Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A brutal education: At Night All Blood is Black, by David Diop, reviewed

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Alfa Ndiaye, a Senegalese soldier fighting for France in the trenches of the Great War, is consumed by bloodlust, which you’d think might be an asset under the circumstances. But after watching the protracted, gruesome death of his friend and ‘more than brother’, Mademba, a switch is flicked in Alfa’s mind. He becomes, in effect,

Tortured youths: how childhood misery often makes for genius

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Greatness. Genius. Can you bottle it? Is there a formula? Inspired by his Radio 4 series Great Lives, Matthew Parris delves into the childhood background of some big names to see whether there are common denominators, and rather gives the game away in the title, Fracture: Stories of How Great Lives Take Root in Trauma.

A closing of ranks: The Searcher, by Tana French, reviewed

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If the homage wasn’t clear from the title, Tana French makes sure throughout The Searcher, her seventh novel and second stand-alone, that there’s no doubt which genre we’re in. ‘We’ll bring you for a pint, welcome you to the Wild West,’ a cheery local Garda tells her hero, Cal Hooper. ‘They used this rifle in

Claire Messud helps us see the familiar with new eyes

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The title of this collection of journalism is a problem. Not the Kant’s Little Prussian Head bit, which, though opaque, is explained in the text. It’s from Thomas Bernhard’s novel The Loser and is quoted by Claire Messud in the title essay: ‘We study a monumental work, for example Kant’s work, and in time it

Harold Bloom finally betrays how little he really understood literature

Lead book review

Tennyson’s poem ‘Mariana’ has gone everywhere in the world since 1830. A professional scholar in Uruguay, Papua New Guinea or New Haven, Connecticut, reading the lines ‘Weeded and worn the ancient thatch/Upon the lonely moated grange’ might want to ask a few questions. Do English houses ever have moats? (Yes — Ightham Mote and Madresfield

Tanya Gold

The journalists who scripted the golden age of Hollywood

Arts feature

When talkies appeared in 1927, Hollywood went searching for talkers to write them. It turned to men like Herman J. Mankiewicz: to journalists. The greatest screenwriters of the golden age were journalists first; unlike novelists, they thrived in Hollywood — at least professionally. Good films and good journalism need brevity; novels don’t. Reading about F.

In defence of the tyrannical male maestro

Classical

Praising the grand old maestri of the podium isn’t a good look, as they say on Twitter. Conductors such as Herbert von Karajan, Leonard Bernstein and Georg Solti used to be lauded for the thrilling energy and sumptuous sound of their performances and recordings. These days if anyone mentions their names it’s only to list

James Delingpole

Did any of this actually happen? The Crown, season four, reviewed

Television

‘We have to stop it now!’ says Princess Margaret (Helena Bonham Carter), smoking another cigarette, obviously. She’s talking about the impending royal wedding between her nephew Charles and a pretty but gauche young thing called Lady Diana Spencer. Spoiler alert: none of the family will listen. Yes, The Crown is back on Netflix for its

A gripping portrait: Billie reviewed

Cinema

This documentary about Billie Holiday is transfixing. Not just because it’s about Billie Holiday — I am not into jazz yet her version of ‘Strange Fruit’ is obviously incredible — but for the previously unheard audio tapes recorded by Linda Lipnack Kuehl in the 1970s with the people who knew her. This includes, for instance,

Gardening books for Christmas — reviewed by Ursula Buchan

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Dan Pearson is one of the finest of all British garden designers, blessed with sensitivity, a wonderful eye, deep plant knowledge and a willingness to experiment. In Tokachi Millennium Forest: Pioneering a New Way of Gardening with Nature (Filbert, £40) he describes how a 400-hectare parcel of agricultural land and forest in the shadow of

The autistic mind could hold the key to the future

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An old, cynical adage holds that ‘if all you’ve got is a hammer, everything looks like a nail’. I remembered that aphorism while reading the new book by Simon Baron-Cohen, one of the world’s leading authorities on autism, in which he unpicks the instincts and processes that have driven human progress. His conclusion? The great

Universities are supposed to encourage debate, not strangle it

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Liberal values are under attack on two flanks. Those of us who think extensive freedom of expression, universal human rights and respect for science and evidence-based policies are vital for a healthy society are getting worried. We foresaw the rise of a dogmatic right-wing populism that is as sceptical about truth as Pontius Pilate, but

The courage of a madman: Maurice Wilson’s doomed assault on Everest

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Reinhold Messner, the first person to climb all 14 of the planet’s peaks higher than 8,000 metres, is probably the finest high-altitude mountaineer in history. His list of astonishing achievements on dangerous ice-clad crags includes the first solo ascent of Mount Everest without use of oxygen. Yet as he sat exhausted at 26,000 feet with

From light into darkness: the genius of Goya

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The great Spanish artist Francisco Goya was born in Zaragoza in 1746, the son of a gilder whose livelihood was doomed by the new fashion for marble. The young Goya first studied in his home town before graduating to Madrid, rising through academy and court circles and navigating his way through the reigns of three

Driven to distraction — the unhappy life of Vivien Eliot

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Do you think your mother slept with T.S. Eliot? That was the question I needed to ask the 98-year-old in front of me. It wasn’t easy. I’d never met him before. After some preliminary chat, though, I realised this affable man knew exactly where our conversation was heading and had pondered the question a good

Books of the Year II — chosen by our regular reviewers

Lead book review

David Crane If nothing else, this has been a good time for catch-up. Theodor Fontane’s Effi Briest (translated by Walter Wallich, Persephone Books, £13) was a treat. But the real discovery of the year was an author I had never heard of, Wallace Breem. He seems to have spent his life as a librarian in

Antony Gormley: why sculpture is far superior to painting

Arts feature

Antony Gormley: In the beginning was the thing! The reason I chose sculpture as a vocation was to escape words, to communicate in a physical way. It was a means of confronting the way things were, of getting to know them in material terms. The origins of making physical objects go back to before the