The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Bright Star PG, Nationwide The most curious thing about Jane Campion’s Bright Star is that I did not cry, even though I was certain I would. I always cry in films. I cry at the drop of a hat. I cry when it only looks as if a hat might drop. I am continually alert
An old friend of mine has a list of books he wants to buy. It’s very long and he is very disciplined (so he tells me), so when he goes into a bookshop and sees something else he wants, something that isn’t on his list, he doesn’t buy it, as anyone else would. No, he
Way back in 1984 when I was editing, rather incompetently, the New Edinburgh Review, I published a story by Raymond Carver. It was entitled ‘Vitamins’. I can’t remember how much I knew about Carver then, or even how the manuscript arrived on my desk. Probably it was sent by his agent, and was taken from
Because, frankly, from Afghanistan to Texas to the corridors of Whitehall and the Bank of England, it’s been a pretty bleak week it’s appropriate to bring Saturday Morning Country forward by a few hours. This Lyle Lovett song – If I Had a Boat – always cheers me up. Added bonus: with its dreams of
Damien Hirst: the Blue Paintings The Wallace Collection, until 24 January 2010 John Walker: Incoming Tide Offer Waterman & Co, 11 Langton Street, SW10, until 14 November Weeks ago, when the review schedules were first plotted, I had thought to include here a feature on Damien Hirst. Although I find his work unremittingly thin, I
What Fatima Did… Hampstead Mrs Klein Almeida What Fatima Did… is billed as a play. Really, it’s a fugue, a variation on a theme, a crude and boisterous tone poem. The plot is deliberately small-scale. A gang of fun-loving inner-city sixth-formers are shocked to learn that one of their pals, Fatima, has forsaken Western values
A few months ago my wife said something to me so awful and shocking I contemplated divorce. ‘I don’t want to watch any more war programmes with you,’ she said. ‘It’s like watching paint dry.’ Imagine, then, my secret joy when, right near the end of Into the Storm (BBC2, Monday), I detected beside me
Two visitors this month. One, the latest iteration of the VW Polo, now in its fifth generation and with ten million Polo ancestors. The other, a 1968 Bristol 410 whose ancestors can probably be numbered in the hundreds and siblings in scores, maybe dozens. The first was for a week, courtesy of VW, the second
‘Why are you laughing?’ they demanded again and again, as Cheever tittered at some grindingly miserable memory from his youth, or some cruelty he’d inflicted on his children. What his keepers were pathologising was the writer’s genius to see the hilarious in the chaotic, the respectable, the insulting and the desperate. Cheever was, above all,
The conventional view of global warming originates in the environmentalism of the Sixties. Alone, the Green movement might have done little more than raise awareness among consumers and legislators of the need to limit pollution and conserve natural resources. But in the Seventies environmentalism joined forces with the continuing backroom campaign of international bureaucrats for
‘If you don’t come to terms with the ghost of your father, it will never let you be your own man.’ Here Christopher Ondaatje (brother of novelist Michael) combines his voyage of filial discovery with another quest: to pursue his obsession with a story he heard at his father’s knee, of a man-eating leopard. ‘If
‘For my generation of Essex teenagers, Dennis Wheatley’s novels represented the essential primer in diabolism,’ Ronald Hutton, the historian and expert on paganism, recalls. ‘For my generation of Essex teenagers, Dennis Wheatley’s novels represented the essential primer in diabolism,’ Ronald Hutton, the historian and expert on paganism, recalls. It wasn’t peculiar to Essex. In the
When Lavinia Greacen undertook her magisterial yet intimately sympathetic biography of James Gordon Farrell, she gained access to his diaries and many of his letters, especially love letters and letters to his literary agents, editors and publishers about his professional desires and requirements. In this supplementary volume, a selection of her prime sources is presented
Freudian analysis, Soviet communism and the garment industry: what do all of these things have in common? If your answer has something to do with central and east European Jews born at the end of the 19th century, you wouldn’t be far off. Freudian analysis, Soviet communism and the garment industry: what do all of
