The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
This is the ninth and final volume of the sequence, eliding fiction and autobiography, in which Philip Roth’s alter ego Nathan Zuckerman is narrator and protagonist. In the first volume, The Ghost Writer (1979), the still emergent author makes a pilgrimage of homage to a literary veteran, E. I. Lonoff, once highly praised for a
I was once given a poetry lesson by Kingsley Amis during which he said of unintentional rhymes and assonances in blank verse, ‘Never make the reader pause without profit.’ In The Model by Lars Saabye Christensen, the profitless pause count was wearyingly high. On page 3 and 4 the central character, Peter Wihl’s wife, is
Caryl Phillips has found his niche, as a master of historical ‘re-imaginings’. To blend real sources and fictional interpretations into a continuous narrative requires expert control, and he has it. Foreigners tells the heartbreaking stories of three black men struggling, and ultimately failing, to find their footing in England. It follows Dancing in the Dark
Shakespeare may be the man of the previous millennium, but he is doing pretty well in the current one, too. Always at the heart of literary academia (inspiring around 4,000 books, monographs and other published studies each year), he has of late recaptured the general reader, thanks to an annual procession of well-received biographies from
‘I find that the earth is not as round as it is described, but it is shaped like a pear,’ Christopher Columbus wrote after his return from America, ‘with a woman’s nipple in one place, and this projecting part is highest and nearest heaven.’ Determining the shape of the surface on which we live is,
It’s terribly distasteful and revolting. I am now going back to the boring and tasteless Anna Karenina, with the sole desire to finish and free up some time . . . I am fed up with my Anna; and am dealing with her as with a pupil who has turned out to be unmanageable. Everything
David Peace’s astringent novels inhabit the borderland between genre and mainstream fiction. His work includes the Red Riding Quartet and GB84 (winner of the James Tait Black Memorial Prize). Like its predecessors, Tokyo Year Zero (Faber, £16.99) is precisely grounded in its historical context — in this case Tokyo in August 1946, a year on
The stories of this volume are not so much stories, in the sense of having a plot and characters, but rather homilies, in which the dominant notes are anti-Zionism, anti-Americanism, and a rather nice line in irony (often directed against Muslim fundamentalists). One of the best is ‘The Suicide of the Astronaut’, in which a
As the train trundled down to Littlehampton one warm summer afternoon in 1988, I was filled with excitement at the thought of meeting Anita Roddick. I had arranged to interview her for a book called The New Tycoons, which I was writing with my Sunday Times colleague John Jay, now my husband. Roddick was already
Last night, The Spectator hosted its first book launch at our new home in Old Queen Street. And how apt that it should be in honour of The Triumph of The Political Class (Simon and Schuster, £18.99), by our very own Contributing Editor, Peter Oborne. You can read some of the arguments advanced in this
V. S. Naipaul is one of the more striking figures of the great Indian literary diaspora. Yet he was not born in India and has never lived there. His family were originally impoverished high-caste peasants from the region of Gorakhpur. His grandfather migrated to Trinidad as an indentured servant at the end of the 19th
Globalisation is not as new as we sometimes like to think. Within a mere five years of the publication in 1798 of Jenner’s tract about vaccination, Dr Francisco Xavier de Balmis set sail to the Spanish colony of New Spain (Mexico) with a view to introducing vaccination there. Having done so successfully, he sailed on
The pictures display a man moulded out of pure grade testosterone — a broad-shouldered figure, a face lined and pouched with sensuality, a nose to buttress a cathedral, and ice-grey, challenging eyes. The words reveal something different — a calculating, feline intelligence, self-absorbed, avid for attention, and entirely ruthless in pursuit of its prey. The
In the original Decameron by Boccaccio (mid-14th century) ten characters get together and tell stories within a narrative framework. It is an immensely attractive idea for a writer and has been used periodically ever since, notably by Chaucer. This is the basis for Fay Weldon’s latest novel. However, it has an odd and unattractive contemporary
