Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Laura Freeman

Bright, and batty

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The Bright Stream is a ballet about a collective farm. Forget everything you know about collectivism — the failed harvests, the famines — this is Soviet agriculture without mud or hunger. The Bright Stream, which opened in Leningrad in 1935, was Dmitri Shostakovich’s attempt to write a ‘socialist realist’ ballet. Our heroine is Zina (Daria

Lloyd Evans

Best of the Fringe

Theatre

Clive Anderson’s show about Macbeth, ‘the greatest drama ever written’, offers us an hour of polished comedy loosely themed around the Scottish play. Shakespeare’s material is still topical, he says, ‘a clever Scot with a rampantly ambitious wife, like Michael Gove and Sarah Vine’. He prefers Macbeth to Hamlet which is ‘about some bloke who

Missing the beat

Music

It was as though Damien Hirst had confessed a secret passion for Victorian watercolours, or Lars von Trier had admitted his life’s ambition to direct a rom-com. When it was announced that John Eliot Gardiner — pioneer of the early music movement — would conduct West Side Story at the Edinburgh Festival the reactions were

Eye-frazzlers

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The old observatory on Edinburgh’s Calton Hill may be the most favourably positioned art venue in the world. Recently resurrected by a group called Collective, the space, with its panoramic views and Enlightenment history, is an ambitious and imaginative addition to Edinburgh’s art scene. In their Hillside gallery there’s a firing-range warning sign on the

A classic Bond villain

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North Korea watchers are good book-buyers, rarely able to resist scratching that itch of interest caused by the world’s worst regime. Accounts by escapees sit on our shelves alongside the memoirs of anyone (Kim Jong-il’s sushi chef, for example) who has come into contact with the country or its leadership. Some books, such as Barbara

Wrong but revered

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Who was Walter Bagehot? For generations of politics students he has been the all-but-unpronounceable — Bayge-hot? Baggott? — author of the magisterial The English Constitution (1867). Since the 2008 crash he has enjoyed a vogue among central bankers for Lombard Street (1873), his brilliant anatomisation of the City of London. He remains the most revered,

Grit and grace

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The accepted story of mid-20th century culture in Britain belongs to the boys: the British Invasion, Beyond the Fringe and the Angry Young Men, with women relegated to bit parts. Celia Brayfield’s book is a corrective to that. She gathers seven young female writers who made their debuts in the late 1950s and early 1960s,

Way out west | 15 August 2019

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Téa Obreht’s second novel is an expansive and ambitious subversion of Western tropes, set in fin de siècle America. We have the outlaw, the detached hero, the fainting woman. Yet our outlaw is a camel-rider, our desperado a mother defending her homestead. Everything save the relentlessly harsh Arizona desert — a ‘godforsaken place’ of ‘baking

Julie Burchill

An over-flogged horse

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On paper, Candace Bushnell and the medieval warlord El Cid don’t have a lot in common. The first made a fortune from persuading a generation of women that brunch with a bunch of broads was something to aspire to. The second scrapped his way through Spain, eventually establishing an independent principality. But the thing film

All skin and bones

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Nobody warns you when you start medical school that your career decisions have only just begun. Up to a decade of recruitment pitches follow: have you thought about becoming a haematologist? Leave the ward for the drama of theatre! If you don’t like patients, try radiology. A recent flush of popular medical non-fiction lets the

Sam Leith

Spectator Books: books for the beach

Even books editors have to go on holiday sometimes, so Spectator Books is taking a hiatus for a couple of weeks. But so there’s not a gaping gap in your life where the podcast used to be, we’re bringing out some of our favourite episodes from our archive. This week, I am joined by the

Brendan O’Neill

In praise of the bands that said no to Greta Thunberg

My faith in rock music has been temporarily restored. According to the manager of The 1975, the execrable essay/song that his band recorded with diminutive doom-monger Greta Thunberg had previously been rejected by other bands. By ‘bigger artists than The 1975’, he says. He means this as a criticism. Like, ‘How dare these artists turn

