Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A man after his time

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Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. This Symposium is a demonstration of how his writing

More than a painter of Queens

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The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation — was both the purpose and

Secrets and silences

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Charlotte Moore’s family have lived at Hancox on the Sussex Weald for well over a century. Charlotte Moore’s family have lived at Hancox on the Sussex Weald for well over a century. Hancox is a large, rambling house, and the Moores are a family who throw nothing away. Charlotte Moore still cooks on a 1934

Schlock teaser

The somewhat straightlaced theatre-going audiences of 1880s America, eager for performances by European artistes like Jenny Lind and solid, home-grown, classical actors such as Otis Skinner, were hardly prepared for the on-stage vulgarity that the (usually) Russian and Polish immigrant impressarios, with their particular nous for show-biz, were to unleash into the saloons and fleapits

Might and wrong

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‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Did it really represent the triumph of good over evil?’ All

A flammable individual

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On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. The altarpiece has not been seen since. Three decades later, in 1996, Italians were aghast

The hell of working

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Joseph Conrad was 38, more than halfway through his life, when his first novel, Almayer’s Folly, was published in 1895. He died in 1924 with more than 30 books to his name. A good enough rate of production, you might think. An astonishing one actually, if you are to believe him. ‘Full 3 weeks’, he

Kate Maltby

Made of Glass

Philip Glass doesn’t approve of intervals. Last week, at Yale University’s Sprague Memorial Hall, the prolific composer gave a preview of what audiences in Dublin, Edinburgh and Cork could expect from his piano performances a few days later. He starts by declaring that pauses in performance “damage the concentration” – and he ended it in

‘Everyone must have a voice’

Arts feature

Marianne Gray talks to the down-to-earth Oscar nominee Brenda Blethyn about her latest film Brenda Blethyn doesn’t really understand why people continually ask her why she plays dowdy, often downtrodden characters, like Cynthia, the despairing mother in Secrets & Lies, or James McAvoy’s heartbroken mother in Atonement, or Mrs Bennet in Pride and Prejudice, who

Alex Massie

Saturday Morning Country: Josh Ritter

Occasionally, people complain that this series isn’t contemporary enough and that it ignores the good country music that is still being produced in spite of the commercial interests of Nashville-pap. That’s a fair criticism. So here’s an acoustic version of Josh Ritter’s Folk Bloodbath – a hymn to the murder ballad which is, as Radley

Kaleidoscopic vision

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The Summer Exhibition Royal Academy of Arts, until 22 August The Weston Room is packed with prints as usual, but also features five display cases of artists’ books, including work by such masters of the genre as Ron King, Ken Campbell and Ian Tyson. Among the prints I particularly liked Bronwen Sleigh’s hand-coloured etching, Terry

Curses and blessings

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Idomeneo ENO, in rep until 9 July Lohengrin City of Birmingham Symphony Orchestra Mozart’s Idomeneo remains, despite the best efforts of its proselytisers, a connoisseur’s piece. For all its beauties and its emotional power, it is a predominantly static work, and one in which one can’t really care all that much about what happens to

James Delingpole

Disputed paternity

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Apart from Punishment Day, Beating Day, and Kill-One-Of-The-Pets-To-Teach-’Em-That-Life-Is-Harsh-Random-And-Unfair Day, I’m generally not one of those fathers who goes in for cruelty and neglect of his children. I’m too busy working my arse off to feed, clothe and educate the ungrateful sods, that’s probably why. Apart from Punishment Day, Beating Day, and Kill-One-Of-The-Pets-To-Teach-’Em-That-Life-Is-Harsh-Random-And-Unfair Day, I’m generally

Digital deadline

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It was such a shock. At first I couldn’t understand what was going on. Why were they all talking about Sid as if he was in the past? It was such a shock. At first I couldn’t understand what was going on. Why were they all talking about Sid as if he was in the

Fate, death and Alma

Gustav Mahler is the most subjective, the most autobiographical, of composers. Other composers, particularly in the previous century, have asked their audiences to show an occasional interest in their private lives, sometimes in rather coded ways. There are the allusions, which of course never were completely private, of Schumann’s piano cycles, Carnaval and Davidsbundlertanze; there

In and out of every dive

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Robert Coover’s Noir is a graphic novel. Robert Coover’s Noir is a graphic novel. Not literally, in the contemporary sense in which the phrase is used to designate a highfalutin words-plus-pictures album; but figuratively, in that its language cannot help but be converted, in the reader’s inner eye, into a series of monochromatic images, images

The pride of the Sackvilles

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Knole is a country house the size of a small village in the Kent countryside. For the past 400 years it has been inhabited by 13 generations of a single family, the Sackvilles. The present Lord Sackville, Robert Sackville-West who lives with his family there, has written a scholarly book on Knole’s effect on the

High priest of bop

In the Rainbow Grill in New York one evening in 1971, according to Robin D. G. Kelley, Professor of History and American Studies at the University of Southern California, Duke Ellington  halted his band in mid-flow and announced: ‘Ladies and gentlemen, the baddest left hand in the history of jazz just walked into the room,

Aces high

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Seventy years after the RAF repelled the Luftwaffe, the Battle of Britain continues to have a powerful resonance. The conflict not only decided Britain’s very survival as an independent nation, but was also imbued with an epic moral purpose. The epochal months of 1940 represented the classic fight between good and evil, between freedom and

The poetry of everyday life

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In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as his travelling companion to Iran and Afghanistan can only be admired. In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as

Small but perfectly formed

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Some years ago, Edmund de Waal inherited a remarkable collection of 264 netsuke from his great-uncle Iggie, whom he had got to know 20 years previously while studying pottery and Japanese in Tokyo. Each week the young de Waal visited his urbane, elderly relative and his friend, Jiro. He heard ancient family stories and was

Picasso: angel and monster

Arts feature

Andrew Lambirth talks to John Richardson, biographer and friend of the artist John Richardson has spent a lifetime in the company of great art and artists, and is justly celebrated for his ability to evoke, explain and evaluate their work in beautiful prose. Best known as the biographer of Picasso, he has written about many

Molière with a US accent

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Matthew Warchus tells Henrietta Bredin why he is directing an American play inspired by Molière Rehearsing is an extraordinarily intensive, exploratory, deeply engaging business and director Matthew Warchus, emerging from a long day’s work on his new production of La Bête, by David Hirson, takes a while to change gear, blinking slightly dazedly as we

The axeman cometh

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Maria Stuarda; Rusalka Opera North, in Leeds and on tour until July Carmen Royal Opera House, until 26 June Donizetti’s Maria Stuarda is most celebrated for the apocryphal meeting of Mary Queen of Scots and Elizabeth, in which Mary descends to some coarse insults, backed up, in Antony McDonald’s new production for Opera North, by

Lesson from Venezuela

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The idea that one can take guns and syringes out of the hands of disaffected youths and replace them with musical instruments, which they then delight to play, is so utopian that most people’s reaction was to laugh it off. The idea that one can take guns and syringes out of the hands of disaffected