Was Agatha Christie a good writer? The American critic Edmund Wilson was one of the unhappy few who thought not. In 1944 he wrote a famous essay on Christie whose contentious (and contemptuous) tone can already be inferred from the rhetorical question which its title poses: ‘Who Cares Who Killed Roger Ackroyd?’. That title, in
Ursula’s story begins at dawn on the day her ex-husband is to marry his new love. Ursula lies awake, alone with her bitter thoughts, until a reporter rings seeking her reaction to the wedding. For Bill Osborne is no ordinary ex; he edits a national newspaper and hosts a popular television series, while his new
Lavinia Greenlaw’s clever riposte to the High Fidelity band of writers (a misogynistic group who believe that an obsession with pop and rock is strictly for boys) is a memoir that takes us back through her teenage years in the Seventies to the accompaniment of T. Rex and War’s ‘Me and My Baby Brother’. Music,
The eight short stories which form this collection began life in a multicultural magazine called Metro Eirann, which was set up in 2000 by two Nigerian journalists living in Dublin. Roddy Doyle heard of the magazine, liked the idea, and offered his services. As he says, in his introduction: There’s a love story, a horror
‘The Craftsman’ is one of my favourite Kipling poems: ‘Once, after long-drawn revel at The Mermaid, /He to the overbearing Boanerges /Jonson, uttered (if half of it were liquor, /Blessed be the vintage!)’ ‘The Craftsman’ is one of my favourite Kipling poems: ‘Once, after long-drawn revel at The Mermaid, /He to the overbearing Boanerges /Jonson,
Alternative reading Fences and Gates, Walkways, Walls and Drives by E. Annie Proulx E Annie Proulx is the Pulitzer Prize-winning author of The Shipping News and Brokeback Mountain: she has also won the PEN/Faulkner Award, the O. Henry Award and the Dos Passos Prize, and is thus one of the most lauded of all American
Thames: Sacred River by Peter Ackroyd For some reason, the sight of the sea or a river in any historical film always strikes the viewer with a shock, as though some gross anachronism had been committed. It looks frankly very odd to see people walking along a beach, or even by the side of many
Diary of a Bad Year by J. M. Coetzee In the last scene of J. M. Coetzee’s Booker Prize-winning novel, Disgrace, the main character, David Lurie, helps to put down homeless dogs. He places their remains in black plastic bags and takes them to the incinerator. Until then, Lurie has not shown himself to be
Singled Out by Virginia Nicholson One day in 1917 the senior mistress of Bournemouth High School for Girls told the assembled sixth form, ‘I have come to tell you a terrible fact. Only one out of ten of you girls can ever hope to marry.’ She was right. Nearly three quarters of a million young
Exit Music by Ian Rankin ‘You … are … history.’ Approx- imately halfway through Ian Rankin’s latest and surely most brilliant thriller Exit Music, these appalling words are spoken to D. I. John Rebus by his superior. What is worse, Chief Constable James Corbyn means it. He’s not simply referring to the fact that Rebus
The Golden Age of Censorship by Paul Hoffman T. S. Eliot thought it a curiosity of our culture that we use the word ‘taboo’ purely negatively. The word ‘censor’ is surely similar: the notion that any person or society could survive for long without some forms of censorship is fatuous, and yet it is something
Euan Uglow: The Complete Paintings Catalogue raisonné by Catherine Lampert; Essays by Richard Kendall and Catherine Lampert Whether we know it or not ‘we crave the inexpressive in art’, Bernard Berenson wrote, as an antidote to the sensationalism of ‘the representational arts most alive, the cinema and the illustrated press’. He was writing about Euan
A Pembrokeshire Pioneer by Roscoe Howells In 1903, in one tremulous little 12-second hop, just 10 feet off the ground, Orville Wright made the first powered flight by a man. Or was it? In the village of Saundersfoot on the Pembrokeshire coast there is the belief amongst the old who can still remember what their
Zugzwang by Ronan Bennett Zugzwang, from the German Zug (move) and Zwang (obligation), is a term used in chess when the player whose turn it is to move has no move that does not worsen his position. It is not merely a bad position, but the state of being obliged to move when no move
Them and Us: The American Invasion of British High Society by Charles Jennings A dinner-party hosted by Chips Channon at his ostentatious Belgrave Square flat in 1936 frames this book. It is described in the introduction and appears again in the final chapter, for its composition defines what had gradually happened to high society in