The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Regular filmgoers must be losing count of the Rabelaisian revelries they’ve been invited to of late. You may recognise the type of do. The camera ushers you through a door and, wham, the music’s strafing your eardrums and everyone’s letting their hair down along, often, with their underwear. There’s usually a white horse grazing by
When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he struck me as the most modest conductor I had met or could imagine, with the possible exception of Reginald Goodall, who actually at a deep level wasn’t modest at all. Everything I had heard Farnes
Out come the stars in Kenneth Branagh’s Romeo and Juliet. He musters a well-drilled, celebrity-ridden crew but they can’t quite get the rocket off the launchpad. The stylish setting evokes Italy in the early 1950s. The girls wear New Look frocks and the boys sport tight slacks and shirtsleeves. Christopher Oram’s muted set has bland
Radiohead have been at the top of the musical tree for so long now that it’s easy to forget what an irreducibly strange band they are. Last Thursday, during the first of their three hugely anticipated gigs at the Roundhouse, they uncharacteristically played three popular favourites on the run — in their defence, it was
The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed two — was cheeringly pointed up by Northern Ballet last week, when it unveiled an intensely imagined new Jane Eyre in Doncaster and gave the London première of the efficiently menacing 1984 that I reviewed
There are few jobs more dishonest than being a radio critic in Britain. I know this because it was how I got my first break 25 years ago as a columnist. In those days you used to get sent huge yellow envelopes full of preview cassettes, whereas now it’s all digital, but the fundamental lie
Spoiler alerts aren’t normally required for reviews of Shakespeare — but perhaps I’d better issue one before saying that in BBC1’s A Midsummer Night’s Dream (Monday) Theseus dies near the end. Not only that, but Hippolyta and Titania fly off on butterfly wings to become lovers, and the mechanicals’ play goes down a storm. Personally,
Here’s the Mandarin for ooh-la-la! As Taras Grescoe, a respected Canadian writer of nonfiction, shows in this marvellous, microscopically descriptive history of what is now one of the most populous and smoggiest megalopolises on earth, Shanghai in the 1930s was internationally notorious as ‘the wicked old Paris of the Orient’, with ‘as vivid a cast
It is not easy to avoid clichés when writing about J.M.G. Le Clézio. Born in Nice in 1940, the recipient of the 2008 Nobel Prize for Literature is known in the Anglophone world as an ex-experimental novelist. His early work, exploring language and insanity, was praised by Michel Foucault. But since the 1970s his style
In Pepys’s famous words, James, Duke of Monmouth was ‘the most skittish, leaping gallant that ever I saw, always in action, vaulting, or leaping or clambering’. Reading Anna Keay’s biography of the adored illegitimate son of Charles II, this image of his energy appears paramount — as Monmouth seems to live his life at speed
‘Gilded doorknobs,’ spits a Party diehard as she contemplates the blessings of the Soviet Union’s collapse. ‘Is this freedom?’ Dozens of witnesses from the ‘lost generation’ in Russia who had ‘a communist upbringing and a capitalist life’ share Elena S’s disgust and bewilderment as they contribute to this epic fresco of an empire’s bitter aftermath.
