The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
January was a fierce month for celebrity life expectancy, especially if you are in your late forties and feel you grew up with these people. John Updike. Bill Frindall. Patrick McGoohan (‘I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered’). Ricardo Montalban (‘from Hell’s heart I stab at thee; for hate’s sake,
People make assumptions about how other people think, and then influence the zeitgeist by broadcasting their findings. There is a circularity to this rule of thumb which is ultimately sterile, but which takes some deconstructing. One of the current such verities is that sacred music in worship is of no wide cultural relevance, either because
Iran And The West (BBC2, Saturday); Terry Pratchett: Living With Alzheimer’s (BBC2, Wednesday) Just in case you needed another reason to loathe and despise the French (I mean, as if Olivier Besancenot wasn’t enough), there was a corker in Norma Percy’s characteristically brilliant new documentary series Iran And The West (BBC2, Saturday). It concerned the
Being a professional writer is a hard life. Producing a book, especially a long one, is a severe test of courage and endurance. For even after a successful day of writing, one must begin again the next morning, the blank sheet of paper in front of you: a daunting image to start the day, the
Downing Street is categorically denying the Obama DVD story. Hmmm! I’ll check with my sources and get back to you.
Sadly I had to miss the Channel 4 political awards last night. But it was worth it to be at a reception at No 11 to celebrate young British artists and the not-so-young Young British Artists, if you get my drift. Hosted by Alistair Darling and his wife Maggie, it was a great occasion. Andy
It’s a little awkward, standing nose to nose with strangers. Here, inside a lift the size of a train loo, are two young actresses, a PR man, one actor on the brink of proper stardom (Rory Kinnear) and me, all inching down through the body of the bustling, gossipy National Theatre. We’ve been silent for
‘The Roundhouse of International Spirits’: Arp, Benazzi, Bissier, Nicholson, Richter, Tobey, Valenti in the Ticino Kettle’s Yard, Castle Street, Cambridge, until 15 March ‘I turned it into a palace’: Sir Sydney Cockerell and the Fitzwilliam Museum Fitzwilliam Museum, Trumpington Street, Cambridge, until 17 March The Ticino is the Italian-speaking canton of Switzerland, home to Lakes
Enjoy Gielgud Entertaining Mr Sloane Trafalgar Studio A View from the Bridge Duke of York’s How does he get away with it? The main target of Alan Bennett’s 1980 comedy Enjoy is disability. Ageing Connie has pre-senile dementia and her husband Wilf is partially paralysed and prone to blackouts. Their condemned terraced house is about
La Bohème English National Opera The Demon Barbican Of all the most popular operas of Puccini, La Bohème is the one that has attracted least critical fire, and that, even during the long period when highbrows were required to despise him, was exempted from the general interdict. Even though the heroine dies a harrowing death,
Vicky Cristina Barcelona 12A, Nationwide In Vicky Cristina Barcelona, Woody Allen’s latest film, a character asks in an opening, theme-setting scene: ‘Why is love so hard to define?’ which is daft, really, because as anyone who knows anything about cinema knows and has known since 1970: love means never having to say you’re sorry. What,
Love Stories, edited by Diana Secker Tesdell In Bed With: Unashamedly Sexy Stories by Your Favourite Women Novelists, edited by Imogen Edwards-Jones, Jessica Adams, Kathy Lette and Maggie Alderson When Kurt Vonnegut was interviewed by the Paris Review in 1977, he was asked: ‘Let’s talk about the women in your books.’ ‘There aren’t any,’ he
Wetlands, by Charlotte Roche What an odd mix of distinguished residents High Wycombe has had! Fern Britton, Benjamin Disraeli, Dusty Springfield, Karl Popper, Jimmy Carr: it’s a list that reads like a game of Celebrity Consequences in freefall. There is not much in common between those listed above. Yet a subsection of the list displays
Sway: The Irresistible Pull of Irrational Behaviour, by Ori Brafman and Rom Brafman Sway is a slim, stylish book that is self-consciously part of a trend. Like Blink and Freakonomics, it looks at the science of decision-making, taking obscure academic studies and applying them to everyday life. It shares with those books the breezy, anecdotal
When I wrote a regular column on Africa for this magazine’s left-wing rival, I was always intrigued by the contrast in responses to any sceptical article on aid. ‘This reactionary bigot is clearly happy for millions of Africans to starve,’ pretty much summed up the fury of white readers at having their Oxfam direct debits
