The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
James Wyatt was considered by George III to be ‘the first architect of the kingdom’, but he was also the unluckiest, or perhaps most careless, architect of his day. Fonthill Abbey, the Gothic extravaganza he designed for William Beckford, collapsed after just 25 years. He started building a new palace for the king at Kew,
For good or ill, black West Indian culture is synonymous with youth culture in Britain today. Even among white teenagers, a Jamaican inflection (‘buff’, ‘bruv’) is reckoned hip. The ‘Jamaicanisation’ of British cities quickened after Jamaica’s independence in 1962, when more West Indians migrated to Britain, and London was poised to become the most Jamaican
Twenty years ago Pat Barker won acclaim with Regeneration, her novel about shell-shocked army officers undergoing treatment at the Craiglockhart psychiatric hospital for soldiers during the first world war. Her new novel is a close scrutiny of parallel atrocities of 1914–18. As in Regeneration, some characters are based on real-life figures. Several scenes are set
Sitting down to inspect the final volume of Pierre Coustillas’s monumental trilogy, I decided to start by counting the number of titles by or about George Gissing (1857–1903) that gleamed from the bookshelf hard by. There were 45 of them. Next, I decided to count the number of these items with which Professor Coustillas was
Once upon a time, there was an art scholar called John. He spent his days admiring marble statues, his nights in praying that he might be allowed a real-life statue as his wife. And in due course, he met a beautiful girl. She was a bit younger than him, but that was OK, because it
The Proms season of Wagner operas — pity they didn’t do them all; Die Meistersinger would have been specially welcome, since no one else is doing it either — concluded appropriately with Parsifal, conducted by Sir Mark Elder. The conducting at all these performances has been remarkably good, but in some respects Elder was the
Will my friend, the writer and historian Tom Holland, get his head chopped off for the things he is saying on Islam: The Untold Story (Channel 4)? My guess is not. If I’d said them, I’m sure I would have done because I have the kind of manner which makes people want to punch my
Nobody wants to go mad. We try to live healthy lives so that we won’t die slowly of lung cancer or quickly from a heart attack. But what we let ourselves worry about less – because there is so little we can do to protect against it – is living long enough to have our
In Charlie Kauffman’s Bafta lecture (a startlingly honest reflection on film writing, and well worth a listen), the screenwriter, producer and director stresses that it is of the utmost importance, when embarking on a screenplay, to write something that could only be portrayed in the form of a film, and in no other medium. He
From Shakespeare’s Richard II, lines spoken by John of Gaunt. This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone
For many people, stories and story-telling formed the basis of their childhood. But there are others whose childhood is devoid of books, and it’s these children that Oxford’s new Story Museum aims to help. As Robert Gore-Langton puts it, ‘beyond [Oxford’s] dreaming spires is an urban hellhole of burning cars, despair and unemployment’, and, he
Martha Wainwright was keeping it in the family at the Union Chapel in Islington last week. Arcangelo, the singer-songwriter’s three-year-old son, joined her on stage and had the audience eating out of the palm of his tiny hand; the spectral presence of her mother, the folk legend Kate McGarrigle, was never far away; and the
What Maisie Knew is an adaptation of the Henry James 1897 novel, updated to Manhattan in the now, and is described in the bumf I received as ‘heart-warming’, which is utterly strange, as it’s a child-caught-in-the-middle drama, and just so painful. It’s compelling. It’s exquisitely done. It’s brilliantly acted. (According to the most recent figures,
My wife says you can always tell a self-portrait by the quality of its self-regard. There’s something about the eyes and mouth (though not invariably flattering or admiring) or the set of the chin that give the artist away. Perhaps it’s simply that the artist is more interested in depicting the self than anyone else;
Politics is everywhere in Edinburgh. It’s embedded in the architecture of the streets. The New Town, built in the latter half of the 18th century, is a granite endorsement of the Act of Union, a stone pledge of loyalty to Britain’s new Germanic monarchy in London. The layout forms an oblong grid. The horizontals of
High summer and it’s blockbuster time. The Donmar’s latest show is by the acclaimed Nick Payne, whose play about string theory, Constellations, wowed the West End last year. Constellations niftily incorporated its subject matter into its formal structure. What does that mean? It means the storylines multiplied like an exploding atom until an infinite number
A dark afternoon in December, aged about ten, I was in a class waiting for double geography. Mr Blake breezed in, told us to put our books away and, as a treat, he read us a story. It was ‘Oh, Whistle, and I’ll Come to You, My Lad’, the famous ghost story by M.R. James.
