The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The Welsh Marches, gloriously unvisited amid their wooded hills and swift-flowing streams, have remained mysteriously off-limits to the sort of novelist eager for territorial rights to a particular landscape or locality. Apart from Bruce Chatwin’s On the Black Hill and Mary Webb’s torrid 1920s sagas of heartache and claustrophobia in field and farmhouse, fiction has
This book is a portrait of one man’s meadow. Our now almost vanished meadowland, with its tapestry of wildflowers, abundant wildlife and rich human history, has long attracted English writers. Modern meadow books are usually copiously illustrated in colour to reach the coffee-table market, but John Lewis-Stempel bravely relies on lively elegant prose. His thoughtful,
Why have the Germans never been any good at cricket? This entertaining account of the MCC’s 1937 tour to the Fatherland gives some clues. Any country po-faced enough to have a ‘Society for the Encouragement of Playing Ball’ will struggle from the start. Certainly the Germans back then seemed to understand neither cricket’s equipment (‘why
Readers familiar with Nicola Barker’s hyper-caffeinated style will be surprised by the almost serene first few chapters of her latest novel. It’s 1984 and we are in Pett Level, Hastings, a marginal location even by Barker’s standards (previous novels have been set in Luton, Ashford, and the Isle of Sheppey), and a well-travelled man named
The American writer, Charles Portis, has had what some novelists — the more purist ones — might regard as an ideal life. While his books have seldom been big-sellers, his fans sink to their knees at the mention of his name. In the mid 1980s, two bookshop employees in New York were so smitten with
Stephen Clarke lives in Paris and writes book with titles such as 1,000 Years of Annoying the French. Dirty Bertie is a book in the same line — a comic history which manages to combine his brand of jaunty, bawdy humour (not mine, I confess) with being genuinely informative about French history. Clarke claims that
Published to mark the 70th anniversary of the Battle of Vercors, perhaps the most famous stand of the French Resistance in the second world war, there is an awful inevitability to this book. Tragedy looms like the great plateau itself, overshadowing the individual stories of the people who lived, fought and died in these mountains.
A children’s author and illustrator, Jonathan Emmet, created a stir recently by saying that women are effectively gatekeepers of children’s books — chiefly picture books. They constitute the majority of the buyers, reviewers and prizegivers – and the result is that boys are shortchanged. Too few pirates and dragons — or the wrong sort —
At the beginning of The Art of Poetry, Horace tells a story that, he promises, will make anyone laugh: ‘If a painter wanted to put a horse’s head on a human neck, would you be able to keep your laughter in?’ Would you? I certainly would. That’s the thing about Roman jokes: they’re not really
When I took up archery it was a relatively niche sport. Then Game of Thrones came along, and everyone wanted a longbow. Since the HBO series put the Wars of the Roses back on the map, we have had novels by Philippa Gregory and Conn Iggulden, and this autumn there will be a history of
P.J. Kavanagh, if not dismissed or relegated, is often shall we say bracketed, as a ‘nature poet’. The truth is, he’s as much of a nature poet as William Cowper was: in other words a good deal more than ‘a man who woos a rural muse’. While Kavanagh is also mentioned as a successor to
Fifteen minutes by rail from Paddington, Southall is a ‘Little India’ in the borough of Ealing. An ornate Hindu temple there, the Shree Ram, is set back from the beep and brake of traffic on King Street. When I visited, a pooja (prayer meeting) was underway. Incense fumes — a sweet suffocating presence — wafted
From the Greek seafarer Scylax in 500 BC to the Beatles in 1968, there is a long history of foreign visitors being drawn to India. Many have come in search of the ‘exotic’ or the ‘other’, an idea of India that persists despite the best efforts of Edward Said’s post-colonial disciples. Not unnaturally, the Indian
Here’s a question for those of you old enough to remember 1980s television: did we realise at the time how crap it was, or did we simply not know any better? I’ve been struggling with my own answer to this, ever since watching Danny Baker’s World Cup Brush Up on BBC4 the other night. Yet
Born in a remote fishing village in south eastern China during the Cultural Revolution, Xiaolu Guo is now known as an artistic ‘one-woman industry’. Producing both films and novels, her work has made her one of the most successful Chinese writers published in Britain today, being listed in the Granta Best of Young British Novelists
I had a horrible dream last night that I’ve never had before. In the dream, I knew I had to get up early and couldn’t get to sleep. Every time I checked the clock it got closer to 0600 and I got more and more panicked and frantic. But it was a dream. Most odd.
