The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Listing page content here To meet Oswald Mosley was a most unpleasant experience. You knew at once that you were in the presence of someone who had lost touch with everything except his own ego. So he bullied, so he lied, denying that he had been a willing agent of Hitler, that he would have proved
Listing page content here The title of Gordon Corrigan’s book tells us it is not going to be a Churchillian panegyric, so it comes as almost a disappointment to find no new revelations needful for the dethroning of the former national hero. All we are given is an emphasised reminder that Churchill’s history, The Second
Listing page content here In February 2005 the then chairman of the US Federal Reserve, Alan Greenspan, travelled to Kirkcaldy on the windy shores of the Firth of Forth in the company of our very own Chancellor of the Exchequer, so that both could pay tribute to the town’s most famous son, Adam Smith, in
Listing page content here ‘In London, if a man have the misfortune to attach himself to letters, I know not with whom he is to live, nor how he is to pass his time in suitable society.’ David Hume was notorious for preferring Edinburgh’s intellectual life to London’s, but the city where the philosopher was
Listing page content here Andrew Taylor has written on a wide range of subjects, but it is for his crime thrillers that he has become famous and won so many awards. By my estimate he’s written 26, which is just under half of the 59 books he’s credited with by Amazon. Until now I have
Listing page content here There is much in common between a Richard Holmes book and a bottle of the finest Speyside malt. Both look and feel good, full of promise. Extract the stopper from one, open the other and the anticipation quickens. After that it is a question of taste or habit as to whether
Listing page content here Twenty years ago, Britain was gripped by an architectural battle of styles. The Lloyd’s building in the City opened, representing the hopes for a resurgence of modernism, while Quinlan Terry’s classical Richmond Riverside was beginning to emerge from scaffolding like a vision by Canaletto. Since 1986, a great deal has happened,
Listing page content here I don’t know quite what came over me during the screening of Confetti. I was well prepared: I had curled my lip and rolled my eyes at the daft poster on the Tube; I had sighed and shaken my head over the British obsession with weddings — and films about weddings;
Listing page content here Dance and eroticism have long gone hand in hand. For centuries, moving bodies have been regarded as arousing and dangerously tempting. Twenty-first-century adverts still draw upon that popular equation and delve more or less seriously into the intrinsic sensuality of dance, whether it be ballet, modern or even street dance. Yet
Listing page content here My sister and I never had pets as children, or rather we had them but they didn’t tend to last very long. Indeed, no sooner had some dumb animal entered the house than my mother seemed to be making plans to get rid of it. The raven itself was hoarse that
Listing page content here There can’t be many more tantalising prospects for an operatic composer than writing an opera about the murder of Thomas Becket in Canterbury Cathedral in 1170 and then conducting performances of it there. That is what Stephen Barlow has pulled off, the première and two subsequent performances taking place at the
Listing page content here Good and evil slug it out in Paradise Lost. Good triumphs, just about. So, too, in the Oxford Stage Company’s version of Milton’s epic, where flashes of brilliance overcome a few choppy patches. The staging is simple and sometimes powerful but the costumes are a poor blend of mediaeval pastiche and
Listing page content here Although I don’t buy it often, I’ve always liked the New Yorker magazine, not only for its good writing but also for the humour. The cartoons are consistently sharp and amusing and the owners have cleverly marketed them as greeting cards, as The Spectator did recently. The magazine has somehow survived
I greatly enjoyed The Impressionists (BBC1, Sunday) in spite of clunky lines such as ‘This is Paris, in 1862,’ and ‘Cézanne! Do you know everybody?’ There are the scenes where they are painting their actual paintings, when Rolf Harris seems to have been parachuted into an episode of ’Allo, ’Allo! There was an unconsciously funny
I am in Raleigh, North Carolina, unexpectedly invited here by my old friend Grant Llewellyn, who is in his first season as music director of the North Carolina Symphony Orchestra and enjoying both the challenge and the celebrity status it gives him in the university- and technology-rich region known as The Triangle. Llewellyn has been
