ago. It’s an American story ruled by classic English themes. Fate, coincidence, class and envy are what bind —
The two opening volumes of Margaret Atwood’s trilogy have sold over a million copies. One of them managed to be shortlisted for the Man Booker prize in the nadir year that D.B.C. Pierre’s Vernon God Little won. Entitled Oryx and Crake (2003) and The Year of the Flood (2009), they depict planet Earth after humankind
Frederic Raphael is forensic in his description of the failures of successful people. He is enviously superior and he is partial to the clever oxymoron: ‘predatory caution’, ‘reticent curiosity’, ‘intimidating reassurance’. It is as though he cannot see an abstract noun without qualifying it with a contradictory adjective. It is a kind of shorthand cleverness,
Denise Mina’s 11th crime novel, The Red Road (Orion, £12.99), is one of her best, which is saying a good deal. Set in Glasgow, it marks the return of Detective Inspector Alex Morrow, mother of twins, sister of a gangster and equipped with too many sharp edges to prosper in her career. She’s a key
Had Onan not spilled his seed upon the ground, he might have invented invisible ink. The possibility had not occurred to me until I read this account of the start of Britain’s intelligence services. Even then the implications seemed so startling as to be barely credible — that the entire trade in espionage, including the
Justin Cartwright is famously a fan of John Updike — and here he seems to owe a definite debt to one of his hero’s lesser known novels. In Memories of the Ford Administration, Updike interwove the sexual adventures of a 1970s history professor with substantial chunks from the professor’s notes on President James Buchanan, a
This short memoir deserves a longer review than this, encompassing, as it does, migration, intellectual excellence, a successful professional life, two marriages, children and an honesty and contentment not usually found in close proximity. Miriam Gross (née May), with a Jewish legal background (both her parents, who left Nazi Germany in 1933, were lawyers), was