The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
One of the easiest mistakes to make about history is to assume that the past is like the recent past, only more so. It’s a natural human tendency to project the outcome of events backwards, ignoring the fact that the arc of history really doesn’t work like that. In the case of Ireland that tendency
Sir Winston Churchill did not invent the prefab, but on 26 March 1944 he made an important broadcast promising to manufacture half a million of them to ease the new housing emergency caused by enemy bombs and the continued growth of inner-city slums. He went on to claim that these easy-to-assemble, factory-made bungalows would be
In the world of Gaito Gazdanov, a Russian émigré soldier turned taxi driver who began writing fiction in the 1920s, doublings abound, though their meanings are rarely resolved. As with his great contemporary Nabokov, this hall-of-mirrors effect provides a pleasant means of exploring the fragmentary and illusory self. But it is Dostoevsky, and his novel
Depending on your approach, home is where your heart is, where you hang your hat, or possibly where you hang yourself. Our homes reflect our characters, social milieux and finances, but we also reflect them. Leonard Woolf wrote that a house ‘has an immense influence on its inhabitants’, and contended that Monk’s House (where he
The lefty hereditary peer has few equals as a figure of fun, in life or literature. The late Tony Benn comes inevitably to mind here, as does the Earl of Warminster — ‘Erry’ — in Anthony Powell’s A Dance to the Music of Time. As his name would suggest, Francis John Clarence Westenra Plantagenet ‘Jack’
Philip Marsden’s book is about place. He makes a distinction between place and space. In his mind ‘place’ is something resonant, evoking a connection with the land and its meaning. Marsden is obsessed with pre-history and the beliefs and practices of the earliest inhabitants of Cornwall. He cites with approval someone’s judgment that written history
Oblomov, first published in 1859, is the charming tale of a lazy but lovable aristocrat in 19th-century Russia. The novel’s eponymous hero cannot see the point of doing anything at all, and spends his time lying in bed or wandering around his St Petersburg flat in his beloved oriental dressing gown, bickering about the dusting
Writing to a god seems a presumptuous thing. Who are we, feeble mortal creatures whose lives pass in the blink of an eye, to address the great immortal deities? The Dutch writer Cees Nooteboom, now entering his ninth decade and never knowingly lacking in chutzpah, is not one to be deterred by such considerations. Nooteboom
There are hundreds of resounding ideas and shrewd precepts in Adam Zamoyski’s temperate yet splendidly provocative Phantom Terror. This is the history of European ultra-reactionary repression and police espionage in the half-century after the overthrow of the French monarchy in 1789-93. The instability of popular opinion, the destructiveness of angry, ignorant populism and the wretchedness
On 5 August 2010, 33 men entered the remote San José mine in Chile’s Atacama desert to begin their 12-hour shift. They came out again 69 days later, to be greeted by the country’s president in front of a worldwide TV audience of around 1.2 billion. A group of workers who, in many cases, had
Family history is all the rage at the moment — finding out about one’s ancestors, digging back into one’s roots. Sofka Zinovieff has written the strange, and strangely moving, tale of her family’s unorthodox relationships. By turns comical, tragicomical and melodramatic, her book often reads much like fiction, and she recounts it like a novel.
