The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Bicycles can be powerful images in cinema. Like the 1948 masterpiece Ladri di Biciclette, Wadjda, the first film ever to be filmed in Saudi Arabia, is about a child and a bike. But whereas two wheels in Vittorio De Sica’s brutally neorealist film represented the shackles of poverty, here they embody freedom. Or at least
A vital sign that radio is so much more vibrant these days than tired old TV is the way the networks are rebranding themselves, extending their range, developing their programme base. On Radio 1 on Monday night Keeping Mum took on the subject of young adult carers in a feature that could easily have been
I don’t know quite what I was thinking when I went to see this film as it is full of everything I personally hate. Low-life gangsters. Drugs. Violence. Liberal use of ‘pussy’ and the c-word, which I loathe so much I cannot say it myself. My son, when he was little, once overheard it somewhere
As I entered the O2 Academy in Oxford last Saturday, something felt strange. The air was thick, the bar was crowded and the DJ was already playing in anticipation of the headline act. It all seemed perfectly normal. Yet, something was amiss. And then my friend turned round to me; her face pale, a mildly
What begins with the borrowing of some capital ends 14 hours later with cataclysmic disaster. It is a drama thousands and thousands in the western hemisphere watch these days — from Seattle to New York, from London to Milan, and from Munich to St Petersburg. Ticket prices are high, although sponsorship money flows in luxuriant
How should you feel at the end of a Ring cycle, before — at any rate if you’re a reviewer — starting to list the pros and cons? Nothing very simple, obviously, but some kind of exaltation, of however confused or complex a kind. Famously Wagner had severe problems with the conclusion to the cycle:
High ambitions at the Donmar. Artistic supremo Josie Rourke has chosen to direct one of Racine’s more impenetrable dramas, Berenice. The play introduces us to the emperor Titus, a besotted weakling, and his lover, Queen Berenice, an ageing sexpot from Palestine. Berenice wants to become Titus’s official squeeze but the xenophobic Romans don’t care for
‘If you liked that, why not try this?’ Such tempting words, so hard to resist. I love the idea that some immeasurably complex computer algorithm, lovingly created by nerds, can sift through the teeming piles of new music out there and find something for me that I didn’t know I was going to like. One
He comes most nights — I hear his car pull up Outside and catch the glancing blur of lights Through curtains. Drinking Nescafe, we watch The Epilogue, laugh at the priest, then think Where to drive that night — we catalogue The usual suggestions and arrive At the same decision as usual. The road lies
mobydickbigread.com is a website. It adapts Herman Melville’s novel Moby-Dick into an online audiobook. The content is rich: what tech executives might call “trendily interactive”, in that there are Facebook groups, hipster cultural events, academic podcasts, and so on. The Guardian is heavily involved. David Cameron, Tilda Swinton, Stephen Fry and Simon Callow have all
The new Nobel laureate is Mo Yan, a Chinese writer. He is the first Chinese citizen to win the prize, and doubtless will become the first of many as China’s cultural ascent matches its economic boom and political prominence. I must confess that I’ve never read anything by him, and I suspect that I’m not
Ronald Blythe, our greatest rural writer, remembers sheep being driven through Lavenham, the Suffolk wool town, before the war. Now he’s lived long enough to see the same street filled with Japanese tourists. On the eve of his 90th birthday, on 6 November, Blythe doesn’t mourn that lost way of life. If anything, Akenfield —
Caitlin Moran’s bestselling How to be a Woman careered with reckless frivolity from the personal (eldest of eight, home-schooled in a council house in Wolverhampton) to the political (better pornography, larger pants, more body hair). Her latest effort, Moranthology (Ebury Press, £18.99) casts a retrospective glow of gravity over its predecessor. That was a manifesto
This book isn’t just about prediction, or even the limits of knowledge. It is about the ascent of man. According to Nate Silver, the American electoral analyst, the digital age and its explosion of knowledge constitute a great turning point in human history. Never before have we had so much evidence on which to base
My father, a man not given to hero-worship, once told me that the only actor he really admired was Richard Burton. Some years later, I put the question to Peter O’Toole, who had been reading excerpts from his lushly overwritten memoirs at the Oxford Union. ‘Mr O’Toole,’ I said, ‘I was wondering if…’ A shy
T.C. Boyle is not one of those authors who can be accused of writing the same novel again and again. Over the past 30 years, his subject matter has ranged from 18th-century Africa to the California of the future, from Mexican immigration to the sex life of Frank Lloyd Wright. Even so, what has tended
L’Arénas, between Côte d’Azur airport and a dual carriageway patrolled by prostitutes, is a banal stretch of concrete, steel and glass offices, malls and hotels that seems always to be deserted. A few weeks ago, I watched an 18-month-old Korean boy playing on an iPad by a hotel pool there. ‘Ballardian’ was le mot juste.