William Tell Told Again was published by A & C Black in 1904 (‘Black’s Beautiful Books for Boys and Girls’), and is now extremely rare. William Tell Told Again was published by A & C Black in 1904 (‘Black’s Beautiful Books for Boys and Girls’), and is now extremely rare. In substance it is a
Sport, say those who write about it, is only the toy department of daily journalism. They don’t really mean it. Some of the finest wordsmiths in what may still be called Fleet Street earn a crust by writing about games, and the people who play them. In some cases — the late Ian Wooldridge comes
With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. It’s been eight years since the second volume, The Cold Six Thousand, written in a staccato shorthand prose that seemed always about to veer out of control, marked the apotheosis of
Spectator readers will know that Andrew Lambirth is a romantic, a force for the literary and poetic approach to art criticism, so he is an admirably empathetic guide to Hoyland: In England the subversive underground Romantic spirit has never run dry, it consistently nourishes art in this country and erupts forth in strange and unexpected
I’ve always thought of fraud as a relatively attractive form of crime — not, of course, in the sense that I daydream of committing it, but in the sense that it involves intelligence, imagination and nerve, rather than violence and damage. I’ve always thought of fraud as a relatively attractive form of crime — not,
Watch what you say. There may be people around who haven’t really been listening ‘Say what you like about servicemen amputees,’ said the comedian Jimmy Carr on stage last week, ‘but we’re going to have a f–—g good paralympic team in 2012.’ Odd to see Patrick Mercer, of all people, calling on him to resign.
Twelfth Night Courtyard Theatre, Stratford-upon-Avon It’s a welcome refreshment after the RSC’s recent dramatisations of hard drinking and mass starvation in Russia to be landed on the sun-soaked coast of Mediterranean Illyria, and especially so in the company of a new and exquisitely beguiling Viola. Director Gregory Doran has been to much scholarly trouble in
The new Wexford Opera House has certainly raised the profile of opera in Ireland. You cannot argue with a prize-winning building that is one of just four large purpose-built opera auditoriums in these islands, alongside Glyndebourne, Covent Garden and the Wales Millennium Centre. Built with Irish taxpayers’ money, it would be a sick Irish joke
Wonderland: The British in Bed (BBC2, Thursday) consists of long periods of boredom interrupted by moments of extreme embarrassment. The notion is to get couples — old, young, black, Sikh, gay — to sit up in bed next to each other, in nighties and jimjams, and talk about their lives as partners. Presumably, the notion
Ben Whishaw sits unrecognised, wearing a black T-shirt and drinking red wine in a dark corner of the Royal Court’s café. He has just come off stage from rehearsing Mike Bartlett’s new play Cock — in which he plays a chap who takes a break from his boyfriend and accidentally meets the girl of his
The Sacred Made Real: Spanish Painting & Sculpture 1600–1700 National Gallery, until 24 January 2010 If Spanish 17th-century painting and sculpture don’t immediately appeal to you, be prepared to try the new show at the National Gallery — it’s a revelation. I was brought up in the Church of England and used rather to look
The Rise and Fall of Little Voice Vaudeville Life is a Dream Donmar Midnight in a northern slum. The pubs have closed and a boozy, blousy, past-it single mum is trying to seduce a handsome young talent scout. He deters her advances until he hears her teenage daughter, alone in her bedroom, singing jazz classics.
An Education 12A, Nationwide An Education is based on the memoir by the journalist and interviewer Lynn Barber, with a screenplay by Nick Hornby, and, although the word from all the various festivals has been that it is wonderful, I know you will not believe it unless you hear it from me so here you
I have just inherited my College’s collection of long-playing records, now redundant, with permission to retain, give away, otherwise dispose of if and as possible. I have just inherited my College’s collection of long-playing records, now redundant, with permission to retain, give away, otherwise dispose of if and as possible. The cumbrous piles, gradually easing
‘I want people to feel quite shocked,’ said Professor Tanya Byron in her opening lecture for Radio Three’s annual Free Thinking festival. ‘I want people to feel quite shocked,’ said Professor Tanya Byron in her opening lecture for Radio Three’s annual Free Thinking festival. This year’s theme is the 21st-century family and Byron, the clinical