The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
It’s all in the voice. It’s all in the voice. Whether or not the person speaking is seeking to engage the listener, or just saying what comes into their head without much thought of what they are trying to get across, or of who they are talking to and why they might want to listen.
The Duke at 90 (BBC1) was another engagement in Prince Philip’s ongoing war against the media. The Duke at 90 (BBC1) was another engagement in Prince Philip’s ongoing war against the media. As usual, he won this skirmish. There was a difference between this programme, presented by Fiona Bruce, and the earlier ITV effort with
Can a documentary ever be as entertaining as a fictional feature film? And, if it can, does that mean it cannot be a serious contribution to public debate? Inside Job, director Charles Ferguson’s Oscar-winning account of the origins of the US subprime mortgage debacle and the 2008 banking crisis, is a case in point. It
It is 1979. You are a 15-year-old boy starring in a hit US television show. You’ve seen the crowds of screaming girls outside the gates as you arrive for work, and are therefore very excited to have received your first fan letter. You open it eagerly and begin to read: ‘Dear Mr Rob Lowe, You
If you thought that bust of Lenin you had on your desk as a teenager was the ultimate in radical chic, think on. Infatuated with the French Revolution, Lord Stanhope proclaimed his solidarity at a banquet at White’s Club. Announcing that he was thenceforth to be known as Citizen Stanhope, he ordered the coronets to
Two centuries ago, Edmund Burke famously mocked the intellectuals of revolutionary France for trying to devise a perfectly rational constitution for their country. The Abbé Sieyès, he wrote, had whole nests of pigeon-holes full of constitutions, ready made, ticketed, sorted and numbered, suited to every season and every fancy . . . so that no
Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Born sixth in line to the Greek throne, at the age of 18 months he was hounded from what, in name
Some of the best writing about sport in recent years has been done by journalists who tend their soil, so to speak, in another parish. Peter Oborne’s biography of the Cape Town-born England cricketer Basil D’Oliveira was a deserved prize-winner, and another political scribe, Leo McKinstry, has done justice to Geoffrey Boycott, the Charlton brothers
Christopher Howse describes Spain as ‘the strangest place with which Westerners can easily identify’. Christopher Howse describes Spain as ‘the strangest place with which Westerners can easily identify’. He has certainly written one of the strangest books on the country in recent years. His approach is gloriously and provocatively unfashionable. Whereas other authors on Spain
In the patriotic mythology of British arms 1759 may be the one true annus mirabilis, the ‘year of victories’, the year of Minden, Quebec and Quiberon Bay, but has there ever been a year comparable to 1918? In that year 20,000 British soldiers surrendered on a single day, 31 March, and yet within six months
Rupert Everett doesn’t care for critics. Rupert Everett doesn’t care for critics. ‘You see them coming into the theatre,’ he says, ‘like the homeless who’ve lost their soup-kitchen, shuffling in with their plastic bags, deranged and vacant.’ After watching him play Henry Higgins in Pygmalion the reviewers have dumped poor Rupe in the poop. ‘Sad
Mark Mason has written the Bookend column in the latest issue of The Spectator. Here it is for readers of this blog. It is 1979. You are a 15-year-old boy starring in a hit US television show. You’ve seen the crowds of screaming girls outside the gates as you arrive for work, and are therefore
An exciting new bookshop that shut down after three weeks (on purpose). A young man who helped a branch of the previous bookshop go out of business. The logical (but not necessarily pleasant) conclusion of the “Jane Austen remix” trend. A short history of the heavy-metal umlaut. Imaginary movie posters for David Foster Wallace fans.