My lifelong friend, dear heart, these days you’re losing the plot: you’re a fish in a bucket, open-mouthed, flopping about in a panic, bereft of your sheen, all confidence gone. Examined in action on a black and white screen, every movement recorded, you’re haplessly tethered, chaotically jumping, locked into a pulse of your own. Tracked
It must have sounded like such a great idea. To gather a group of thinkers, agitators, experts, intellectuals and media people round a large table, mike them up, ply them with drink, choose a presenter from the radio hall of fame to act as monitor and shut the studio door. Then switch on the red
Whenever Michael Tippett’s first opera, The Midsummer Marriage, is revived, there is a chorus of voices, including mine, complaining that it should be done much more often, for it is a work of exuberant genius, full of wonderful musical invention, and life-affirming in the way that Britten’s operas never are (with, I think, the exception
I’ve been occupying myself trying to write a long-ish poem. It’s an odd sensation writing a poem. You’re trying to make something come out of nothing, and you have an idea of what it could be, of stray lines and thoughts, and it takes shape as you do it, and you have to somehow notice
This may sound a little orientalist, but Tangier has some claim to being the most foreign city in the world. Back in the day, its position at the northernmost tip of Africa was regarded as the edge of civilisation — more than that, as the edge of what was known, the edge of everything. Here
The title of Alwyn W. Turner’s book could deter readers. Even the Hollywood film The Secret Lives of Dentists promised more excitement. John Major sought the creation of a classless society in the 1990s. He confused this with equality of opportunity and social mobility. Efforts to engineer classlessness always end in tears. George Orwell was
France’s early 21st-century Protestants are eco-friendly, gender-sensitised and respectful of the Fifth Republic’s laïcité. But their ancestors were a less accommodating lot. La réforme in the France of the 16th century was well-educated, predominantly urban and organised as part of a pan-European Protestant movement which set out to subvert the territorial sovereignty of Catholic princes.
The Spectator, as it does every year, is offering you good money to write about your travels. What’s more, our £2,000 Shiva Naipaul Memorial Prize — named after the late Trinidad-born writer and brother of VS Naipaul — is not awarded for travel writing in the conventional sense. You need not have gone anywhere highly
The stone called sardonyx looks a lot more fragile than it actually is. It’s luminous like glass, but hard like steel, which explains why so much of it has survived from ancient times. Fame being a relative word, one might describe Medusa’s Gaze: The Extraordinary Journey of the Tazza Farnese by Marina Belozerskaya as a
Those of you dieting your way to a svelte physique amid the flesh-exposing terrors of summer should take courage from Mrs Hawkins, the heroine of Muriel Spark’s wonderful novel A Far Cry from Kensington. Mrs Hawkins, with her unfortunate ‘Rubens quality of flesh’, only starts to worry about her weight when she gets a new
The last time David Peace wrote a novel about football he got his publishers sued for libel, which may help explain why his new one avoids invention wherever it can squeeze interest out of such stony matters of record as team sheets and attendance figures. Red or Dead follows the legendary manager Bill Shankly from
Charles Cullen, an American nurse, murdered several hundred patients by the administration in overdose of restricted drugs. Hospitals should be safe places but they are actually rather dangerous: mistakes are made, accidents happen, medics may be careless or just exhausted. But although many patients die when they should have recovered, very few die at the