What must Mao have thought when in 1968 he heard that towering intellectuals like Jean-Paul Sartre were enthusiastically distributing newspapers on the prosperous boulevards of Paris bearing his portrait and eulogising his ideas? By then Mao, along with most Chinese, knew that just six years earlier his attempt to create a Marxist utopia in the
Say ‘Colditz’, and the name immediately triggers an image of prisoners of war digging tunnels, building gliders and in general plotting outrageously to cross the barbed wire into freedom. You could shout ‘Trent Park’ from the rooftops and, until now, no one would have known what you were referring to. But this book should give
Xenophilia is as English as Stilton. Despite a reputation for insularity, no other nation has produced so many writers who have immersed themselves in other countries. From Borrow to Lawrence, Byron to Auden, the list is impressive. In one of the wonderful letters quoted in this perceptive, haunting and highly readable biography, Patrick Leigh Fermor
Do not read this review if you haven’t seen the first series of Homeland. Because I’m a lazy bastard I have recently taken to farming out my TV criticism responsibilities to Twitter. The other day, for example, I Tweeted the vexed question: ‘Should I get Homeland series one box set — or is it meh?’
James Naughtie explains why he’d give Scoop to a lover, confesses which books by another BBC luminary he does his best to avoid and finally reassures us, in case you were wondering, that he doesn’t fantasise about Lolita. He will be appearing at the Wimbledon Bookfest on 14th October to talk about his latest book,
The Jamaican High Commission in London held a party last night to launch a patois translation of the Gospels. The translation, published by the Bible Society, is the culmination of 20 years work by academics at the University of the West Indies and other institutions, studying the rules of the creole created by plantation slaves
In 1842, a wealthy heiress called Sarah Losh built a church in Wreay (rhymes with ‘near’, apparently), close to Carlisle. Coupling carvings of caterpillars with turtle gargoyles and a spattering of pinecones, she was, stylistically, half a century before her time. As a female architect and builder, she was still more precocious. The Pinecone by
‘Should literature be political?’ Njabulo S Ndebele asked Open Book Cape Town the other day. Ndebele, a renowned academic in South Africa, has written a précis of his speech for the Guardian. He draws a distinction between political novels, which dramatise activism, and other forms of literature that ‘politicise’ by deepening awareness. His point is
It’s the last day of banned book week but perhaps we should spare a thought for banned editors. An editor at Éditions Gallimard, who worked on Jonathan Littell’s The Kindly Ones, recently published three essays (with another house). The first, an account of his amorous adventures in Amsterdam, and the second, ‘Ghostly Language’, are, according
James Lasdun published his first book of short stories The Silver Age in 1985. The debut won him The Dylan Thomas Award, and was followed by Three Evenings another book of stories. In 1998, Italian filmmaker, Bernardo Bertolucci, directed the film ‘Besieged’, which was an adaptation of Lasdun’s short story ‘The Siege’. In 2002 Lasdun
‘Write your own name a hundred times,’ T.H. White once commented, ‘and you will be bored; seven hundred times and you will be exasperated; seven thousand times, and your brains will be reeling in your head. Then you realize that you have only written one-tenth of a new novel.’ No surprise that White should display
What used to be called the National Film Theatre, now BFI Southbank, is a weird sort of place. On the outside it is unprepossessing to the point of ugliness: a concrete mass sitting beneath the southern end of Waterloo Bridge, squat against the Thames, where it sulks away from the sunlight and overhead traffic. Whereas,