Children’s fantasy literature has never been just one thing. Animal fables, folk and fairy tales were not originally intended for a child audience, while the relatively recent phenomenon that is entertaining (rather than principally didactic) children’s literature has many origins that are not fantastic at all. Michael Levy and Farah Mendlesohn draw a line —
Here’s a pair of little books — one even littler than the other — by Robin Dalton (née Eakin), a celebrated Australian literary agent and film producer, now aged 92, who has lived in London for the past 70 years. As she explains in a prefatory note, Aunts Up the Cross was written as ‘a
When I saw this book, a biography of Huw Wheldon, who was managing director of BBC Television between 1968 and 1975, I thought ‘Aha!’ Inevitably, my mind was filled with images -of Jimmy Savile and Stuart Hall, of the Led Zeppelin guitar riff at the start of Top of the Pops, of the men in
Kathleen Kennedy and her elder brother JFK were the grandchildren of upwardly mobile Irish Catholic immigrants. John F. Fitzgerald, ‘Honey Fitz’, became mayor of Boston, and Patrick J. Kennedy was a saloon-keeper and failed senatorial candidate who sent his sons to Harvard. ‘Kick’ was the fourth child, nicknamed for her ebullient personality, but born just
‘The only use of a gentleman in travelling,’ Emmeline Lowe wrote in 1857, ‘is to take care of the luggage.’ My sentiments entirely. The extract from Unprotected Females in Norway reprinted in this book recounts Lowe’s travels with her mother round the Dovrefjeld in the centre of the long country. Tramping through the valleys wearing
Many years ago, working on a project in Tel Aviv, I had a meeting-free weekend. I know, I thought, I’ll call my friend Brigid Keenan — at that time en poste to Syria with her ambassadorial husband — and nip up to Damascus — so close, only that smidgen of Lebanon in the way. I
In spurts and bursts and flashes, a sublime novelist at work reveals herself. In Annie Proulx’s new novel, there are breath-taking pages and set pieces of extraordinary power. A man on board a ship, as the temperature plummets, sees all those around him embedded in ice before the catastrophe falls on him; a logging run
There is fakery in the air. And maybe the French are done with deconstruction. A drone operated by a French archaeology consultant called Iconem has been languidly circling Palmyra, feeding back data about the rubble with a view to reconstructing the ruins and giving the finger to Daesh. Cocteau said he lies to tell the
There have been many punk exhibitions over the years so I can’t help but chuckle at the ‘experts’ who are getting hot under the collar about the ‘sacrilege’ of housing punk memorabilia in museums. Hasn’t it always been the case that anything considered culturally significant ends up in a ‘cultural establishment’ of sorts? Joe Corré,
You now need to be in your mid-sixties or older — a chilling thought — not to have lived your whole life in the shadow of James Bond. In 1953, the year of the Queen’s coronation and the conquest of Everest, Bond announced his arrival with the words, ‘The scent and smoke and sweat of
If there were an Eddie the Eagle award for theatre — to recognise large reputations built on minuscule achievements — it would go to the Royal Court. Sixty years ago the English Stage Company arrived at ‘the Court’ determined to amaze the world with a new generation of thrusting young geniuses. It won instant notoriety
Blue/Orange by Joe Penhall enjoys the dubious status of a modern classic. A black mental-health patient, Christopher, is about to be freed from a clinic but his cautious young shrink, Bruce, wants to keep him under observation. His senior colleague, Robert, thinks a dose of the big bad world will help to cure the nervy,
For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera Oedipe, preferably in the marvellous EMI recording from 1990, still available. It only occurred to me when I was preparing to go to the Royal Opera’s new production that I haven’t actually listened to a
Tate Modern, badly overcrowded, has built itself a £260 million extension to spread everyone about the place more. This means that there are more galleries and other big rooms for various modish activities — 60 per cent more space, they say. It opens on 17 June with a total rehang throughout. But having been shown
Love & Friendship is based on the little-known Jane Austen epistolary novella, Lady Susan, which was not published until after Austen’s death, and was then ill received. As G.K. Chesterton declared: ‘I, for one, would have willingly left Lady Susan in the wastepaper basket.’ Knowing what I know now and having, in fact, read Lady
Going Forward (BBC4, Thursdays) is a BBC comedy about the continuing adventures of Kim Wilde, the fat, cynical but lovable nurse character played by former nurse Jo Brand. Now she has quit the NHS and is working in the private sector for a company called Buccaneer 2000 — which is, of course, exactly what a
This is a book which, as one eyes its lavish illustrations and dips into its elegant prose, looks as if it ought to come with an option to buy a cut-price John Lewis coffee table. On the Burning of Books is, in fact, much more than that. It wears its scholarship lightly. A weightier treatment
A card in a shop window — ‘non-unionised, auxiliary nurses sought… 35p per hour. Ideal for outgoing compassionate females’ — plunges 15-year-old Lizzie Vogel into the turmoil of Paradise Lodge, a local old people’s home: I didn’t want another year of trying to cheat the vending machine, relying on handouts and lifts and third-hand information,