The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
It is worth remembering that the BBC, despite its recent, excessively well-aired problems, gives us a great many stimulating, well-made programmes, on both radio and television. Rather surprisingly, given its format and the yawning, ever-present potential for dumbed-down disaster, the BBC2 Maestro series, aired in August/September this year, turned out to be all of those
Oleg Vassiliev: Recent Works Faggionato Fine Arts, 49 Albemarle Street, London W1, until 23 January 2009 The septuagenarian Russian artist Oleg Vassiliev is exhibiting for the first time in London. Vassiliev was born in Moscow, in 1931, and studied graphic art at the Surikov Art Institute (Moscow State Art Institute), a training which provided him
Qatar’s Museum of Islamic Art Islamic art is a fast growing subject of study. Too many countries are involved for it to be categorised like French or Japanese art. In New York and London Islamic art tends to be confined to a section of an institution such as the Met, the British Museum or the
The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions Metropolitan Museum, until 1 February 2009 Philippe de Montebello retires from the position of Director at the Metropolitan Museum of Art in New York, after 31 years of service, at the end of this year. A forum of curators has organised an exhibition of
It all started earlier this year, when my friend Chris managed to get four tickets for the first Leonard Cohen concerts at the O2. ‘There’s one for you if you want it,’ he said. Well, obviously I wanted it, but cash was a little short at the time — in fact, not so much short
Les Contes d’Hoffmann Royal Opera Der fliegende Holländer Barbican Astonished delight was the first reaction, of everyone, I think, at the Royal Opera’s latest revival of John Schlesinger’s production of Offenbach’s Les Contes d’Hoffmann: astonishment that Rolando Villazón seems not only to have overcome his vocal and possibly other crises, but to be, in all
Lakeview Terrace 15, Nationwide Summer 15, Key Cities Lakeview Terrace is one of those menacing, neighbour-from-hell type thrillers with Samuel L. Jackson playing Abel Turner, an LAPD cop who bristles with hostility from the moment Chris and Lisa, an interracial couple — he’s white, she’s black — move in next door. This is a movie
The Family Reunion Donmar Chicken Hackney Empire August: Osage County Lyttelton T.S. Eliot was in his fifties when he turned to the theatre. What’s amazing about his 1939 play, The Family Reunion, is its experimental verve and nonchalant risk-loving energies. Harry, a country squire, returns from eight years abroad to take possession of his estate.
A Sondheim premiere in New York! Besotted fans of one of the four greatest-ever Broadway composer-lyricists (the others being Irving Berlin, Frank Loesser and Cole Porter, all, regrettably, dead) were resigned never to seeing another. I feared that we were going to have to make do, perpetually, with repeated, indeed incessant, revivals of Sweeney Todd,
The Hugo Young Papers: Thirty Years of British Politics — Off the Record, by Hugo Young, edited by Ion Trewin The late Hugo Young was the political columnist of the chattering classes. This book, rather more grandly, describes him as the ‘the Pope of the liberal left’. A lifelong Cath- olic, educated by Ampleforth monks
My Judy Garland Life, by Susie Boyt The story of Judy Garland is a magnificent example of the truth that life imitates art. Things would surely have been different had she stuck to being Frances Ethel Gumm of Grand Rapids, Minnesota. As it was, the trajectory of her life under the stage name she assumed
The Triumph of Music, by Tim Blanning This is an often entertaining, occasionally illuminating, but cur- iously unsatisfying book, written by a distinguished historian of early modern Europe. Subtitled ‘Composers, Musicians and their Audiences, 1700 to the Present’, it purports to be a study of the ways that the art of music has increasingly come
With the publication of their Christmas cookery books, Nigella, Jamie, Delia and Gordon all have a brand image, or a halo, to polish. Nigella’s brand is greedy, kitsch, sexy and celebratory, and in Nigella Christmas (Chatto & Windus, £25) she has found her perfect subject. The book is fun, but it is also very thorough:
