The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The selfie is, of course, a major, and to me mysterious, phenomenon of our age. The sheer indefatigability of selfie-takers, not to mention their number, is amazing. Recently, I stayed in an apartment not far from the Trevi Fountain in Rome — a selfie-magnet so powerful that not only was it surrounded by a dense
It can’t be easy to find yourself on the other end of the microphone when you’re a journalist of the calibre of Emily Maitlis. You know all the pitfalls, how easy it is to be teased out of your bunker, to say more than you ever intended under the scrutiny of an ambitious, driven interviewer
‘Invest in your hair,’ advises David Coverdale, a man with a shag of the stuff glossier than a supermodel’s and as big as a guardsman’s bearskin, even at the age of 67. (He won’t say that number. He insists his age is ‘three score and seven’.) ‘People say to me: “Do you colour your hair?”
ITV’s new drama Beecham House is set in late 18th-century India where the British and French were still battling it out for supremacy. Its opening credits feature the east at its most exotic, with a montage of ceremonial elephants parading, sari-clad women gliding and lotus flowers opening. The hero is John Beecham (Tom Bateman), a
Bitter Wheat, David Mamet’s latest play, features a loathsome Hollywood hotshot, Barney Fein, who offers to turn an actress into a superstar provided she lets him rape her. The show’s gruesome storyline has flashes of bitter comedy. Fein boasts that the Writers Guild of America would ‘drink a beaker of my mucus’ if he forced
We’ve cried wolf with Handel. Ever since the modern trend began for staging the composer’s oratorios we’ve hailed each one in turn as the composer’s ‘most dramatic’. We’ve said it of Theodora, Saul, perhaps loudest (and most persuasively) of Jephtha. The trouble is that now, nearly 40 years since we last saw Belshazzar on an
There is something inexplicably exciting about pop’s notion of a ‘scene’: young musicians of similar outlooks drawn together by a common aim to transform music, referring to the past to create something of the present. But enough of Fleetwood Mac and the British blues boom. Instead, to fashionable Dalston, where a young quartet called Black
Yesterday is the latest comedy (with sad bits) from Richard Curtis, directed by Danny Boyle, about an unsuccessful singer-songwriter, Jack, who wakes up to discover that he’s the only one who remembers the Beatles so can now steal all their tunes, if he’s of that mind. Unusually for Curtis, the lead is an Asian and
In the spring of 1998, Rolling Stones fans in Germany were disappointed to hear that the band had been forced to cancel a string of gigs. Keith Richards, the ne plus ultra of rock’s wild men, had damaged a rib in a tumble from a ladder while trying to retrieve a book from one of
Someone should write a guide to the best literary festivals. Sydney and Auckland would certainly be there, along with Sri Lanka, Jaipur and Dubai. Later this year I’m off to Mumbai and I’ve been invited to Mandalay. I swear there are writers who never actually have time to write any more, they spend so much
Wallace Stevens called it ‘the necessary angel’. Ted Hughes thought it ‘the most essential bit of machinery we have if we are going to live the lives of human beings’. Coleridge described its role a little more vigorously: ‘The living Power and prime Agent of all human perception… a repetition in the finite mind of
It was high time we had a proper look at the four beautiful, original Olivier sisters. Hitherto, with one exception, they have been seen in glimpses, playing marginal parts on the Bloomsbury stage after about 1910. The exception was the youngest, Noel, who all her life and since has been stuck with her invidious role
Now that we are stupidly rendering Earth almost entirely uninhabitable by many species including our own (through overcrowding, failing political systems, chemical pollution and climate disorder), a few humans of means are looking forward to migrating soon to other planets, even though, as yet, there are no good hotels and restaurants there. Scientists, stimulated by
In 1979, despite the best efforts of scientists for more than a century, a butterfly called the British Large Blue became extinct. There is widespread concern about the more recent decline in butterfly populations, but the American ecologist Nick Haddad writes that the collective weight of the known populations of the five rarest butterflies he
