The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Michael Cunningham, author of The Hours, disabuses readers of the Guardian of their misconceptions about Virginia Woolf. ‘Virginia Woolf was great fun at parties. I want to tell you that up front, because Woolf, who died 70 years ago this year, is so often portrayed as the Dark Lady of English letters, all glowery and
In the Mellon Gallery of the Fitzwilliam is an unashamedly rich and demanding exhibition of Italian drawings, ranging from the 15th to the 20th century. I say ‘demanding’ because you need to look closely and with attention at these works — not simply to decipher what is going on (the narrative component), but to appreciate
From high in the sky over Cappadocia Susan Moore looks down at part of the largest contemporary land art project in the world There are few artists whose work is best seen by hot-air balloon. There are even fewer whose works can only be photographed in their entirety by satellite. To describe the Australian Andrew
Been a while since we saw some Merle around here. Too long. So here’s the great man singing about his poor mama and her Hungry Eyes:
There aren’t many things on which John Humphrys is undecided, but one of them shows itself nearly every time he presents the Today programme. It’s a trait shared by many broadcasters, and indeed people from all walks of life, and constitutes one of the great social barometers of our time. It’s the inability to decide
James MacMillan has a string of large-scale choral and orchestral works to his name, and last month saw the première of his chamber opera Clemency at Covent Garden. One wonders, then, how he makes time to write a new, small-scale choral piece for the re-opening of St Patrick’s Church in Soho Square. James MacMillan has
‘Not something I’d want on my wall,’ said an English lady visitor to Antwerp’s Rockox House, standing in front of a painting of wolves attacking cattle. ‘Not something I’d want on my wall,’ said an English lady visitor to Antwerp’s Rockox House, standing in front of a painting of wolves attacking cattle. ‘Nor that,’ said
A miracle at the Barbican. I reached the venue after a mere half an hour blundering around following directions from helpful staff. The main stage, which is so vast it feels like an open-air theatre, is the result of an alluring misconception of scale. You build a venue the size of the cosmos and you
Macbeth may not be Verdi’s greatest opera, in fact it’s hard to imagine anyone’s claiming it is, yet in a performance that is as musically inspired as the one I saw at the Royal Opera last week (the second of the run) it comes across as an inspired work, almost all the way through, and
I have zero interest in motor racing and zero interest in cars generally yet this documentary about the Formula 1 driver Ayrton Senna knocked me for six, which I think is a cricketing metaphor but can’t say for sure, as I also have zero interest in cricket. I have zero interest in motor racing and
Here’s a strange thing about Johann Sebastian Bach. Here’s a strange thing about Johann Sebastian Bach. You can be devoted to his work, love it more intensely than any other music, yet never get round to hearing some of his most awe-inspiring compositions, or even know what you’re missing. There are dozens — literally dozens
After a few thematically uneven mixed programmes, the Royal Ballet takes its summer leave from the Royal Opera House with a nearly ideal triptych of works. Central to it are stunning examples of 20th-century choreography, which highlight the role that British ballet played in both making and consolidating the Western modern ballet tradition. As such,
‘We will know one day why it happened,’ said the mother of Helga Mosey. ‘We will know one day why it happened,’ said the mother of Helga Mosey. Helga was just 19 when she was killed in the bomb that destroyed PanAm flight 103 as it flew over the Scottish town of Lockerbie on the
You’ll forgive me, I hope, for coming back so soon to the subject of Adam Curtis, the first part of whose All Watched Over by Machines of Loving Grace was so ably dissected by Simon Hoggart last week. You’ll forgive me, I hope, for coming back so soon to the subject of Adam Curtis, the
As night fell I was joined by my friend Sarah, a researcher for documentary maker Nick Broomfield. We attended a talk by William Cohen, an investigative journalist who told us that Goldman Sachs really is the evil corporation that everyone says it is, but before long we succumbed to the dark side. That is to
Hugh Thomas gave an update on his progress through his three volume history of the Spanish Empire. He has recently published volume two: the Golden Age, in which he examines the reign of Charles V and the conquest of South America. Aptly named the Golden Age because he refers to an age of amazing discovery
What’s your punishment going to be, when you get to Hell? At least as envisaged by Dante, you might be somewhat surprised. Hitler (mass murderer) is in the outer ring of the seventh circle, up to his eyebrows in a river of blood and fire. Still, that’s a little better than the innocent manager of
After the Nazi occupation of Paris was over, Sartre famously said — somewhat hypocritically, given his own slippery behaviour — that the only possibilities had been collaboration or resistance. After the Nazi occupation of Paris was over, Sartre famously said — somewhat hypocritically, given his own slippery behaviour — that the only possibilities had been
The story of Harry the Valet is the stuff of fiction. He was a dazzlingly adept, smooth, glamorous jewel thief, who never stooped to petty crime but carried off the kind of robberies more commonly found in novels and films: huge ruby necklaces, diamonds and pearls all poured out, pirate-treasure fashion, into his waiting hands.
Mo Hayder has a considerable and well-deserved reputation as a writer of horrific crime novels that often revolve around the physical violence men do to women. Her latest, Hanging Hill (Bantam, £18.99), is no exception. Set in Bath, it’s the story of two estranged sisters — Zoe, a detective inspector equipped with a motorbike and
For Peter Ackroyd, the subterranean world holds a potent allure. London Under, his brief account of the capital’s catacombs and other murky zones, manages to radiate a dark mystery and sulphur reek. ‘There is no darkness like the darkness under the ground’, Ackroyd announces, like a Victorian raree-show merchant. This is an entertaining if slightly
No messenger bearing bad news can expect to be popular. But to be dis- believed as well adds a particularly bitter twist, since the messenger’s character can only be vindicated by proving the truth of his horrific message. That was Jan Karski’s fate. He was the Polish resistance fighter sent to London in 1942 to
Gillian Darley’s book has the pace, colour and deliberation of a Vesuvian eruption, which is fitting; for we must get used to the fact that sooner or later the volcano will erupt again with a devastating power. Gillian Darley’s book has the pace, colour and deliberation of a Vesuvian eruption, which is fitting; for we
Julie Myerson’s eighth novel is told by a woman who roams the City of London after an unspecified apocalypse (no power, bad weather). Julie Myerson’s eighth novel is told by a woman who roams the City of London after an unspecified apocalypse (no power, bad weather). The Monument is rubble, Tower Bridge has ‘long gone’
One day, the American journalist Joshua Foer is surfing the net, trying to find the answer to a specific question: who is the most intelligent person in the world? He can’t find a definitive answer. One day, the American journalist Joshua Foer is surfing the net, trying to find the answer to a specific question:
If you drive West out of Carmarthen on the A40, you pass through a landscape of dimpled hills and lonely chapels and little rivers full of salmon trout. This is Byron’s Country, the place where Byron Rogers was brought up in the late Forties, not knowing a word of English, until at the age of
Today’s Dilbert strip is for commenters and bloggers everywhere: We love you all, of course. [Thanks to MS, JPM, AH and others for the tip.]
Colin Amery has written the Bookend column in this week’s issue of the Spectator. Here it is for readers of this blog: It may have been first published in 1973, but reading it again in Persephone Books’ elegant re-print, Adam Fergusson’s The Sack of Bath remains a real shocker. The fury of his polemic against
If one scientist were to sit at a table full of philosophers it might seem at first that the scientist had the upper hand purely by virtue of their self confidence. The philosophers’ humility might be no match for the all encompassing certainty of science. Peter Atkins, Professor of Chemistry and author of A Scientist’s