The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
With the Grain: Wood Sculpture by David Nash; Jeffery Camp — Rubicon In the foyer of Lewes Town Hall is a sculpture by David Nash called ‘Shrine’, made from American Redwood, a lapped and sheltering piece half-turned in on itself, as if in meditation. It’s placed here to welcome the visitor and to signpost the
Nothing might seem more idyllic than Fragonard’s large, manicured paintings of playful seduction. Executed in the early 1770s for Madame du Barry’s Pavilion at Louveciennes, they celebrate the erotic rituals enacted by aristocratic lovers in the grounds of an opulent estate. The young woman and her equally well-groomed suitor dart, gesticulate and embrace among overflowing
Opera North’s new production of Janacek’s Katya Kabanova is the most moving I have seen, though it is not the best produced, best sung or most consistently cast. There are two things that make it indispensable to a lover of this wonderful work: the first is the brilliant, perceptive and thought-provoking essays in the programme
As the super soaraway Spectator becomes ever more style-conscious and glossy, I like to think of ‘Olden but golden’ as a monthly oasis for the scruffs, drunks and wasters among the readership. It is, of course, possible to be all these things while presenting a glamorous façade to the world. The smart society hostess may
Now and again someone recommends a programme, and you’re very glad they did because it’s the kind of show that television ought to make often and only rarely does. I Believe in Miracles (BBC2, Tuesday), a This World documentary, was like that — just the right length at 40 minutes, and as packed with good
In January 1923 Aldous Huxley signed a contract with Chatto & Windus, which would guarantee him a regular income for three years. He would be paid £500 per annum and in return agreed to ‘supply the publishers with two new works of fiction a year, one of them to be a full-length novel’—an onerous undertaking.
The desire to wage war as if it were keyhole surgery is, after a certain fashion, a laudable one. It indicates that a government can no longer afford to treat its own population, if not that of the enemy, as mere cannon fodder. Each soldier killed is ten, a hundred, votes lost. But the new-found
John Walsh’s new novel is a paradoxically enjoyable account of the decline and fall of an Exeter College student of theology who becomes for a short time a performer in vaudeville and then an evangelist of Longford innocence and charity who believes he can perceive potential good in even the most depraved young women. Walsh
Giuseppe Garibaldi must be among the most commemorated secular figures in history. Italian towns invariably have a square or a street named after him, and many contain statues, stations and other sites as well. In Genoa Garibaldi is represented not only by a vast equestrian bronze in front of the Opera but also, in diverse
Winston Churchill once famously declared, ‘this pudding has no theme’. Michael Alexander’s book, subtitled ‘The Middle Ages in Modern England’ — a period which in his view stretches from well before the Industrial Revolution virtually to contemporary culture — has far too many. His contention is that medievalism sprang from two main impulses: the rise
In Britain public money is being allocated to identify and promote ‘moderate’ Islam, in the hope of discouraging the ‘extremists’ and ‘fundamentalists’ whose supposed misunderstanding of the Faith is, in fact, the version most practised in those societies where it is the majority religion. The result is not likely to be much more than the
One of the most interesting conversations I have ever had took place in a Carmarthen pub. There were three of us, the others a builder and a policeman. At one point the policeman told us the weight of a severed human head: it was 14 pounds, and he should know, he went on, having had
One day in 1915, when Stalin was in exile in Siberia, he was eating dinner with a few other revolutionaries. Everyone had to say what his greatest pleasure was. Some said women, others — can this be true? — ‘earnestly replied that it was the progress of dialectical materialism towards the workers’ paradise’. Stalin, known
John Preston’s fourth novel is a quiet dramatisation of the famous Sutton Hoo dig of 1939. Known as ‘the British Tutankhamun’, the excavation in Suffolk uncovered several Anglo-Saxon cemeteries, including one magnificent royal ship burial, and was thrown into relief in September that year by the outbreak of the second world war. The author exploits
There are probably better ways to welcome tourists to your country than with the words, ‘Go home England. Bastards.’ To their credit, Henry Hemming and his travelling companion Al, both suspected by the Slovak border guards of being Islamic extremists and denied entry, do not go home. With a retaliatory cry of, ‘Go home Slovakia.
