The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The celebrations and theatre- productions for this centenary year of Ibsen’s death certainly attest to the continuing vitality of his work. At August’s Ibsen conference in Oslo I heard delegates from China, Nigeria, Bangladesh, Latvia, Mexico speak both of the plays’ intrinsic fascinations and of their relevance to specific contemporary societies. Likewise scholars and critics
Santa’s Twin (1996) by Dean Koontz Dean Koontz is the author of the schlock-horror novel Demon Seed (later a film) about a woman who is raped by a computer. Further offerings include Watchers, Lightning, The Bad Place, Intensity, Fear Nothing, and False Memory. His talents, however, don’t end there. His publishers explain: ‘At the request
A television channel has reached a sorry state when the structure of its ownership is more exciting than what it broadcasts. Yet this is precisely what has happened to ITV, whose appalling programming schedule has become a low-rent joke, making real the parodies of the BBC’s Little Britain. The problem is not that ITV strives
The titles of Jonathan Dove’s musical works — Flight, Tobias and the Angel, Palace in the Sky, The Little Green Swallow, Man on the Moon — might lead one to consider his winged surname a highly appropriate one. However, while the composer undoubtedly possesses a soaring imagination, it is allied to a refreshingly pragmatic, earthbound
The National Gallery of Art in Washington presented a feast for the eyes this week. Three feasts, in fact. To celebrate Rembrandt year, the NGA organised the largest exhibition of his drawings, etchings and prints ever assembled in the United States. In an adjoining gallery, the NGA has rehung its celebrated Woodner collection of hundreds
Louis le Brocquy is 90 this year and his new show at Gimpel’s is merely one of four current celebratory exhibitions. (The others are at Tate Britain, The National Gallery of Ireland and Galerie Jeanne-Bucher in Paris.) He once wryly observed: ‘I’m aware that my age and vulnerability could be mistaken for some kind of
Stanley Spencer (1891–1959) and Francis Bacon (1909–92) were near contemporaries but their work holds little in common. Although both are painters of crisis and intensity, their very individual achievements may be said to embody diametric opposites — the heaven on earth of Spencer’s beloved Cookham, and the ‘hell is others’ Grand Guignol of Bacon. Distinguished
Honestly, before I took up this beat I had no idea how many new movies aren’t that great and aren’t truly terrible but are simply so-so and when it comes to so-so Stranger Than Fiction is just so so-so, which is a shame because: a) I’d been looking forward to it and b) I have
Glyndebourne on Tour is having a vintage year, and that’s not counting its Die Fledermaus, which, favourite work of mine as it is, I couldn’t bear to see again in that production. Così fan tutte, on the other hand, I couldn’t bear not to see, having been at the first night in Glyndebourne last May,
The death of Nick Clarke, The World at One, Any Questions and Round Britain Quiz presenter, jolted many commentators — and listeners — to bewail the loss of a news broadcaster noted for his courtesy, his integrity, his ability to ferret for ‘the truth’ without being provocative or volatile. It says a lot about how
There was much pre-publicity around Tsunami — The Aftermath (BBC1, Tuesday) implying that the second anniversary of the disaster was a little early to turn it into drama, and that the film would be distressing and demeaning for the victims’ families. I could see the point, though what struck me most was that with more
In the autumn of 1995 Jessica Mitford, the youngest of the sisters, known to one and all since childhood as Decca, sat down at her desk in Oakland, California to answer a list of questions put to her by a journalist. ‘Yes, still consider myself a communist!’ she wrote, adding, ‘So do the undertakers, I’m
In the 1960s I lived in Hampstead, though all these years I have managed not to write a novel about Hampstead dinner-parties. The area was, and still is, rich in second-hand bookshops. There was one bookseller, long since dead, whose shop I used to visit, not to buy books, but to listen to his talk.
