The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Hank Paulson’s new book is called On the Brink, but it could well have been entitled Over the Edge. Hank Paulson’s new book is called On the Brink, but it could well have been entitled Over the Edge. The story of his role as US Treasury Secretary throughout the great banking crash of 2008–9 gives
Very long books appear at intervals about Fidel Castro and Che Guevara. Rarely do they contain anything both significant and new, and they get longer and longer. This one too is a long book, though it is mercifully an abridgement of the original Spanish edition, which ran to over 1,400 pages. Anything in it both
In little more than a decade, the cosy world of Anglo-American crime fiction has been transformed by wave after wave of Scandinavian invaders. Some, like Steig Larsson, are suddenly parachuted into the bestseller lists almost before we have had time to become aware of their existence. Others, like Iceland’s Arnaldur Indridason and Norway’s Karin Fossum,
The Diary of Miss Idilia presents the reader with an unusual problem. The writing is entirely comprehensible, the tale it tells couldn’t be easier to follow. The tricky bit, though, comes with trying to work out what on earth the book is. In 1851, 17-year-old Idilia Dubb was on holiday in the Rhineland with her
Marianne Gray talks to Helen Mirren about her latest film, for which she’s had an Oscar nomination The first time I met Helen Mirren was at the Berlin Film Festival in 1985 when she was playing a Russian cosmonaut called Tanya Kirbuk in Peter Hyams’s space epic 2010. She laughed about having to learn Russian
I don’t think I have ever been so nervous before a telephone call. I had written to Ian Carmichael, via his agent, to ask if I could interview him for an article I was writing on the late Dennis Price, who had played Jeeves to Carmichael’s Bertie Wooster in the 1960s BBC series The World
Gillian Ayres at 80 Alan Cristea Gallery, 31 & 34 Cork Street, W1, until 13 March Claude Monet Helly Nahmad Gallery, 2 Cork Street, W1, until 26 February Birthday greetings are in order for Gillian Ayres, who has just celebrated her 80th with an exhibition of new work of undiminished vigour, inventiveness and sheer uplift.
This may seem a little late to be talking about albums of the year. You might even ask, which year? and with reason. (I have already read three times that beloved cliché of January album reviews: ‘early contender for album of the year’.) But everything is so cheap at the moment, and Amazon knows we
Really Old, Like Forty-Five Cottesloe, in rep until 20 April Stage Fright Canal Café, until 20 February This is what the National is for. A little-known writer Tamsin Oglesby has been given a chance to shine on the Cottesloe stage. Her Alzheimer’s play sets out to give the age-old issue of old age a brisk
Lucia di Lammermoor English National Opera, in rep until 26 February When David Alden’s production of Donizetti’s Lucia di Lammermoor was first staged by ENO two years ago it was so beset by cast illnesses that it was difficult to tell to what extent the director’s intentions were executed. Even so, the musical side of
Last week I had the pleasure of lunching with Michael Medwin, who is the only surviving member of the cast of The Army Game (ITV, 1957–61). Last week I had the pleasure of lunching with Michael Medwin, who is the only surviving member of the cast of The Army Game (ITV, 1957–61). He is 86
A weekly airdrop of Exchange & Mart was the luxury I used to think I’d choose when the producers of Desert Island Discs realised who they’d been missing all these years. A weekly airdrop of Exchange & Mart was the luxury I used to think I’d choose when the producers of Desert Island Discs realised
‘The older I get, the more inclined I am to say those three words: I don’t know,’ says Baroness Rendell of Babergh. She turns 80 this week, and seems milder in person than in her writing. In photographs, too, she looks a bit haughty and forbidding, with incredible Ming the Merciless eyebrows. But the door
Do we need another huge life of Arthur Koestler? He wrote a great deal about himself, including three autobiographical works: Spanish Testament (1937), describing his experience as a death-row prisoner of General Franco, Arrow in the Blue (1952) and The Invisible Writing (1954). He also contributed to The God that Failed, the fascinating collection of