London’s opera critics have been roundly condemned for suggesting that a female singer’s personal appearance could make her unsuitable for a role. The singer in question is Tara Erraught, a young Irish mezzo-soprano based in Germany, who has just made her British debut in the new Glyndebourne production of Richard Strauss’s Der Rosenkavalier. She takes
Lynn Chadwick was born 100 years ago in London, and died in 2003 at his Gloucestershire home, Lypiatt Park, where he is buried in the Pinetum. He was one of the great names of 20th-century sculpture, not just in England but recognised and celebrated internationally, too. He first came to prominence in the 1950s, and
I watched the new DVD of Gregory’s Girl on the train from London up to Edinburgh. I hadn’t seen Bill Forsyth’s school-yard comedy in more than 30 years. Incredibly, it hasn’t dated in the slightest. When I saw it in the cinema, in 1981, as an acne-ridden adolescent, this tender romance was a revelation —
Tracey Emin’s bed is to be sold at auction this summer with a guide price of £800,000 to £1.2 million, although the man who sold it to Charles Saatchi has said it’s priceless. Emin was part of the British art movement in the ‘90s that gave Richard Dorment trouble at dinner parties; this scene is
Admit it. Say it! ‘My name is Blah and I am a boxaholic.’ Life on hold, marriage in bits, job swinging from a rusty nail, the box-set fanatic grabs every available minute to feed an addiction. I mean, you can’t leave, can’t breathe until you find out whether Jesse and Walter make it up before
If a gang of knife-wielding toddlers ever presses you for the name of the best Disney film, Sleeping Beauty (1959) is a pretty good answer. It has everything you expect from those features animated during Walt’s life: a simple story translated from a fairy tale; beautifully painted castle and forest scenes; a baddie that you
On Harry and Paul’s Story of the Twos (BBC 2, Sunday), there was a particularly cruel sketch in which Paul Whitehouse gave Harry Enfield a Paxman-style grilling as to whether he felt bitter that his comedy series had never won a Bafta award whereas its big rival The Fast Show (featuring, inter alia, one Paul
On paper, Moses und Aron might seem intractable and abstract: a 12-tone score setting a libretto that meditates on God, faith, the essential inadequacy of language to express the ineffable, and a great deal more. Put it in the theatre, as Welsh National Opera has done as the first part of its ‘Faith’ mini-season, and
Much praise has been lavished on Radio 2’s 500 Words short-story competition, the winners to be announced on Friday’s Chris Evans show, live from the Hay Festival. Quite right, too. It’s a brilliant way to encourage children aged 13 and under to explore their potential by inviting them to write stories. But you’d think that
Joan Littlewood’s greatest disservice to the theatre was to champion ‘the right to fail’, which encouraged writers and directors to inflict a thousand shades of bilge on play-goers for many decades. But she deserves a place in the pantheon for an inspired decision taken in 1959. Offered a new play about Soho’s underworld, written by
Eighty-seven Hackford Road, SW9, is unremarkable but for a blue plaque telling the world that Vincent van Gogh once lived there. The building has been empty since 2012 but now the Dutch artist Saskia Olde Wolbers has filled it with voices. ‘Yes, these Eyes are the Windows’ (until 22 June) is an Artangel-commissioned installation that
When first they ushered me into that hall To take my place on a cheap fold-out seat, My eyes clamped shut, and so missed all The conjured stillness of the school: young feet Unshuffled, heads dropped down in donned respect, And teachers, too — attendant, cramped in rows Of less observant hush. A time to
After 685 tightly argued pages, the ‘superstar’ economist Thomas Piketty unfolds his master-plan for closing the gap between the rich and poor: you take money away from the rich. Novel. Ancient Greeks realised you had to try a little harder. The culture of benefaction was deeply rooted in Greek society, even more so when the