The story of Dr John Snow’s investigations into the causes of the cholera epidemics in mid-Victorian London has been written up several times, most recently in a book by Sandra Hempel which I reviewed in these pages six months ago. So do we need yet another account of them? Perhaps not, except that Steven Johnson
My one contact with Conrad Black was an exchange of letters following his review in the Daily Telegraph of a book about the 1798 Irish rising. In this he had described the French landing as their most successful military intervention in Britain since Hastings. Helpfully I wrote to remind him of their landing in 1216,
This sensationWe say is the nationActing its destiny.How like is itTo the smaller act which here we see,The incomplete Devil paying a visit? We know it is our Fate to lack power —Is this our excuseThat we are very smallAmong demagogues whose job is to chooseThe Few’s good or the Good of All? Perhaps at homeThought might
Aspiration. Aspiration. Aspir- ation is still the watchword for publishers of gardening books. How many heavy, glossy productions filled with Get-the- Look pictures does the average gardener need? Especially when what is always peddled and praised tends to emphasise the haute couture of horticulture. There is a fashionable tendency to over-intellectualise about design. This is
This is the second time The Fortnight in September has been reviewed in The Spectator. On its first appearance, my predecessor applauded ‘more simple human goodness and understanding … than in anything I have read for years’. The year was 1931. Three-quarters of a century has passed, and what to that earlier reviewer was a
In 1958, half way through the century here recorded, the late and much lamented National Book League put on the first ever antiquarian book fair, with 24 members of the Antiquarian Booksellers’ Association exhibiting. ‘We hope,’ wrote The Book Collector, ‘that the ABA will be encouraged to make this an annual event.’ It did, and
The seemingly unstoppable rise of the exhibition catalogue happily does not mean that nothing else gets published, and my selection of glossy delights to drive away the Boxing Day blues has more than its fair share of goodies that were not born in museums. The Royal Tombs of Egypt by Zahi Hawass (Thames & Hudson,
The Prix Goncourt was awarded, as of right, to Jonathan Littell for Les Bienveillantes (Galli- mard). Les Bienveillantes, the Kindly Ones, is the name usually given to the Furies. The narrator of this masterly novel, Max Aue, the director of a lace factory, is writing his account of the second world war, in which he
Writing here (18 November), Anita Brookner described Joseph Roth’s reports from France 1925-39, The White Cities, as ‘her best read of the year’. I’ve had a copy for several months now, and I keep dipping into it and always finding something new, surprising and delightful. The rediscovery of Roth has been one of the happiest
The tills of the West End may be alive with the sound of musicals new and old, but the Brits on Broadway are remarkably well represented at a time when theatre in New York is still suffering a delayed downturn from the after-effects of 9/11. It is indeed some indication of a renewed faith in
Connie Fisher, the winner of Andrew Lloyd Webber’s search-for-a-star reality TV show, hits the ground running in The Sound of Music. Indeed, she’s so high energy, it’s as if she’s starring in an infomercial rather than a West End musical. She overdoes everything, right down to the smallest hand gesture. As contestants in reality shows
I have always loved Rambert’s artistic eclecticism. The dancers’ ability to adapt to different choreographic styles and demands goes far beyond mere technical bravura and adds greatly to their usually captivating performances. Yet superb technical skills and powerful drive alone cannot secure the success of an evening, especially when the choreography is as unexciting as
Poulenc’s La voix humaine is a brief, powerful piece, and it’s a matter for gratitude that Opera North has staged a new production of it. It’s a matter for ingratitude, though, that it’s been put on by itself: not just because at 45 minutes it makes for a short evening, but because it would have
‘The medium needs glitz, it needs glamour, it needs an ego,’ read an ominously worded column in this week’s Radio Times, accompanied by a glamorous head-shot of its author, the director of Channel 4’s new online-only radio station. A shiver ran down my spine. If we in radio want to compete with TV, says Nathalie
‘Dad, Dad, we watched this really funny video at Ozzie and Ludo’s called Dick or Treat. Dad, dad. Daaad? Can I show you, Dad, can I?’ says Ivo, eight, while I’m trying to work on my computer. To make him go away, I try looking up the video at the web address he gives me,
Anthony Daniels J. G. Ballard’s Kingdom Come (Fourth Estate, £17.99) is a dyspeptic vision of a dystopian Britain that has already half-arrived. He is a close observer of our national malaise: indiscriminate consumerism combined with a sense of entitlement, and therefore of resentment. His profound understanding of the place of the teddy bear in our