The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
One often hears the caterwaul that the harsh new technology of emails has killed the gentle old craft of letter-writing. Joseph Epstein and Frederic Raphael — septuagenarian pen-pals who have never met, the one based in Chicago and the other dividing his year between South Kensington and Périgord — have set out to prove the
Set in the immediate aftermath of 9/11, Nadeem Aslam fourth novel begins with two young Pakistani men slipping over the border into Afghanistan. Jeo is a third-year medical student who has secretly volunteered to treat those wounded in the ‘war against terror’, and he is accompanied by his adopted brother Mikal, who works at a
‘I always know when a novel is going to be a Barbara Vine one,’ Ruth Rendell said to me in 1998. ‘In fact I believe that if I weren’t to write it as Barbara Vine, I wouldn’t be able to write it at all.’ A Barbara Vine — from the first, A Dark-Adapted Eye (1986)
There is a feeling about this publication of the biter bit, or rather, the observer observed. It consists of 16 essays by leading art historians about the most significant books about art published in the 20th century. The illustrations at the start of each section, rather than being of paintings and sculpture, are of scholars
The first illustration in this absorbing survey of domestic service in 20th-century Britain is a group photograph of the household servants at Erdigg, the Yorke family home in Wales. Each holds an emblematic item; the housekeeper is defined by her bunch of keys, the butler holds a wine bottle and corkscrew, the footman, in full
– Hong Kong Imagine if every British novel published since the 1940s was about the Second World War. That’s about as accurate a view of contemporary China held by readers in the Anglophone West, say experts here. On the eve of this year’s Man Asian Literary Prize announcement, it’s worth considering why that’s still the
Had he not died 12 years ago, Douglas Adams would have been 61 yesterday. Google produced a doodle in his memory, and the Guardian published an interesting piece which declared that Adams remains the king of comedy SF, before going on to argue that he was unique, pretty much the only writer in that genre.
David Cameron is not for lurching. No lurch to the right, he says. The word ‘lurch’ underscores commentary on the government’s difficulties; but what does it actually mean? As so often in these matters, Dot Wordsworth, our language correspondent, has a few erudite suggestions, one of which is this: ‘Lurching is a nicely pejorative word.
Doesn’t it all seem a long time ago? For years, the 1960s remained a key cultural reference, universally understood. But then, at some point, probably around the turn of the millennium, the Eighties took over and the Sixties began to fade into a psychedelic version of 1920s sepia. The two periods, separated by the shame
On both sides of the Atlantic there are still heated debates about who invented Pop Art, the Americans or the British, but it seems much more probable that concurrently each initiated their own brand in response to the zeitgeist of post-war consumerism. Certainly, the American Roy Lichtenstein (1923–97), after near-abstract beginnings, started in 1961 to
It takes a special sort of talent to turn a good act into a great one, and without John Ammonds, who died last month, aged 88, it’s quite possible that today’s couch potatoes never would have heard of Morecambe & Wise. As their BBC producer, he transformed them from jobbing comics into a national institution.
‘The problem is why,’ said the health project officer of a British charity working in the marshlands of southern Iraq close to Basra. ‘No one answers why?’ He was talking to the BBC journalist Hugh Sykes about the state of Iraq, ten years after the fall of Saddam Hussein. He agreed that the Americans and
The thing that always used to bother me about M*A*S*H as a child was the lack of combat. You’d see the realistic film of choppers at the beginning and, obviously, the plotline would quite often include casualties coming in from recent scenes of action. But the exciting stuff always seemed to happen offstage, a bit
Robot & Frank is about a robot, and Frank, and I’d like to say it is as charmingly irresistible as you might suppose from the cute posters all around town, but hand on heart? I cannot. It’s OK, I guess, as far as it goes, but it doesn’t go far enough, and, in the end,
It was some time since I’d been to a performance of Mozart’s greatest though not his deepest opera, Le Nozze di Figaro, one of the works of which I can’t imagine ever tiring. And it is, despite some heavy vocal demands, an opera which normally suits students at the music colleges well. There weren’t any
It’s been a while, I have to say, but last week I saw a show that thrilled me to the core. Trelawny of the Wells, the Donmar’s latest offering, is a tribute to the theatre written by actor-turned-writer Arthur Wing Pinero. A simple set-up. Gorgeous young luvvie, Rose Trelawny, has forsaken the greasepaint to marry
There has been a lot of discussion recently, prompted by the start of President Obama’s second term, about the ‘Special Relationship’ between the United Kingdom and the United States. What seems to have been overlooked in the analysis of politics, economics and diplomatic relations is that the strongest and most culturally important link between the
I haven’t heard the David Bowie album yet, but the Amazon order is in and Postie has been alerted as to the importance of the delivery. How often these days do any of us feel so excited about an imminent release? The ten-year gap between Bowie albums might have something to do with it, but
We walked the cliff of Portnahaven listening to the grey seals sing on Orsay and Eilean Mhic Coinnich across the little harbour. Were they singing for the love of being here in this place, like us, far from griefs — and were they also singing, as we were, to each other?