There’s an article in The Guardian today on Sir Simon Rattle, conductor of the Berlin Philharmonic, that’s well worth reading. The thesis of the piece is: “What Rattle is attempting is a musical form of multiculturalism, in which the orchestra’s brilliance lies not so much in their competence in one repertoire, but how the musicians
This week’s New Yorker has a fascinating profile of the graffiti artist Banky. He’s one of those people you either love or hate. This quote gives you a flavour of where he’s coming from: “I don’t think art is much of a spectator sport these days,” he began. “I don’t know how the art world
Andrew Ferguson is one of America’s most accomplished conservative writers, but he is barely known here. That’s a pity because his sceptical pen would appeal to many English readers. The other day, on behalf of the Weekly Standard, he attended a panel discussion on the politics of Darwinism at the American Enterprise Institute. The theme
“Barzini’s dead. So is Phillip Tattaglia — Moe Greene — Strachi — Cuneo — Today I settle all Family business.” Remember that scene in The Godfather, where Michael Corleone tells his soon-to-be-executed brother-in-law that the Corleones have settled all their vendettas in a bloody spree of vengeance? That’s what Westminster feels like this morning. The
The Spectator’s pop critic looks back on 20 years It suddenly occurs to me, with a jolt, that I have been writing about pop music for The Spectator for 20 years. This makes me the fifth (or possibly sixth, since I am bound to have forgotten someone) longest continuously serving columnist on the magazine, which
Marylebone is the pleasant departure-point if you’re taking the train to Aylesbury from London, and what better way to spend a spring day than an outing to the gentle Buckinghamshire countryside to see a celebration of its merits by fine artists. Upstairs at the Bucking-hamshire County Museum, near St Mary’s Church, is an excellent small
Yorkshire Sculpture Park is the first and best of the breed in the British Isles. Since 1977 it has activated 500 acres of undulating land between Barnsley and Wakefield in a unique way. A man-made upper and lower lake, with a weir and cascade at the narrow junction between the two, runs through the middle
Holocaust art must be approached with care. There’s a worry that by finding fault you’re somehow failing to take the world’s all-time Number one human rights violation seriously. Kindertransport follows the tale of Eva, a Jewish schoolgirl sent from Nazi Germany to Britain at the close of the 1930s. She’s adopted by a rough-diamond Manchester
I wish the term ‘ballet-theatre’ had not already been snatched and (mis)used by dance historians, for there is no better way to define Will Tuckett’s art: his creations are to ballet what dance-theatre is to modern and postmodern dance. Not unlike some of the most acclaimed performance makers who specialised in the latter genre, Tuckett
Britten’s penultimate opera, Owen Wingrave, has always been the Cinderella in that area of his work, and the production of it at the Linbury Studio in the Royal Opera House is unlikely to change that. Britten wrote it for presentation on BBC television, and took very seriously the possibilities and limitations which that medium possesses
Victoria’s Empire (BBC1, Sunday) is the BBC’s new Palinesque travelogue series in which comedienne Victoria Wood goes from exotic location to exotic location chatting to the locals, making wry observations and being mildly funny. But there’s at least one thing that’s very, very annoying about it. The annoying thing — and I don’t know whether
One day in July 1945, a public schoolboy with a straw hat on stood with his trunk on Bishop’s Stortford station, and called out ‘My man’ to the porter. ‘No,’ the porter said, ‘that sort of thing is all over now.’ Whether it was or not, the Attlee period, 1945-51, is the most decisive and
Death puts a different value on a person, usually a smaller one than in life. Sometimes, how- ever, the opposite happens. For instance, how many medieval Archbishops of Canterbury can most of us name off-hand apart from St Thomas Becket? In some cases, death makes the man. It is likely that Alexander Litvinenko will be
John Adamson’s The Noble Revolt asserts the crucial role of political ideas in the coming cataclysm of the English civil war. His focus is close: the 18 months before the final breach between Charles I and Parliament, but it is as scholarly in depth as it is cinematic in scope. Here is a dramatic retelling