The Inheritance of Rome: A History of Europe from 400 to 1000, by Chris Wickham This outstanding book covers what used to be called the ‘dark ages’. Publishers rarely speak of the dark ages now. It does not sell copies. But the title still encapsulates the conventional view of the period: a civilised empire destroyed
The Rescue Man, by Anthony Quinn The Other Side of the Stars, by Clemency Burton-Hill When journalists venture into no man’s land and begin writing fiction, they do so in the knowledge that it could all get a bit messy. It’s not long before the sound of grinding axes start up. So it’s a pleasant
Patrick McGoohan’s character never made it out of “the village”. But I’m back in London after a six hour journey from Portmeirion, where the series was filmed and don’t seem to have been followed by a giant white inflatable ball. I’ve just watched the first episode of The Prisoner again and it really is as brilliant
Did you know that Tony Scott is filming a remake of Pelham One Two Three? If you think that sounds as though it must be a bad idea wait until you learn that the Robert Shaw part will be played by, yes, John Travolta. Seriously. Obviously. As Ross Douthat says, this is an entirely pointless
Ever noticed how the debate on African development is colonised by white men? I’ve just finished a book on the subject by Dambisa Moyo, an African woman, and it’s a brilliant indictment of the aid industry which, she agues, does more harm than good in her native continent. Moyo is Zambian born, bred and educated
Steven Berkoff admits to Lloyd Evans that, despite his reputation, he’s not tough at all On the waterfront. This, literally, is where I meet Steven Berkoff to discuss his stage adaptation of the classic Fifties movie. Berkoff’s east London office is a sumptuous, spotlessly clean apartment with wraparound views of the grey-green Thames. He strolls
Triple Bill Royal Ballet, Royal Opera House ‘Saucy’ and ‘funky’ are not terms one would normally expect to hear in relation to a ballet performance. Nor is the irritatingly ubiquitous ‘cool’, which is what my young(er) date uttered last Saturday at the end of the Royal Ballet’s triple bill. Yet they all suit perfectly well
Nationwide tribute (BBC 4, Thursday); Ramsay’s Kitchen Nightmares USA (Channel 4); Charles Darwin and the Tree of Life (BBC1, Sunday) Nationwide began 40 years ago, and on Thursday BBC4 showed a tribute. The show ran nightly up to 1983, and was always the cheekie chappie of BBC programming. In the early 1980s I did a
At the cinema the other night to see Frost/Nixon, at least five minutes of the commercial break were devoted to selling Radio Four. It was such an odd experience. Nothing to watch, just a blank screen, with Paul Merton and co. telling a few jokes in Dolby sense surround. But we’d bought tickets to watch
With Ford posting losses of over $10 billion, Honda shutting its Swindon factory until June and fields full of unsold cars, we might be excused for thinking that doom and gloom is here to stay. But we shouldn’t, and we can start changing it now. Probably you’re not thinking of buying a new car today,
In an admiring review (Spectator, 15 May, 2004) of Peter Parker’s biography of Christopher Isherwood, Philip Hensher conceded, perhaps reluctantly, that ‘Isherwood was not, in the end, a writer of the first rank’. In an admiring review (Spectator, 15 May, 2004) of Peter Parker’s biography of Christopher Isherwood, Philip Hensher conceded, perhaps reluctantly, that ‘Isherwood
Palladio: His Life and Legacy Royal Academy, until 13 April In a truly civilised society, a basic understanding and appreciation of architecture would be taught in schools. After all, most of us spend a large portion of our lives in buildings. Yet you only have to look around you to see that architecture is dishonoured
Die tote Stadt Royal Opera House The Queen of Spades Barbican At last, after 88 years, Erich Korngold’s almost impressive opera Die tote Stadt has reached the UK in a handsome production, and in every respect the Royal Opera does it proud. If it isn’t quite a major work that’s because it vertiginously occupies a
Be Near Me Donmar Complicit Old Vic Here’s the odd thing about the Donmar, the country’s pre-eminent theatrical power-house. Its productions are nearly always stunning and rarely (very rarely) atrocious. They don’t do so-so. But here we have it, an OK sort of show done with tremendous affection and commitment but with numerous elementary flaws.