The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The late Leonard Setright was a rightly admired, genuinely idio- syncratic, provocatively pedantic and engagingly discursive motoring writer who loved any excuse to show off his Latin or to get Milton, Mozart or Ecclesiastes into a car column. He relished his reputation for having been quoted more often than anyone else in Private Eye’s Pseuds’
One of the lessons taught in these pages over many years by Christopher Fildes was that, because financial markets are human nature in action, anything that goes wrong in them is almost certain to have happened before and highly likely to happen again. Technology may advance, the language and methods of business may evolve, the
‘Kings, who are the sovereign arbiters of the fortune and the conduct of men, are always themselves the most severely judged and the most curiously observed.’ Louis XIV complained in his memoirs (addressed to his son) about the public gaze in which monarchs lived, and the malicious gossip to which they were always therefore subject:
Over the coming weeks you are sure to hear a good deal about The Thirteenth Tale. The author of this novel, a teacher of French literature living in Harrogate, has already netted 1.5 million pounds in advance royalties from British and US publishers alone. Foreign deals and film rights will surely garner much more. Comparisons
Replace the commas in the subtitle of this book, ‘Thomas Young, the Anonymous Polymath who Proved Newton Wrong, Explained How We See, and Deciphered the Rosetta Stone Among Other Feats of Genius’, with exclamation marks, and it reads like the title of a Gillray cartoon or the patter of a circus huckster. The problem we
My Love Affair with Miami Beach (1991) by Isaac Bashevis Singer Isaac Bashevis Singer, the 1978 Nobel laureate, wrote mainly on the Jewish experience in pre-war Poland, the Holocaust, Israel, and the diaspora to the USA, particularly New York, not an awful lot about Miami Beach. But Miami Beach nevertheless held a special place in
‘All gilt and beshit’. That was Hogarth’s crisp verdict on French interiors when he visited Paris in 1748. As an image it is hard to fault, conjuring up gilded boiseries and the bird-droppings of rococo plasterwork. ‘In the streets [of Paris],’ the eye-witness report continued, ‘he was often clamorously rude.’ Hogarth sounds like a modern-day
Recently I found myself lured for the second time in as many years to what is surely one of the most alluring music festivals in the world, the Handel Festival in Göttingen, Germany, which has survived — nay, flourished — for more than 80 years now, come hell, high water and Hitler. It’s alluring in
It all sounds very kinky, really, bringing together the two Sir Johns under one roof; Sir John Betjeman, so amiable, house-trained and telly-friendly, and Sir John Soane, so arcane, Dumbledore-ish and stridently innovative. But I have to say I think it works rather well since, in such close proximity, each of the knights brings out
There’s something different about Tai-Shan Schierenberg’s new show at Flowers Central: it has a title, Myths. This may not sound like much — and Schierenberg shrugs it off — but when an artist abandons the neutrality of New Paintings for a title with so much historical baggage you suspect something is afoot. And when you
It’s very pleasant to be able to greet a small show at the V&A after the relentless stream of blockbusters we’ve seen in Brompton Road in recent years. Leonardo da Vinci: Experience, Experiment and Design is confined to one gallery and consists of 60 drawings displayed in two banks of angled cabinets down the length
Welsh National Opera’s new production of Monteverdi’s finest surviving opera, Il ritorno d’Ulisse in patria, is an almost unqualified success, and one hopes that the five cities that it tours to after leaving the company’s home in Cardiff will give it the reception it deserves, so that WNO’s cutting back of its tour next spring
At last the BBC has worked out what to do with Graham Norton. The series How Do You Solve a Problem Like Graham? (sorry, silly me, Like Maria) has just ended and it was so achingly, screamingly, dementedly camp it made its host, clad in a suit which appeared to have been woven from aluminium
Five years on, and the 9/11 books begin to mount up: we’ve had Philip Roth doing it as historical allegory in The Plot Against America; John Updike doing it as a thriller in Terrorist; Jonathan Safran Foer doing whatever it is that Jonathan Safran Foer does in Extremely Loud and Incredibly Close; Ian McEwan’s Saturday;
