The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography.
‘In ancient times … hundreds of years before the dawn of history, lived a strange race of people … the Druids. No one knows who they were … or what they were doing. But their legacy remains … hewn into the living rock … of Stonehenge.’ The unforgettable opening of Spinal Tap’s song ‘Stonehenge’ was
Blithe Spirit Gielgud Theatre If you’d asked me before this week, I’m afraid I’d have guessed Angela Lansbury had already reached the spirit world. I’ve always imagined her eternally inhabiting the mid-twentieth century, as the prim but decidedly experimental home front heroine in Bednobs and Broomsticks (1971) or the icy Cold War matriarch in The Manchurian Candidate (1962). Yet at
Wilfred Owen, the poet whose work epitomises the horror of the First World War for most people in modern Britain, was born in Oswestry in the Shropshire Marches, close to his Welsh ancestral homeland, one hundred and twenty-one years ago today. His brief life ended just a quarter of a century later, on November 4th
‘I thought it was supposed to go on for another half hour!’ said a man in the foyer on the way out. ‘When the alien got burnt to death I thought thank fuck for that.’ Before you get annoyed with me for giving away the ending, let me explain that this is one of those films where
With her long blonde hair tied in a ponytail, Sylvette David is familiar from many of Picasso’s paintings. She met the artist in the South of France as a teenager and became one of his models – his muse but never his mistress — during the spring of 1954 (Picasso’s relationship with Françoise Gilot had
For a man who claims to be apathetic about politics, Russell Brand is rather noisy. Not content with guest editing the New Statesman and getting crucified by Jeremy Paxman, all in the name of his revolutionary cause, Brand is now writing a political book. ‘People keep asking me how The Revolution will work?’ ‘We all
Roberto Rossellini shot his neorealist landmark Rome, Open City while the war still raged and rubble littered the freshly liberated capital. Based on real experiences from the ten-month German occupation, the film follows ordinary Romans, some active dissenters, some just trying to get by, as the Nazis and the Italian fascist authorities mount a search
When the BBC proposed to do away with 6 Music a few years ago, the media-savvy fans of the station created such a fuss on Twitter and Facebook that the Corporation caved in. Threat of closure was exactly what the station needed to grow its listener-base, now almost as big as Radio 3, and growing
What’s the quickest way to create a hit musical? Base it on a bestselling book. The writers of The A-Z of Mrs P have done just that. But they’ve chosen the wrong book. You twits. You need to pick a popular novel, not the London street directory. The main character, Phyllis Pearsall, spent years trudging
When I visited the Richard Deacon exhibition at Tate Millbank, there were quite a lot of single men of a certain age studying the exhibits with rapt attention — some even making notes. (I realise I’ve just described myself…) This is perhaps because the show is all about the glories of construction, and reminiscent of
OK, Need for Speed, if we must, and we must because I sat through it (running time: 130 minutes) and do not see why you should be spared. Need for Speed is based on a video game and here is the plot synopsis: ‘Vroooooooooom! Vroooooooooom! Vrm, vrm, vrm…VROOOOOOOOOOM!’ And it’s the sort of ‘Vroooooooooom!’ which
Opera’s grim fascination with ‘fallen women’ — as Welsh National Opera has called its latest mini-season — lies largely in the spectacle of the fall itself. But in Hans Werner Henze’s Boulevard Solitude, the composer’s 1952 operatic debut, the heroine — a tart denied even a heart — starts off near the bottom; her fall
Every year, tens of thousands of visitors flock to the Mark Twain House in Hartford, Connecticut, in order to see where he lived and wrote. Many famous writers’ homes are preserved for visitors, some of whom are devoted readers (and some who know they are supposed to read his or her books). Twain, we can
In 1845, the theatre impresario Benjamin Lumley made history by inviting the four greatest ballerinas of the day to appeartogether on the stage of Her Majesty’s Theatre in London. It is fitting, therefore, that next week, 169 years later, Sergei Danilian’s internationally acclaimed project Kings of the Dance should reach the London Coliseum. After all,
George Michael and Kylie Minogue have albums out this week. And while they might both be distinctly second-division these days, they’re both still rather remarkable. George Michael got famous for not being Andrew Ridgeley, and has since redefined the status of adult-oriented pop. He has also written the only Christmas song in history worth playing
It is 490 BC and it is raining. Themistocles, the Athenian general, is at Marathon, preparing to shoot an arrow at the great Persian King Darius I. Xerxes, Darius’ son, is there to witness the barb as it flies and strikes a blow that will be fatal and, presumably, deeply humiliating. The Persians prided themselves
Lapwing leans against the wind, First hint of changing season Come to turn the soil to stone And bring the blanket snow. Until the gentle snowdrops show In the hedgerows, And the fields grow green again, In the warm summer days.