It would not have been so easy to describe what Joanna Trollope’s early novels were ‘about’ in a few words, but recently she has been writing what the Americans call ‘issue books’, and they can be more readily encapsulated. It would not have been so easy to describe what Joanna Trollope’s early novels were ‘about’
In late middle age, William Styron was struck by a disabling illness, when everything seemed colourless, futile and empty to him. In fact, as he recalled in Darkness Visisble (1990), he was suicidally depressed. So when he died in 2006, at the age of 81, it was assumed he had taken his life. His father,
Late in the 19th century, archaeologists digging in the Roman Forum discovered a lime kiln. It had been built to incinerate marble into an aggregate for the mortar for the new structures of the Middle Ages. Inside were statues of six Vestal Virgins, stashed together like firewood. Their arms had been snapped off. The image
We sanctify some expressions, and in the process empty them of meaning. ‘Democracy’, ‘freedom’ or ‘equality’ are all used in ways that beg more questions than they answer. As Orwell pointed out, those who reject the concepts have a habit of appropriating the words. And so it is with the ‘rule of law’. At a
‘It’s hard in letters quite to hit the mean between being earnest and sounding damn silly’ — as Iris Murdoch admits on page 205 of this book. ‘It’s hard in letters quite to hit the mean between being earnest and sounding damn silly’ — as Iris Murdoch admits on page 205 of this book. It
It is to Andrea Levy’s credit that for this, her eagerly-awaited fifth novel, she adopts a narrative approach strikingly different from that of the best-selling, prize-winning, televised Small Island. It is to Andrea Levy’s credit that for this, her eagerly-awaited fifth novel, she adopts a narrative approach strikingly different from that of the best-selling, prize-winning,
In mentioning Heinrich the Fowler, 10th-century King of the Germans and one of the many obscure figures who appears in his book, Simon Winder describes a painting in the Hall of Electors in Frankfurt. A product of the historicising 19th century, it is part of a series of German monarchs stretching from Charlemagne to 1806,
Ariane Bankes talks to the widow of Arshile Gorky, whose retrospective is about to open at Tate Mougouch Fielding opens the door to me looking a little gaunt but as beautiful as ever, though I have not seen her for a couple of years. She is in her late eighties, but no less stylish now
So old school it makes old school seem dangerously hipsterish. But, you know, great.
Invictus, 12A Nationwide Gosh, Clint Eastwood will keep thinking of new ways to impress us, the cheeky little monkey. First it was the Dirty Harry and the spaghetti western characters and then he shifted to the director’s chair and ever since it’s been one different thing after another: Unforgiven; Mystic River; Million Dollar Baby; Flags
Chris Ofili Tate Britain, until 16 May There’s always something temporary-looking about an installation of Chris Ofili’s early paintings. These works are not hanging on the wall, but lean against it, propped up on feet of elephant dung — the best-known ingredient of this Turner Prize-winning artist’s work. As a consequence, the exhibition looks as
Così fan tutte Royal Opera Phaedra Barbican When Jonathan Miller’s production of Così fan tutte was first mounted at the Royal Opera in 1995, it was the Armani clothes which received the most attention. Over the years there have been many modifications, and it now bears little relationship, certainly in the direction of the singers,
Enron Noël Coward Fool for Love Riverside With Enron, the playwright Lucy Prebble has picked an almighty task. The Texas fuel giant collapsed in 2000 with $30 billion worth of debt, which at the time was the largest bankruptcy in the history of money. The firm’s bosses flipped through the almanac of bent accountancy and
God and the editor willing, next month’s column will be the 100th ‘Olden but golden’. God and the editor willing, next month’s column will be the 100th ‘Olden but golden’. For those who write in The Spectator every week, this would doubtless seem small beer. For a monthly column it feels like a landmark and
Imagine, if you will, that it’s 1922 and you’re living in a small mountain village thousands of miles from Istanbul above the shores of the Black Sea. Imagine, if you will, that it’s 1922 and you’re living in a small mountain village thousands of miles from Istanbul above the shores of the Black Sea. You’re