The pre-eminent Italian still-life painter Giorgio Morandi (1890–1964) is frequently called an artists’ artist, which is usually taken to indicate that his extreme formality or painterliness (depending on who is arguing the case) appeals more to those in the know than to the man in the street. Morandi undoubtedly does have a deep and lasting
A model couple, Alain and Bénédicte, live a perfect life in a clean white suburban house. A model couple, Alain (Laurent Lucas) and Bénédicte (Charlotte Gainsbourg), live a perfect life in a clean white suburban house. Alain is an engineer who is developing a way of protecting the home by remote control, using a minute
On 5 August 1993 Sviatoslav Richter wrote in his notebook, after listening to a recording of Götterdämmerung (the Rome Radio recording under Furtwängler, made in 1953): ‘What can you say about this music? You can only throw yourself on your knees and offer up your thanks. For me, personally, this is the supreme masterpiece.’ An
The Royal Hunt of the Sun, Peter Shaffer’s 1964 play about the conquest of the Incas The Royal Hunt of the Sun, Peter Shaffer’s 1964 play about the conquest of the Incas, contains one of the most famous stage directions in modern drama: ‘They cross the Andes.’ On the face of it, these four words
Pointillisme — impressionism by numbers Pointillisme — impressionism by numbers: stand back, let the dots join up all by themselves, and the image judders into focus whatever the subject or lack of. In a month of volatile mobility I can offer no more than a stipple of blobs, musical moments snatched at or accidentally impinging,
The slot at the end of The Westminster Hour on Sunday evenings (repeated Wednesdays) is rarely dull and often quite informative. The last two maintained the consistency — the first, ‘The Gentleman Usher’, had an interview with a former Black Rod, Sir Edward Jones, explaining the nature of his work; and last Sunday’s, ‘The Lloyd
Towards the end of the Seventies I was asked to write a short, critical study of Muriel Spark’s novels. I accepted, with some trepidation and misgivings. At least I hope there were misgivings. There should have been, first because nothing equipped me for the task apart from my admiration for her novels and, perhaps, the
Oxford publishes, or has published, a number of anthologies of anecdotes relating to various professions. There is a very enjoyable one of military anecdotes, edited by Max Hastings, Elizabeth Longford’s of royal anecdotes (competing in a crowded field), and Paul Johnson’s of political anecdotes. Some professions more readily generate anecdotes than others. I could imagine
Listing page content here Women in peril flit through the pages of traditional Gothic fiction, murmuring ‘Had I but known!’ as they fall for the wrong man, open the wrong door or apply for the wrong job. The poet Sophie Hannah takes the trusty formula in both hands, gives it a vigorous shake and uses
The poet and storyteller George Mackay Brown was the son of the postman at Stromness, Orkney. His father John had also been an apprentice tailor before becoming the postman. George, in one of his poems, speaks of how ‘not wisdom or wealth can redeem/The green coat, childhood’. In his knowledge of every cranny of the
‘Eakins errs just a little — a little — in the direction of the flesh,’ Walt Whitman observed in the late 1880s. Ideally he would have had the Frenchman Millet do his portrait, but the painter of humble peasants was already dead. Eakins made him a flushed old soul in jovial mood. Sidney Kirkpatrick’s account
Listing page content here Hunting is cool. Ten years ago no one in her right mind would have dreamed of writing a novel about hunting, but now Candida Clark has done exactly that. Just as George Bush’s ‘war of terror’ gave a huge boost to al-Q’aeda, so Labour’s attempt to impose a ban has actually
There was nothing that a Roman general relished more than the chance to raise an earthwork. ‘Dig for victory’ was an injunction that legionaries often followed with a literal cussedness. Advancing into enemy territory, they carried shovels as well as spears. The camp that a legion would build after every day’s march, always identical to
Why are we so interested in biographies of the old film stars? I don’t think our children will be. I can’t see them reading 550 pages, the length of this book, about the lives of far better actors like George Clooney or Gwyneth Paltrow. But then we don’t see the stars as actors. For that