The defining feature of Chinese millennials is not Instagram, avocado on toast or propertylessness. Born in the early years of China’s growth miracle, my generation idled away days on dusty village roads that would be paved as we grew up. Our adolescence coincided with the arrival of the smartphone; and now, with our jet-setting cosmopolitan
It is more than a generation since the appearance of Barry Lopez’s classic Arctic Dreams. That book’s effortless integration of history, anthropology and ecology, mediated through its author’s radiant prose, introduced a global audience to the frozen north. It freed the frigid ice world from much historical polar literature, conjuring instead landscapes of delicate beauty
Niven Govinden’s This Brutal House is set in the demi-monde of the New York vogue ball. This is an organised, charged battle of display, a peacocking, glitter-fuelled extravaganza, in which transvestites and transsexuals compete against each other for kudos and cash prizes. Eyelashes lengthen, hair is piled up for hours, dresses shimmer and heels clack,
Death by water haunts the stories of Africans in Europe that flow through this fourth novel by Helon Habila. From the drowning of Milton’s swain Lycidas (a sort of tidal refrain for the book) to the capsized boat in the closing pages that offers victims in their hundreds to the ‘enraged leviathan’ of the sea,
When it was recently announced that Robert Pattinson, who played the vampire Edward Cullen in the Twilight films, had secured the role of Batman, a Twitter user wrote: ‘Worst vampire ever. Took him 11 years to turn into a bat.’ This is probably Twitter’s second greatest bat joke, beaten only by @LRBbookshop’s ‘I reckon Nagel
At first glance, Laura Cumming’s memoir On Chapel Sands begins with what appears to be a happy ending. On an autumn evening in 1929, a small child is snatched from a Lincolnshire beach. Her name is Betty Elston and she is three years old. The girl’s mother, Veda, is happy to let Betty play on
In this week’s Spectator Books podcast my guest is Benjamin Dreyer — whose name is pronounced, as I discover live on air, ‘Dryer’ rather than ‘Drayer’. That seems an apt way to be introduced to a man who, as Random House US’s Copy Chief, makes his living correcting errors. His new book Dreyer’s English is a
It’s to be expected. You take photographs in order to document things — Paris in the case of Eugène Atget in the late 19th and early 20th centuries, the shacks of the American south in the case of Walker Evans in the 1930s — and these documents then acquire a quality of elegy. What is
In 1965 a journalist asked Paula Rego why she painted. ‘To give a face to fear,’ she replied (those were the days of the Salazar dictatorship in Portugal). But when asked the same question shortly afterwards, Rego added a qualification: ‘There’s more to it than that: I paint because I can’t stop painting.’ Rego has
The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The Yeomen of the Guard, where mock-Tudor merriment turns to ash in the mouth of the jester Jack Point. But what if the composer himself is the buffoon? Jacques Offenbach was the court jester of France’s
Six hundred and thirty years ago, Chaucer revealed in ‘The Wife of Bath’s Tale’ that what women really want is to be totally in charge of everything. With Girl now back home permanently having done her A levels, I can confirm that this is true: no longer am I in control of what we watch
Kill Climate Deniers is a provocative satire by Australian theatre-activist David Finnigan. The title sounds misanthropic and faintly deranged but the show is a comedy delivered with oodles of verve and fun. Finnigan is a skilful writer of dialogue, a gifted farceur and, at times, an astute analyst of power and its corrupting tendencies. Like
The last time Bikini Kill played in London was in a room that now serves as the restaurant of a pub in Kentish Town. What a change 26 years can bring: on their return to the city last week, they filled the 5,000-capacity O2 Academy, Brixton, for two nights. That changed status, in truth, is
Walking into Fingal’s Cave, after scrambling across the rocks to reach it from the landing stage where the boat from Mull arrives, is a strangely emotional experience. It’s not just the extraordinary landscape, the precise, almost unnatural shaping of the hexagonal basalt columns that rise up high above you, the screeching of gulls and roaring