Kate Colquhoun sets herself a number of significant challenges in her compelling new book, Did She Kill Him? Like Kate Summerscale before her, Colquhoun mines the rich seam of legal archives to give her readers the fascinating tale of a Victorian courtroom drama: that of Florence Maybrick, accused, in 1889, of murdering her husband. Colquhoun
The genesis of The Road to Middlemarch was a fine article in the New Yorker about Rebecca Mead’s unsuccessful search for the origin of the remark, sometimes attributed to George Eliot, that ‘it’s never too late to become the person you might have been’. To Mead this seemed at variance with the concentration in Middlemarch
In 1944, when he was 22, Jack Kerouac lost a manuscript — in a taxi, as he thought, but probably in Allen Ginsberg’s room at Columbia University — and it stayed lost until 2002, when it was auctioned at Sotheby’s. Now it has been published, all 70 pages of it, together with some youthful sketches
Comedians always like to claim that they started making jokes after childhoods made harsh by poverty; that at a formative age they were tormented by appalling cruelty and neglect. Griff Rhys Jones had to leave Wales at the age of six days, for instance. Nevertheless, the Chaplin family could afford a maid in Kennington. The
Queen Victoria was the inventor of official royal biography. It was she who commissioned the monumental five-volume life of Prince Albert, a controversial and revealing work. She wrote most of the personal sections herself. She also published bestselling volumes, such as Leaves from a Journal of Our Life in the Highlands. She was a gifted
One of the many charms of this book is its sheer unexpectedness, which makes it hard to review, for to reveal the brilliancies too fully would spoil their effect. My copy is splattered with exclamation marks. For example, on page 65 the author is working on a piece of delicate silver jewellery that will become
There aren’t many jobs that allow a nice middle-class Jewish boy to say ‘fuck’ in front of his parents. But Jonathon Green found one: compiling slang dictionaries. This memoir of a life spent exploring the grubby margins of the English language reveals plenty about both that language and Green himself. When a man loves reading
In his new novel, Children of Paradise, Fred D’Aguiar, a British-Guyanese writer, returns to the Jonestown massacre, previously the subject of his 1998 narrative poem, ‘Bill of Rights’. D’Aguiar often examines brutal historical episodes from the perspective of a survivor or escapee. In Feeding the Ghosts (1997), the drowning of 140 slaves in 1798 so
In his preface to The Joy of Gay Sex (revised and expanded third edition), Edmund White praises the ‘kinkier’ aspects of homo-erotic life. Practical advice is given on frottage, spanking, sixty-nining, cruising, blowjobs, fisting, rimming and three-ways. Of course, Proust-inspired poetic exaltations to homosexual love have long characterised White’s fiction, from A Boy’s Own Story
Historians have generally not been kind in their assessment of Britain’s first two Stuart kings. Their political skills are regarded as meagre; their objectives malign; their one undisputed talent an unerring ability to alienate their subjects — with rebellion and civil war as the result. To his credit, Tim Harris, in his formidably large and
Rana Dasgupta, who was born and brought up in Britain, moved to Delhi at the end of 2000, principally to pursue a love affair and to write his first novel. He soon found himself mixing in bohemian circles, spending his evenings in ‘small, bare and, in those days, cheap’ apartments, talking with ‘artists and intellectuals’.