The history of literature is replete with folly but the news that Sebastian Faulks is writing a novel featuring Reginald Jeeves and Bertram Wooster knocks all other blunders into a cocked-hat. We are not gruntled. Madness, not to put too fine a point on it, seems the only explanation for such a project. Perhaps, like
The first time you run out of space for your books is a rite of passage for booklovers. It’s the moment that you realise the extent of your addiction to these papery worlds. It’s also a time of anxiously wondering what on earth you’ll do with all the books you have yet to accumulate. Double
It’s the 50th anniversary this year of the publication of Betty Friedan’s The Feminine Mystique. According to the quote on the cover of my Penguin edition, ‘Feminism … began with the work of a single person: Friedan.’ Quite something, then. In fact any mention of Betty Friedan brings out something like post-traumatic stress symptoms in
Over 80 and almost blind, Diana Vreeland was wheeled around a forthcoming costume exhibition at the Metropolitan Museum, issuing instructions all along the way about hats, shoes, lights and mannequins. She seemed, recalled the writer Andrew Solomon, an impossible old lady who couldn’t let go of her control and who was making everyone’s lives miserable
James Redding Ware, with his idiosyncratic treatment of slang, plunges the reader straight into the late 19th-century Bartholomew Fair of undeserving paupers, loafers, Ally Slopers, theatrical types and demi-mondaines. He drew on his own Grub Street life for this discursive lexicon, from A.D. (‘a drink’) to Zulu Express (the nickname for a Great Western service),
Glasgow and Edinburgh are so nearby that even in the 18th-century Adam Smith could breakfast in one city and be in the other for early-afternoon dinner. For all that, these two cities cherish a rivalry and have followed different paths. Edinburgh, a royal capital until 1603 and a seat of parliament until 1707, and again
Harrison Hanafan is a plastic surgeon in New York. Every day, he slices and stitches deluded women, reshaping healthy flesh to pander to 21st-century aesthetics. One Christmas Eve, absent-minded Harrison finds himself prostrate on the icy sidewalk of Madison Avenue. ‘Ya can’t sit there all day, buddy, looking up people’s skirts,’ says a plump, sweaty-faced
Stripping down prose is not a risk-free undertaking. The excision of adverbs and the passive voice is sound practice in journalism. However, to make very bare writing a thing of beauty in fiction requires enormous skill. Hemingway’s short stories — those clean, well-lighted places — manage it. Despite its author’s fellow possession of a Nobel
It is 32 years since the first edition of this hefty book appeared in 1981. The original was based on the research materials amassed by Charles Handley-Read, the pioneer scholar and collector of Victorian decorative arts and one-time art master at Bryanston, who killed himself in 1971. Other people’s research notes are often not easy
Mick Jagger, the Danny La Rue of rock, impersonates a woman on the cover of the 1978 Stones album Some Girls. Vaudeville performers in the Jagger mould love to put on lipstick and ‘false bubbies’ (as Neil McKenna calls them). Boy X-Factor contestants, with their shaved eyebrows, diamond earrings and nails lovingly manicured, present an
