Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Artist and Believer

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I guess it’s no surprise that, while the rest of us were twiddling the dials on our cheap plastic transistors (made in Japan) to find Radio Caroline, the future Archbishop of Canterbury as a teenager in the Sixties was tuning in to Radio Three. He was hoping to hear the first blast of the latest

Lloyd Evans

Gripped by paranoia

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2,000 Feet Away Bush Relocated Royal Court The Chalk Garden Donmar America is nuts about paedophiles. That’s the take-home message of Anthony Weigh’s new play 2,000 Feet Away, which stars Joseph Fiennes. The title refers to a provision of Megan’s law which sets out the minimum permissible distance between the home of a paedophile and

Whisper or scream

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Since the recent death of Karlheinz Stockhausen, his compatriot Helmut Lachenmann, 73 this year, has inherited the Emperor’s mantle of grandiose invisiblity. I’m pitching it with provocative unfairness! Yet the struggle to extract gold from their mass of water or rock is beset with legitimate reservations that cannot be begged: Stockhausen the visionary charlatan–genius, Lachenmann

James Delingpole

Toffs are different

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When I was up at Oxford, as I’m sure I’ve mentioned before, my deepest wish was to find a letter one day in my pigeonhole informing me that a distant relative had died and that henceforward I was entitled to style myself the Marquess of Wessex (or wherever), until eventually I inherited my dukedom. That

Overstretched and over there

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Douglas Hurd on James Fergusson’s new book Des Browne, our Defence Secretary, has recently returned from another visit to the British Army in Afghanistan. Once again he issued an optimistic statement on military progress. He should read the devastating account in James Fergusson’s book of his previous visits. The purpose of this excellently written book is to

Variations on an enigma

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You may have caught Jonathan Dimbleby on television recently travelling across Russia, picking potatoes with doughty Russian women, baring all for a steam bath in Moscow, looking alarmed as a white witch from Karelia promised to heal his bad back with a breadknife, etc. Here is the book of the series, in which Dimbleby, drawing

Mudslinging in the groves of academe

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Mary Lefkowitz is a distinguished (i.e. no longer young) classicist who taught for over 30 years at Wellesley College. She has been particularly bold and articulate in promoting the role of women in antiquity. Married to Hugh Lloyd-Jones, a famously rigorous ex-Regius Professor of Greek, she can be presumed not to advance lazy arguments or

A futile solution

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In 1939, the six-year-old Eva Figes escaped Nazi Berlin for London. Her family were secular Jews and her father, who had been arrested after Kristallnacht, had spent some months in Dachau. Left behind were grandparents and two maids, Edith and Schwester Eva, both Jewish: by 1939, it was forbidden for Jews to employ Aryans. Schwester

Giacomo of all trades

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One evening in November 1763 the splendidly named Sir Wellbore Ellis Agar passed a middle-aged Venetian man on Westminster Bridge who, he thought, looked a little glum. Sir Wellbore knew what the stranger needed: ‘a drink, a woman, beef and Yorkshire pudding’. And so he took the 38-year old Casanova to a tavern on Cockspur

Life and Letters | 28 June 2008

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Callimachus (fl. 4th century BC), admired by Catullus, Ovid and Propertius, was the author of some 800 books, including a 120-volume catalogue of the Greek writers whose works were to be found in the famous library of Alexandria. Of his own work, only six hymns, 64 epigrams, the fragment of an epic, and a description

Not for insomniacs

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In Sybille Bedford’s book, Jigsaw, a woman who is suffering from insomnia asks for books. ‘Oh, not real books, I couldn’t look at those. Detective stories only.’ So Sayers’ Wimseyland and Christie’s Poirot are required. How would she get on today? Ruth Rendell and P. D James would do excellently but none of these books

Too close for comfort

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It was the late Lord Deedes who once succinctly explained to me what it was like to live through the second world war. I had said to him, ‘Those Battle of Britain boys were so brave’.And he had replied, almost impatiently, ‘No, it wasn’t bravery we felt. It was a strange, deep, primitive compulsion that

A true Renaissance man

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Lorenzo de’ Medici was proverbially ugly. Machiavelli, describing an encounter with a particularly hideous prostitute, compared her looks to his. He was tall, well-made and physically imposing but contemporaries dubbed his features ‘homely’, his face was bony and irregular with a long crooked nose, a jutting pugilistic jaw and dark piercing eyes. In compensation, ‘his

