Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A feminist finds fulfilment in derided ‘women’s work’

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Marina Benjamin writes with a frankness, depth and wisdom that recalls the self-exploratory but world-revealing essays of Michel de Montaigne. In A Little Give, she turns her exacting philosopher’s mind, and opens her capacious heart to, her own life. Her essays, Tardis-like in their complexity, depth and range, scrutinise what has made and unmade her

The Roma have been feared and shunned for centuries – but who exactly are they?

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Published in German in 2011, this book was the high point of a 20-year-old tradition of ‘Anti-Gypsyism Studies’, which suggested that all previous histories of Roma by non-Roma represented a self-serving, defensive ideology of oppressors demonising the oppressed. Anti-racist scholars should therefore stand aside from such colonialist impertinence and leave the actual history of Roma

Mother trouble: Commitment, by Mona Simpson, reviewed

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There is more than one way to read the title of Mona Simpson’s seventh novel Commitment, a multigenerational family saga set mainly in California in the 1970s and 1980s. There is the ‘hospital commitment’ Diane Aziz, a single mother of three teenage children, needs after sinking into a deep depression shortly after her eldest, Walter,

A cabinet of curiosities: You, Bleeding Childhood, by Michele Mari

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Michele Mari is one of Italy’s most eminent writers. A prize-winning novelist, poet, translator and academic, he is hardly known to anglophone readers, but that is about to change. You, Bleeding Childhood, a collection of 13 stories written over a period of 30 years, offers a portal into Mari’s surreal, unsettling world: a place of

The man who hired himself out to do next to nothing

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Have you ever dreamed of just giving up? Doing nothing? Shoji Morimoto went ahead and did it: so much so that he didn’t even write the memoir that bears his name. Rental Person Who Does Nothing is the story of how he stopped working as a freelance writer and offered himself – just his basic

Nostalgia for old, rundown coastal Sussex

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Sally Bayley’s The Green Lady is a beguiling, experimental mixture of biography, fiction and family history. In her excellent memoir Girl with Dove (2018), she wrote about her neglected childhood in the coastal Sussex town of Littlehampton. Here she returns to the same locality, but considers her forebears, embroidering episodes from her own rackety childhood

Should vintage comedy be judged by today’s standards?

Lead book review

The British sense of humour is a source of power, soft and otherwise. The anthropologist Kate Fox observed that our national motto should be ‘Oh, come off it’, and a patriotic raised eyebrow has been cited as our chief defence against demagogues. We see ourselves through a comic lens, a nation of Delboys and Mainwarings,

The problem with podcasts

Arts feature

A few months ago, a clip from a podcast went mildly viral online. A lightly dressed woman sits in front of a microphone, explaining her sex life in pedantic detail to an offscreen interviewer. It was strange and unpleasant, which was why people couldn’t stop looking at it. What kind of podcast is this, exactly?

The scandal of rubbish disposal worldwide

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Above a foul towering dump in Delhi a cloud of vultures and Siberian black kites fly in hope, ‘careening over the mountainside like some dreadful murmuration’. Here some of the world’s million waste pickers stash water bottles along their route, ‘like climbers making camp’. Oliver Franklin-Wallis concedes that his subject – the dirty truth of

Homage to Hatshepsut – a remarkable female pharaoh

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Following on from the volume in which he discussed the Middle Kingdom, John Romer’s new book considers the ancient Egyptian New Kingdom from 1550 BCE to 1070 BCE. This is generally romanticised as one of the great ‘golden ages’ of ancient Egyptian history in which the state reached its pinnacle of power. In this period

Searching for the best of all possible worlds – in London

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Utopia can never exist, literally, since the word, which Sir Thomas More coined in his 1516 book of that name, comes from the Greek for ‘not’ and ‘place’. For the avoidance of doubt, More doubled down on the wordplay, naming the governor of his fictional island Ademos, meaning ‘no people’, and the river that runs

An old man remembers: The Librarianist, by Patrick deWitt, reviewed

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It’s a mark of how difficult Patrick deWittis to pigeonhole that I’m tempted to reach for reductive mash-ups to sell you his winning fifth novel. The lovechild of Elizabeth Strout and Wes Anderson? Katherine Heiny meets the Coen Brothers? It’s not quite any of that. On the surface, The Librarianist is his most conventional narrative

Why did Truman Capote betray his ‘swans’ so cruelly?

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The first rule in John Updike’s code of book reviewing is: try to understand what the author wished to do and do not blame him for not achieving what he did not attempt. I should therefore not blame Laurence Leamer for failing to capture in Capote’s Women any sense of what made Truman Capote irresistibly

Scenes from domestic life: After the Funeral, by Tessa Hadley, reviewed

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The cover image of Tessa Hadley’s fourth short story collection is Gerhard Richter’s ‘Betty’ (1988), a portrait of the artist’s daughter facing away from the viewer. It’s an apt choice for Hadley’s work, which turns on the fundamental unknowability of human beings. The titular tale, about a widowed mother and her two daughters confronting reduced

Simon Kuper

What, if anything, have dictators over the centuries had in common?

Lead book review

Big Caesars and Little Caesars is an entertaining jumble with no obvious beginning, middle, end, or indeed argument. But there is an intriguing book buried underneath it which asks more or less this: where does Boris Johnson stand in the historical procession of would-be strongmen or, as Ferdinand Mount calls them, ‘Caesars’? How successful was

James Delingpole

Ugly, mechanical, soulless: Apple TV+’s Hijack reviewed

Television

Idris Elba would have made a perfect James Bond. Not the James Bond that we knew and loved when he was played by wry, capable Sean Connery or playful, tongue-in-cheek Roger Moore. But he definitely ought to have been a shoo-in for the horror show that the Bond franchise has become: dour, humourless, pumped up,