Rosanna Arquette and the problem with white privilege

American actress Rosanna Arquette has declared her undying shame to the world on social media. It had nothing to do with her excessive earnings or being a gilded member of the Hollywood elite or anything else you normally associate with publicity seeking film stars. Instead, she made a fulsome apology on Twitter for the one

Lloyd Evans

Divine comedy | 8 August 2019

Arts feature

The locals probably can’t bear the Edinburgh festival. Their solid, handsome streets are suddenly packed with needy thesps waving and flapping at them from every kerbside. ‘New interactive comedy quiz, starts in five minutes.’ ‘Award-winning monologue about growing up Chinese in Droitwich.’ ‘Stalin the Opera performed by tone-deaf choir.’ There’s a waggish actor who stands

Camilla Swift

Canine connoisseurs

Exhibitions

Stepping into any art gallery, the last thing you expect to be greeted by is a cacophony of barking and wet noses on your knee. This, however, was the welcome I received at the current exhibition at Southwark Park Galleries. Dog Show is, as the name suggests, about dogs. Not just about dogs, though; each

What’s in a name? | 8 August 2019

Exhibitions

Perhaps we should blame Vasari. Ever since the publication of his Lives of the Artists, and to an ever-increasing extent, the world of art has been governed by the star system. In other words, the first question likely to be asked about a painting or sculpture is whodunit? And if the answer turns out to

The Boss goes to Bollywood

Cinema

Once upon a time two men sat in a New York bar lamenting the state of Broadway. So they decided to play Fantasy Musical. Several beers down they came up with a weird hybrid: a jukebox musical that injected the songs of Blondie into the plot of Desperately Seeking Susan. Somehow this botched centaur stumbled

Golden threads

Music

When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out of darkness and distance and mystery soft rich notes rose upon the stillness, and from his grave the dead magician began to weave his spells about his disciples and steep their souls in his enchantments.’

Two sides to every story

Radio

Maybe the equality inspectors at the corporation didn’t get the chance to vet Richard Littlejohn’s series for Radio 2, The Years that Changed Britain Forever, before it was broadcast on Sunday. Maybe the first programme (produced by Jodie Keane) was an accurate reflection of the year it focused on, 1972. But the most striking thing

Laura Freeman

Spartacus in spandex

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It’s togas-a-go-go as the Bolshoi bring Yuri Grigorovich’s 1956 ballet Spartacus to the Royal Opera House. Oh dear, I did giggle. This is Spartacus in spandex with gladiatorial G-strings and slave girls dressed for Thracian strip shows. On comes Crassus (Artemy Belyakov) in the Roman empire’s tiniest tunic with a legion of soldiers swinging their

Dot your commas

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Now, how shall I start this review? I loved this book. I really did. (Too abrupt.) I loved this book, I really did. (Too rushed.) I loved this book: I really did. (Too planned.) I loved this book — I really did. (Too afterthoughty.) I loved this book… I really did. (Too uncertain.) I loved

Sex and the married woman

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The epigraph of Three Women comes from Baudelaire’s ‘Windows’: ‘What one can see out in the sunlight is always less interesting than what goes on behind a windowpane.’ Inspired by Gay Talese’s 1980 reportage on the sexual revolution, Thy Neighbour’s Wife, Lisa Taddeo, a journalist and Pushcart prize-winning short story writer, peered into the windows

Bohemian bonhomie

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Mary Ann Caws, a retired professor of English and French literature at the City University of New York, published her first book in 1966. Since then she has written several dozen studies, many of them about surrealism or modernism; others with such varied subjects as the women of Bloomsbury, Robert Motherwell, Blaise Pascal, Provençal cooking,

Glorious mud

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Francis Pryor claims he would be a rich man if every person who told him that the Fens were ‘flat and boring’ had given him five quid. Yet these million acres of water-logged land making their way from Lincolnshire through Norfolk and towards Cambridge have one quality that makes them irresistible to archaeologists like him.

Crime of passion

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No matter how exquisitely English —gobbets of blood amid the fireplace ornaments — murder annihilates meaning. Even when the motive is clear and strong, even when the progression to the fatal blow can be analysed step by step, all that is left amid the eviscerated lives of loved ones is an emptiness around the violence