Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Herring Way (15th Hole, 321 yards)

More from Books

Where the golf course curls along the sea’s granite edge and wholesome turf seeps around outcrops of dark rock, a modest drive is required to carry beyond a deep gully reaching into the heart of a succinct and slender fairway.  A poorly struck ball can leap between knobs of stone before, occasionally, being tossed just

Brendan Simms: A strong, united Europe is in Britain's interest

Since the collapse of the Byzantine Empire, European history has been dominated by two themes: the centrality of Germany and the primacy of foreign policy. This is the argument of Brendan Simms’ new book, Europe: the struggle for supremacy 1453 to the present. Simms is a professor of the History of International Relations at Cambridge

A Delicate Truth, by John le Carré - review

More from Books

John Le Carré is one of a select group of novelists whose vivid and internally coherent imaginative worlds are so recognisable that their names have become adjectives — Dickensian, Wodehousian,  Kafka-esqe. Thus, we all know what we mean by Le Carré-esque — the shifting sands of the Cold War, its depths and shallows reflected in

The Enchanted Wanderer and Other Stories, by Nikolai Leskov - review

More from Books

Though underestimated in the English-speaking world, Nikolai Leskov is one of the greatest of 19th-century Russian writers. Donald Rayfield has described him as ‘Russia’s best-kept secret’. Richard Pevear’s excellent introduction to this selection includes Anton Chekhov’s account of how Leskov — ‘his favourite writer’ — said to him at the beginning of his career, after

Eleven Days in August, by Matthew Cobb - review

More from Books

It is fair to assume that Professor Matthew Cobb has often been asked if he is related to Professor Richard Cobb since he begins the acknowledgements of his new book by announcing that he is not. Richard Cobb wrote books about France — where he was known as l’étonnant Cobb and, according to his obituary

Life and Letters, by Allan Massie - review

More from Books

It is a safe bet that Alex Salmond has no immediate plans to embrace Allan Massie as one of Scotland’s National Treasures. A Unionist in an increasingly nationalist country, a traditionalist in a time of change, an ungoogler engulfed by the internet, and an amateur of creative activities, cultural and sporting, when the fashion is

The Devonshires, by Roy Hattersley - review

Lead book review

Recalling being taken as a teenager on repeated outings to see Chatsworth, Roy Hattersley disarmingly confesses that in those days ‘I was impressed by neither the pictures nor the furniture’. Over the past three years, while working in the Chatsworth archives on this history of its owners, the Cavendish Dukes of Devonshire, Hattersley would break

The Spoken Word: Short Stories, Volume II - review

More from Books

Largely unheard since their original performances or BBC broadcasts between 1939 and 2011, these readings of 12 short stories by their authors are a treasure trove. * E.M.Forster’s 1948 reading definitely conjures up a past era. His philosophical debate in ‘Mr Andrews’ concerning two souls in ‘interspace’ — of a righteous Englishman and a Turk

Pick of the Proms

Music

With the publication of this year’s Proms brochure it is clear that what was already large has just become larger; and what was already a smooth production has just got smoother. Whether this is sustainable growth, or even desirable growth, are questions for the future; but I think I’ve discerned one of the main reasons

Benedict Cumberbatch takes over the world

What do you do if you wake up to discover your colleagues implying that you have it easy? If you’re Benedict Cumberbatch, you just stick to your Star Trek script and carry on trying to destroy the world. Benedict Cumberbatch (educated at Harrow) was in the crossfire when Downton Abbey’s Rob James-Collier (Stockport working class

Schroder - one man's journey into night

Erik Schroder is an East German who last saw his mother when he was five years old. In 1975 only his unspeaking father crossed the Wall with him into West Berlin and on to America. It is here that Erik Schroder becomes Eric Kennedy – his fateful, fictional second skin. It is Kennedy, deflecting wide-eyed

Steerpike

Stolen books returned to Lambeth Palace. You read it first in the Spectator

Congratulations to the Guardian for being one fortnight behind the news. The paper’s website reports that a deceased thief returned 1,400 stolen books to Lambeth Palace’s library. The citizens of King’s Place are trying to pass this wonderful story off as news; but attentive readers will know that it first appeared in the Spectator’s spring books

Steerpike

Mind your language, Mr Rawnsley

The weekend press offered some rave reviews of Charles Moore’s Thatcher biography. Craig Brown, who is not given to hyperbole, compared Moore’s book to a work of art, while the Observer’s Andrew Rawnsley praised Moore’s ‘multi-dimensional portrait’ of the person we know as Mrs Thatcher. There were, however, some reservations. Rawnsley, brave man that he

In defence of William Shakespeare's nonsense

‘It was a lover and his lass’ from As You Like It It was a lover and his lass With a hey and a ho and a hey nonino, That o’er the green cornfield did pass In springtime, the only pretty ring-time, When birds do sing, hey ding a ding, ding Sweet lovers love the

Interview with a writer: Evgeny Morozov

Evgeny Morozov is an iconoclast. He believes that technology, if abused or misused, has the potential to make society less free. His latest book, To Save Everything , Click Here, builds on his acclaimed polemic The Net Delusion (about which he spoke to the Spectator last year) to challenge those who suggest that technology is

An artistic rebirth: reopening the Rijksmuseum

Arts feature

Hallelujah! The minimalist fashion for dreary acres of white walls is coming to an end. During the long decade that the Rijksmuseum has been closed — it was only supposed to be shut for three years — the taste for colourless voids has come and, please God, is going. Jean-Michel Wilmotte, the designer behind the

Why on earth paint portraits in the age of photography?

Exhibitions

‘Everybody faces rejection,’ the portrait artist Aaron Shikler said. He should know, having had three official White House portraits of former President Ronald Reagan rejected — one was too large, one was too casual and one ‘they just didn’t like it’. The commission finally was given to a different artist. Don’t feel too sorry for

Exhibition review: Looking at the View, Tate Britain

Exhibitions

Most of us like to look at a view, though not all are fortunate enough to live with one, in which case art can offer an alternative, a window on the world. Landscape is a great solace, and particularly refreshing for the tired urban spirit, but we want more than holiday snaps of foreign places

Trading places | 25 April 2013

More from Arts

The Philippines: An Archipelago of Exchange at the Quai Branly Museum in Paris (until 24 July) brings together an impressive range of objects that demonstrate the fluidity of ideas and forms dispersed through exploration, trade and the blood of battle. The exhibition focuses on the fertile interactions between Filipino tribes and naval traders preceding the

Cinema: The Look of Love

Cinema

The Look of Love is the biopic of Paul Raymond and although it wants to be a tragedy — I could feel it straining at the leash to go in that direction — it never quite pulls it off, so to speak. Visually, it’s fantastic, with more retro kitsch than you can shake a stick

Lloyd Evans

Theatre: Children of the Sun; The Arrest of Ai Wei Wei

Theatre

They’re back. Howard Davies and his translator Andrew Upton had a well-deserved hit in 2007 with Gorky’s Philistines at the Lyttelton. Children of the Sun, which Gorky wrote in jail in 1905, is a prophetic allegory that foretells the destruction of Russia’s weak, idle and pretentious upper classes. We’re in a country mansion where a

Damian Thompson

Are today's composers up to the challenge of writing sublime music?

Music

When we describe music as ‘sublime’, what do we mean? For the Romans, sublimis signified greatness beyond measure. In the 18th century, Englishmen looked to The Spectator for clarification. Joseph Addison, in his Essay No. 339 of 1712, suggests that the sublime often achieves greatness without stirring up ‘pathetick’ human passions. The example he gives