This enthralling and important book offers vital reading for anyone with a serious interest in opera. Its author Philip Gossett describes himself as ‘a fan, a musician and a scholar’; more specifically, he works from a base at the University of Chicago as one of the foremost authorities on the period broadly circumscribed by Rossini’s
I ought to declare a tribal interest in Patrick Collinson’s latest instalment of collected essays: he and I both grew up in that unjustly overlooked and astringently beautiful county, Suffolk, which figures largely in his text. Our respective childhoods embraced the polarity of Suffolk religion in the mid-20th century: solid Prot, of course, but divided
Narendra Singh Sarila has a theory. Because he is a man of high intelligence and has researched diligently into the sources, his theory must be treated with respect. As one of India’s most senior ambassadors he is well qualified to assess the limitations of state papers and to distinguish between what politicians say and what
fuga, fugas — music now, not backat school where Harry Roberts flashed his gown,a toga to berate a class as slackas Rome became; we’d been meant to be English Augustans, but were soon brought downto being worthy only of a fewemotive Saxon nouns and verbs: the sea had brought our Fathers to a sanded shore,packed
An oddity about J.G. Ballard is that his unquestionable truths about English society are often encased within deliberately, and stupendously, implausible plots; his trick is to conjure reality from the deeply unrealistic. Kingdom Come, his latest novel, demonstrates that he is still, in his eighth decade, as outré as ever, and still as keen to
Although Barry Unsworth’s latest novel might in some sense be about the relationship between Islam and Christianity, other less trendy themes are much more effectively addressed. Besides, The Ruby in Her Navel is told by a fictional character so convincing in his strengths and weaknesses that all considerations of politics, religion, history and morality are
The suggestion was made the other day that Dylan Thomas may have been dyslexic. Apparently, the experts deduced this from the style of his poetry. It seems an odd assertion. Dyslexic children find difficulty, and therefore no pleasure, in reading. Dylan, according to his parents, taught himself to read when he was three, and thereafter
No modern country wishes to understand itself through its remote past more ardently than does Korea. Nineteenth- century Korean nationalists were anxious to trace their state back to a mythical semi-divine hero, Tan’gun, who founded Korea in the third millennium BC. (Koreans will probably be irritated if it is suggested that this resembles Japanese eagerness
Alasdair Palmer talks to the French artist who has discovered the secret of the Master’s technique How did he do it? Among the many great unanswered questions about Leonardo da Vinci’s ‘Mona Lisa’, that has long been one of the most puzzling. Part of the perennial appeal of the ‘Mona Lisa’, and one reason why, today,
In 1435 a young Tuscan poet and diplomat visited the court of James I in Edinburgh. The purpose of his mission remains something of a mystery. But he was impressed by the women of the country, whom he described as ‘fair, charming and easily won’. It also did not take him long to discover that
James Pryde (1866–1941) is one of those artists who enjoyed a considerable vogue in their own lifetime, and resurface now and again but never with anything like the same success. (The last solo show of his work I saw was at the Redfern in 1988. There was a museum show in Edinburgh, his native city,
The ancient tradition of arts patronage is being revived in Marbella, the Andalusian playground of the rich and famous. Here in the shadow of the Sierra Blanca mountains, next to the luxurious Marbella Club, built by Prince Alfonso von Hohenlohe in the 1950s, The New World Trust, organisers of the Marbella Film Festival and the
There are, as we all know, many disadvantages to going away on holiday, not least the fact — so ably nailed by Alain de Botton — that we are forced to take ourselves with us. How relaxing it would be to leave home without one’s own deficiencies and inability to enjoy oneself when doing nothing.
The programme gets it right in rating Henry VIII ‘at the edge of William Shakespeare’s drama and theatre’. It’s from the very end of his working life, co-written with John Fletcher, and is but seldom given. This, as became abundantly apparent in AandBC’s production for the RSC’s Complete Works, is because it’s a dry biscuit,
It may have taken until the late 1960s for the expression ‘the personal is political’ to condense an important truth, but — as Lucy Moore’s fascinating new book shows — that truth is not a new one. Liberty tells the story of the French Revolution through the lives of the great salonnière Germaine de Staël,