The hardback edition of D.R. Thorpe’s Supermac is 626 pages in length (not including endnotes and index), 24cm x 16cm x 6cm in girth, and weighs in at more than one kilogram – on first appearances, not a book for a beach holiday. Or so I thought, because despite the corporeal hardships of reading this
Congratulations to Téa Obreht, whose novel The Tiger’s Wife won the Orange Prize for Fiction last night. At 25, she is the youngest ever winner. Chairman of the judges Bettany Hughes said: “The Tiger’s Wife is an exceptional book and Téa Obreht is a truly exciting new talent. Obreht’s powers of observation and her understanding
The Hay Festival has ended, but so much of this enormous festival went largely unreported. Here’s the final dispatch from George Binning: Richard E Grant’s conversation with Peter Godwin about Mugabe’s regime and Godwin’s latest book, The Fear, gave us a nuanced insight into African politics that could not have been written by the Western
‘They dined on mince and slices of quince, which they ate with a runcible spoon‘ The Owl and the Pussycat, Edward Lear, 1871 To hazard a guess at the exact nature of a runcible spoon, you’d have to consult Edward Lear’s 1849 illustration of the Dolomphious duck (pictured) on the point of devouring its
The Hay Festival has ended, but reports from this enormous festival do not. Here’s another dispatch from George Binning: In 1977, having started a craze for second hand book shops and festivals in Hay on Wye, Richard Booth crowned himself King of Hay. He also appointed a chamber of hereditary peers in 2000 (a nice
The Hay Festival has ended, but reports from this enormous festival do not. Here’s another dispatch from George Binning: If you ever have the opportunity to see Rolf Heuer, the director general of CERN, talk, I strongly believe it is your duty as a member of the human race to go and see him. I
Michael Cunningham, author of The Hours, disabuses readers of the Guardian of their misconceptions about Virginia Woolf. ‘Virginia Woolf was great fun at parties. I want to tell you that up front, because Woolf, who died 70 years ago this year, is so often portrayed as the Dark Lady of English letters, all glowery and
In the Mellon Gallery of the Fitzwilliam is an unashamedly rich and demanding exhibition of Italian drawings, ranging from the 15th to the 20th century. I say ‘demanding’ because you need to look closely and with attention at these works — not simply to decipher what is going on (the narrative component), but to appreciate
From high in the sky over Cappadocia Susan Moore looks down at part of the largest contemporary land art project in the world There are few artists whose work is best seen by hot-air balloon. There are even fewer whose works can only be photographed in their entirety by satellite. To describe the Australian Andrew
Been a while since we saw some Merle around here. Too long. So here’s the great man singing about his poor mama and her Hungry Eyes:
There aren’t many things on which John Humphrys is undecided, but one of them shows itself nearly every time he presents the Today programme. It’s a trait shared by many broadcasters, and indeed people from all walks of life, and constitutes one of the great social barometers of our time. It’s the inability to decide
James MacMillan has a string of large-scale choral and orchestral works to his name, and last month saw the première of his chamber opera Clemency at Covent Garden. One wonders, then, how he makes time to write a new, small-scale choral piece for the re-opening of St Patrick’s Church in Soho Square. James MacMillan has
‘Not something I’d want on my wall,’ said an English lady visitor to Antwerp’s Rockox House, standing in front of a painting of wolves attacking cattle. ‘Not something I’d want on my wall,’ said an English lady visitor to Antwerp’s Rockox House, standing in front of a painting of wolves attacking cattle. ‘Nor that,’ said
A miracle at the Barbican. I reached the venue after a mere half an hour blundering around following directions from helpful staff. The main stage, which is so vast it feels like an open-air theatre, is the result of an alluring misconception of scale. You build a venue the size of the cosmos and you
Macbeth may not be Verdi’s greatest opera, in fact it’s hard to imagine anyone’s claiming it is, yet in a performance that is as musically inspired as the one I saw at the Royal Opera last week (the second of the run) it comes across as an inspired work, almost all the way through, and
I have zero interest in motor racing and zero interest in cars generally yet this documentary about the Formula 1 driver Ayrton Senna knocked me for six, which I think is a cricketing metaphor but can’t say for sure, as I also have zero interest in cricket. I have zero interest in motor racing and