Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

‘The City of Devi’, by Manil Suri – review

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Manil Suri’s novel is like a ‘masala movie’ — a Bombay mix of genres, spicy, often subtle, often corny, and distinctly addictive. It is difficult to pin down its overriding flavour. A reviewer on the back cover notes that ‘Manil Suri has been likened to Narayan, Coetzee, Chekhov and Flaubert’; but there are twinkly sprinklings

Penguin Underground Lines – review

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You don’t have to live in London to be faintly obsessed by the Tube, but it probably helps. At this point I should state my bona fides: born in Great Ormond Street Hospital (nearest station: Russell Square), babyhood in Marylebone (Bakerloo line, originally to be called ‘Lisson Grove’), grew up in Hampstead (deepest station on

‘The Undivided Past’, by David Cannadine – review

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David Cannadine detests generalisations and looks disapprovingly on any attempt to divide humanity into precise categories. The Undivided Past provides a resoundingly dusty answer to any historian rash enough to seek for certainties in this our life. It is highly intelligent, stimulating, occasionally provocative and enormous fun to read. Cannadine considers the six ways in

Steerpike

Michael Dobbs tight lipped on House of Cards plot

It was a gamble that seems to have paid off. American online entertainment giant Netflix commissioned their first ever original series with a Washington adaptation of Lord Dobbs’s classic, House of Cards. According to its star, Kevin Spacey, the show is today the most watched ever on the service. Season one ended on a cliff hanger

Interview with a writer: John Banville

The salubrious surroundings of the Waldorf Hotel seem like a very apt setting to interview a master of style and sophistication. When I arrive in the lobby, John Banville is nowhere to be seen. Peeping into the bar, I notice a grey haired man with a moustache, wearing a tuxedo, softly playing a grand piano.

Cross examination

Arts feature

As Easter comes upon us in this bitter spring, many of us are drawn to contemplate the mystery of Christ’s passion: his Crucifixion, Resurrection and Ascension into Heaven. You don’t have to go to church to do this, for reverie or prayer can take place in a quiet landscape or by a cosy fireside, but

The Angel of the Odd: an exhibition that ends with a satisfying shiver

Exhibitions

To some extent, all Romanticism has its origins in darkness, coming in the wake of the 1755 Lisbon earthquake that introduced fear into the age of reason. ‘Reason’s Sleep Produces Monsters’ proclaims the opening drawing in Goya’s series ‘Los Caprichos’ (1797–99), which features in this entertaining exhibition. After all the cruelties that man had inflicted

Caitlin Rose’s The Stand-In: a fantastic album from a fantastic girl

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Caitlin Rose, Caitlin Rose, Caitlin Rose. I’d feel awkward admitting that I’m rather obsessed with this Nashville chanteuse, were it not for a mitigating truth: you should be, too. Her debut album Own Side Now, released in 2010, was proof enough of her sweltering talent. And now we have a follow-up, The Stand-In, that’s superior

Come together | 28 March 2013

Radio

‘That’s the power of ritual,’ said the Chief Rabbi, Jonathan Sacks, on Thought for the Day last week. He was thinking particularly of the Jewish festival of Passover with its ritual gathering of the family to eat unleavened bread and bitter herbs as a re-enactment of the experience of exile and slavery. ‘It’s an expression

Trance: not Danny Boyle’s finest hour

Cinema

Obviously, we all love Danny Boyle and want to have his babies — I’d like at least two of his babies — but his latest film, Trance, is a horrid mess. A psychological take on the art-heist film, it is miscast, iffily acted, confusing, implausible (to the extent I never fully understood what was happening)

Lloyd Evans

The Book of Mormon is toothless, jokeless, plotless and pointless

Theatre

Impossible, surely. The Book of Mormon could never live up to the accolades lavished on it by America’s critics. ‘Blissfully original, outspoken, irreverent and hilarious,’ was a typical review. The three authors are formidably gifted. Trey Parker and Matt Stone gave us South Park, while Robert Lopez is the co-writer of Avenue Q. As a

Lloyd Evans

‘In the beginning was breath’

Theatre

Declan Donnellan is riding high. His acclaimed production of the burlesque classic Ubu Roi has confirmed his membership of the elite group of British directors who enjoy renown across Continental Europe and beyond. The critics cheered his French-language production of Alfred Jarry’s anarchic satire when it reached Paris earlier this month. The show, created by

search party

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the worst night coming the bloody dark covers our traces fanning across the grid worked out in the Ops Room section by section any place my heart is gone any direction beginning in the house and loosed off in mid air in some canal or building site or park the hinterlands behind are coded as

Eric Hobsbawm: a life-long apologist for the Soviet Union

In last week’s Spectator, Sam Leith reviewed Eric Hobsawm’s Fractured Times. Our ex-political editor and drink critic Bruce Anderson thinks Leith has missed a basic point about Hobsbawm’s career. Here is Anderson’s riposte in full: In his review of Eric Hobsbawm’s ‘Fractured Times’ (Spectator, 23 March). Sam Leith misses the basic point: the basic treason. Throughout his career, Professor

The Quickening, by Julie Myerson — review

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The plot of The Quickening (Arrow/ Hammer, £9.99) by Julie Myerson (pictured) revolves around pregnant, newlywed Rachel and her sinister husband, Dan. Rachel’s ghostly journey begins when Dan suggests a holiday in Antigua. Even though Rachel has a creepy premonition when she sees a photograph of her Caribbean destination, she’s not deterred. Of course, strange

Self-portrait as a Young Man, by Roy Strong — review

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Eventually, all of Sir Roy Strong’s voluminous personal archive is going — like Alan Bennett’s — to the Bodleian Library in Oxford. Riffling through it, he realised there was something missing: he had not adequately covered the years between 1935, when he was born, and 1967, when he became director of the National Portrait Gallery

To Save Everything, Click Here, by Evgeny Morozov — review

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Technology may not have taken over the world, but it is making quite good progress in taking over our lives. Thirty years ago, receiving a phone call was the height of communication stimulus. Now, we are programmed to expect several emails an hour and can become anxious if we don’t receive them. It’s worse than

Agony and ecstasy | 28 March 2013

Opera

For its penultimate HD cinema relay this season the New York Met enterprisingly put on a revival of its production of Zandonai’s Francesca da Rimini, with enormous solid sets necessitating three intermissions, and clothes that are a cunning blend of 13th century and art nouveau, and quite ravishing.  The audience applauded the Act I set;