Traces of self

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Cy Twombly: Cycles and Seasons Tate Modern, until 14 September This year, Cy Twombly celebrated his 80th birthday. As the leading modern American artist who decamped to Europe and went his own way regardless of developments at home, Twombly was for many years out in the wilderness. But he held his course and now he

Visual fuss

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Ariadne auf Naxos Royal Opera House The Pilgrim’s Progress Sadler’s Wells One of the odd things about the Strauss–Hofmannsthal collaboration is that while the literary half was endlessly aspiring, writing works which might serve the high function which Wagner saw for music–drama, even if Hofmannsthal didn’t much care for Wagner’s works, the musical half was

Selective breeding

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The ‘entirely fresh view’ of childhood in England presented by Anthony Fletcher in 414 pages of text and apparatus may come to some as a bit of an anti-climax. Although material conditions changed enormously, and children by the end of his period had more toys and books and birthday presents, his 12 years of research

Lloyd Evans

Critical condition

Arts feature

Lloyd Evans on the perils of being both playwright and critic ‘No man sympathises with the sorrows of vanity.’ Dr Johnson was speaking of a poet who looked to his friends for solace after his verses had been savaged in the press. He got none. That’s the risk all artists take. I’ve been through this

Between the lines | 21 June 2008

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Two men, a single piece of music and a script that’s barely 40 minutes long. And yet when it was over I felt quite stunned; shaken and unnerved by a totally unexpected dramatic twist. I’d been so absorbed, thinking in my own clever way that I knew what was going to happen, that I understood

Breathless approach

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St Kilda, a set of islands off the coast of Scotland uninhabited for 78 years except by around a million seabirds. Suddenly the BBC sends a crack team of exclaimers to this remote and beautiful place. ‘Amazing!’ they cry. ‘Fantastic!’, ‘stunning!’, ‘great!’, ‘breathtaking!’, ‘spectacular!’ Now and again the team try to dredge from their psyches

A genius but not a hero

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If anyone ever wondered why Marlborough has so seldom enjoyed the reputation his abilities warrant he could do a lot worse than start with Richard Holmes’s new biography. England’s Fragile Genius is probably as comprehensive an account of Marlborough as a single volume can hope to be, and yet at the end of 500-odd closely

Obsessed by Ukraine

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This is the story of a very unusual man. ‘Wilhelm von Habsburg,’ Timothy Snyder tells us, ‘wore the uniform of an Austrian officer, the court regalia of a Habsburg archduke, the simple suit of a Parisian exile, the collar of the Order of the Golden Fleece, and, every so often, a dress. He could handle

The irritation of Jean

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The title of Isabel Fonseca’s first novel is promisingly witty: an ‘attachment’ is both a supplement to an e-mail, and a bond of human intimacy; and the main plot of the novel revolves around how the first may destroy the second. Jean Hubbard is a freelance health correspondent, living on a tropical island, from which

Fluff and granite

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Boucher and Chardin: Masters of Modern Manners The Wallace Collection, Hertford House, Manchester Square, W1, until 7 September Alan Green: Joan Miro Annely Juda Fine Art, 23 Dering Street, W1, until 18 July  I can never visit the Wallace Collection without lamenting the filling of the erstwhile courtyard with an airless restaurant which scarcely does justice to the

Lloyd Evans

Literary juggler

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Afterlife Lyttelton Dickens Unplugged Comedy Afterlife is pH-neutral. It doesn’t enhance Michael Frayn’s reputation and doesn’t damage it either. Max Reinhardt was one of the great theatrical magicians of the 20th century and it’s easy to see what drew Frayn and his long-standing collaborator, the director Michael Blakemore, to the challenge of putting his life

Four play | 18 June 2008

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The Edge of Love 15, Nationwide The Edge of Love, which is based loosely on real events, explores the ménage à quatre that existed for a few years between the Welsh poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his childhood friend Vera Phillips (Keira Knightley) and her eventual husband, William Killick (Cillian

Ruthless but ineffective

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Gideon may or may not have overcome the Midianites by superior intelligence. The Book of Judges is a little obscure about that. But there is still something in the old adage that espionage is the second oldest profession. The rules of the game were set out more than six centuries ago in the advice given