The Telegraph has a nice photo gallery featuring the specimens of the 2015 Dull Men of Great Britain calendar, which our own Dot Wordsworth plans to give her husband for Christmas: ‘I had thought that dull, in reference to people, was a metaphor from dull in the sense of ‘unshiny’. ‘Dieu de batailles!’ as the Constable
As we become steadily accustomed to life in the Age of Celebrity, it’s become a truth that, as Mark Mason put it in the Speccie last month, ‘meeting your heroes is almost always a bad idea’. Reading the letters page in the London Review of Books, it seems that this advice extends to visiting any
Agatha Christie’s The Mousetrap has been running in London theatres for 62 years straight – a period that spans more than 25,000 performances. As is traditional in the genre, it ends with the suspects gathered together for a shocking denouement, during which the detective unmasks the murderer, to general horror. Despite the number of times this
Do you know what’s hateful? The snobbery that film fans have to contend with. There’s the ‘it’s only a movie’ snobbery, by which cinema is suitable only for wastrels and dogs. And there’s the ‘if it ain’t Danish and silent, then it ain’t no good’ snobbery. Proponents of both should spend less time blowing conjecture
In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has receded, dried up, and the tin fish are stranded on the cracked mud of the ocean floor. In the other, the elegantly rusted subs are mostly suspended like sharks in an aquarium: a fleet in
Classical music has a few certainties: Götterdämmerung will always be that little bit longer than you remember, it will reliably rain if you pack a Glyndebourne picnic, and if Cecilia Bartoli invites you to a party, you drop everything and go. Which is why I found myself in Paris earlier this week, along with most
First, a bit of background. Conquering Agamemnon slew his daughter, Iphigenia, in return for a fair wind to Troy. This rather miffed his wife, Clytemnestra, who bashed his head in with an axe when he came swaggering home. Her retribution laid a religious duty on their son, Orestes, to avenge his dad by slaying his
Effie Gray, which has been written by Emma Thompson and recounts the doomed marriage of Victorian art critic John Ruskin to his teenage bride (he refused to consummate it), has a blissful cast. It stars Dakota Fanning, Ms Thompson herself, plus Julie Walters, David Suchet, Greg Wise, James Fox, Derek Jacobi and Robbie Coltrane. So
Now that the conference season is over, we can compare not just the party policies, but their logos too. Last week’s Tory conference taught us the patriotic adaptation of their tree — now draped in the Union Flag — doesn’t work any better than the original green-tree symbol. The old symbol demonstrated Conservative values as
My favourite comment about the Scottish referendum came from the eminent comedian and novelist David Baddiel. ‘What if Yes wins, but due to a typographical error, the prog-rock band gets in and Jon Anderson becomes First Minister?’ You probably had to be there to find this funny, and in this case ‘there’ is the early
Anybody feeling a bit depressed about the shortcomings of humanity could do worse than watch Brian Cox’s new series Human Universe (BBC2, Tuesday) — which, judging from the first episode, is all about how great we are. Early on, Cox was shown hanging out, Attenborough-like, with some gelada baboons in the highlands of Ethiopia. They
‘Did you find it a good read?’ asked Harrriett Gilbert. An incredibly long drawn-out sigh from Mr Paxman. ‘I think it’s really unsatisfactory,’ he at last replied. ‘But Jeremy,’ retorted Professor Beard, ‘I don’t think you’ve read it carefully enough.’ The eminent classicist from Cambridge is not afraid of conflict. She must eat her students
Puccini’s La fanciulla del West is, one suspects, one of those works that modern audiences struggle to keep a straight face through. The hero, for a start, decides to call himself Dick Johnson. The piece’s Wild West trappings, long since staled into Hollywood cliché, still seem a strange fit for the operatic stage (it was
We left the Scout hut shortly after dark, to ambush regulars acting as invaders. Later, there was to be a demonstration of the use of a primitive stun grenade, designed dramatically to improve morale in the under-gunned Home Guard. A Dunkirk veteran CSM from Caterham had been driven down in a staff car to show
Nearly 50 years ago we made our way into an inner place, a semi-subterranean room, in a peculiar college. A smallish, round-faced man was beginning to give tongue. Each week he drew multi-coloured patterns in the air, words flitting about like luminous bats in a night sky. We sat bewitched. There was suspense too, since
First, a confession. I have never cared much for Hercule Poirot. In this I am not alone, for his creator felt much the same way, describing him as a ‘detestable, bombastic, tiresome, egocentric little creep’, albeit a creep with remarkable commercial staying power. Fortunately, my prejudice doesn’t affect enjoyment of the brilliantly constructed plots and
Aficionados of detective fiction have long known that the differences between the soft- and hard-boiled school are so profound that, as P.D. James observed, it seems stretching a definition to place both groups in the same category. Over here we have, or used to have, a comforting story concerned with restoring order to the mythical
Some years ago I met the Swedish crime writer Henning Mankell at the Savoy Hotel in London, where he was staying. A waitress came up to our table. ‘I think, Belinda,’ Mankell said to her suavely, ‘that I would like a glass or two of your red wine!’ Momentarily confused, Belinda asked Mankell to repeat