The Ancient Shore, by Shirley Hazzard and Francis Steegmuller Variety of impression, diversity of atmosphere and mood, incongruities of many kinds, these are only to be expected in books on travel, and perhaps particularly in one concerning Naples. But The Ancient Shore is by two hands, and there is a radical difference in style and
Last Chorus: An Autobiographical Medley, by Humphrey Lyttleton ‘Old Etonian ex-Guards Officer jazz trumpeter’. That was the way tabloid gossip columnists used to describe Humphrey Lyttelton (1921-2008) in the early years of his fame. Not long after he was released from the Grenadiers at the end of the second world war, he hyphenated his identity
‘It looks to me like Boris the Blue Whale,’ said Rightwayup Bird. ‘I have read all about him. He is one hundred feet long and weighs 150 tons.’ Astonishing prescience for 1981? Willy and the Killer Kipper — like the first of Jeffrey Archer’s two ‘Willy’ books, Willy Visits the Square World (1980) — is
Carolyn Bartholomew talks to Tilda Swinton, an actor who has made a career out of being unconventional Tilda Swinton is undoubtedly one of the great artists of her generation, although it is only relatively recently that she has become more conspicuous with mainstream films such as The Chronicles of Narnia and Michael Clayton (for which
Caught by chance on Remembrance Sunday, the broadcast of the composer’s celebrated recording of War Requiem kept me hooked, listening with half an ear, half fascinated, half repelled, for the whole duration of a trip down memory lane, recalling the wave of patriotic fervour and heart-on-sleeve emotion surrounding the work’s première, 1962, in the new
Changeling 15, Nationwide Changeling, produced and directed by Clint Eastwood, is a most melodramatic melodrama starring Angelina Jolie and her totally amazing, bee-stung lips. (I was stung by a bee once, but on the eyelid; it didn’t look so great.) Anyway, based on a true story, it’s set in Los Angeles in 1928 and is
Hänsel und Gretel Royal Academy of Music Jenufa Birmingham Hippodrome Pelléas et Mélisande Sadler’s Wells Humperdinck’s Hänsel und Gretel loses none of its charm with repeated viewings, a good thing since there are plenty of productions of it around this year in the UK, the latest being at the Royal Academy of Music. I saw
The TV programmes you watched as a child are like acid flashbacks. You never fully understood them at the time and you understand them even less now that you’ve forgotten most of the context and detail. But by golly, don’t they half haunt the imagination ever after? Terry Nation’s late Seventies series Survivors had just
Because of the economic crisis, I was waiting at the bus station: £2.80 for a bus instead of £28 for a taxi home. I had 50 minutes to wait and was reading a book by Richard Yates. I was wondering why the literature of so optimistic a country as America was so deeply pessimistic (awareness
‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that knowledge.’ ‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that
Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. The fourth centenary of John Milton, which falls on
Duality, yin and yang, twin-tub theatre. Call it what you like, a Christmas show must straddle the generations and please both kids and adults at once. Casting Keith Allen as Long John Silver in Treasure Island was clearly intended to achieve this double-barrel effect. To kids he’s Lilly Allen’s dad while adults know him
Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald Macleod. Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald
Byzantium 330-1454 Royal Academy, until 22 March 2009 In his excellent book Portrait Painters, written more than half-a-century ago but still full of wisdom and stimulating observations, Allan Gwynne-Jones includes a note on the character of English art. He has been discussing the great glories of the medieval school of manuscript illumination in Britain, often
This year, on 11 December — and I wish more people knew about it than actually do — the American composer Elliott Carter celebrates his 100th birthday. This year, on 11 December — and I wish more people knew about it than actually do — the American composer Elliott Carter celebrates his 100th birthday. At
Much great American writing is regional in a way that British or French writing never has been. Most of the best writing coming from the States inhabits a place which apparently feels no pressure from the great metropolitan centres — Annie Proulx on the Texas panhandle, Cormac McCarthy on the Mexican border territories, Jane Smiley