The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
I tried hard to love Elizabeth I (Channel 4, Thursday) because such work and effort had gone into it, but it was an uphill job. The opening scene, of a doctor examining our heroine’s vagina, was no doubt meant to be challenging and attention-grabbing, but it felt unnecessarily gynaecological. As Barry Humphries would have said,
Wild Wales; Land of Song; Green Valleys: the clichés cluster. The Vale of Glamorgan Festival fulfils most if not all, in a wholly uncliché’d way. Subtitled ‘a celebration of living composers’, it could be forbiddingly severe, courting box-office disaster. But its chosen living composers are far removed from the erstwhile compulsory rebarberation, wilfully inaccessible to
‘If anybody had made a film of my year,’ says John Tomlinson, our latest musical knight, as he lolls on a sofa on the top floor of the Royal Opera House and enjoys a gentle chuckle, ‘I suppose it would have been called My Left Knee!’ It has been a memorable year for the world’s
A few years back, Harper’s & Queen magazine asked me to write an article in a series entitled ‘Something I have never done before’. (No, it was not: Write a short book review.) The piece that appeared in the month before mine was Norman Lamont on falconry — a hard pterodact to follow. I decided
Fifty-two-year-old Alan Mackenzie has been in severe and unrelenting pain for 16 months, having slipped a disc during a game of volleyball. No one has been able to alleviate his condition, not ‘four physical therapists, three ortho-paedic surgeons, two neurologists and an acupuncturist in a pear tree’. He no longer expects to get better, and
The closed-circle Agatha Christieian detective story has rather fallen out of fashion in favour of the ‘crime novel’, the essential difference being that while every detective story is a crime novel the reverse is not necessarily the case. As the doyenne of the detective story P. D. James rarely strays far from home and The
‘Is your autobiography really necessary?’ Something along the lines of that war poster which asked a similar question about railway journeys should be tacked up above the desk of every self-respecting author. Edmund White is one such, and we are already entitled to feel that we know an awful lot about him. He has skilfully
Nearly 30 years ago I asked Rupert Hart-Davis, nephew and literary executor of Duff Cooper, whether I could see these diaries for a biography I was writing of Duff’s wife, Diana. ‘Not the slightest point, dear boy,’ he replied. ‘They are no more than a chronicle of unbridled extravagance, drunkenness and lechery.’ Eventually he relented
Geoffrey Best has written a formidably good book about Churchill’s military core. He begins with the hussar sub- altern, as well as the great Duke of Marlborough his ancestor, before he goes near politics. He reconstructs the standards of conduct that were common form among the aristocracy and the officer class with whom the young
The Americans come off the boat. They may come singly, or in couples or even in a threesome, but there is no safety in numbers, for their fate is sealed the moment they step down the gangplank. The Americans are innocent of course, but they are not very nice. As a rule in the world
There are three possible reasons for republishing forgotten books by writers who have achieved subsequent fame. The first and best is that they may have been unjustly forgotten. The second is that they are of interest to fans looking for hints of the future. The third is that early novels in particular often contain autobiography,
The trouble with great historical narratives is the volume of detail they demand: tidal waves of personal and place names, of dates and sums of money, of CVs, menus, fashion notes, light brown hair and glacial moraines, which after 25 pages remind the untrained reader of the showing and telling of holiday snaps. Yet history
The Big Green Book (1962) by Robert Graves The Big Green Book (1962) by Robert Graves The Big Green Book, a children’s story illustrated by Maurice Sendak (before he won fame with Where the Wild Things Are), contains some familiar Gravesian themes. Jack, an orphan, finds a big green book of magic in the attic
A rush of air. A mighty whooshing. That was the noise that filled my ears during the opening five minutes of On the Ceiling. It was the horrid turbulence of weighty ideas being picked up and flung earthwards to no good effect. Nigel Planer’s new comedy has such a brilliant and simple theme that you
The Cambridge Illuminations, the Fitzwilliam Museum’s exhibition of mediaeval manuscripts, wasn’t very crowded when I visited last Sunday. The show comprises principally images of devotion, damnation and prayer, conceived and produced by men devoted to poverty, chastity and obedience. That background seems to put a lot of people off. Poverty, chastity and obedience …how much
Some years ago, just before the Shah went into exile, I was touring the archaeological sites of Iran as a guest of the then Imperial Ministry of Culture. I wanted to see the extent to which archaeology was now acting as a means of establishing national identities. Near Hamadan there was a modern bridge over
Although marginalised or ignored for much of her long life, the designer and architect Eileen Gray (1878–1976) is now a hugely admired and influential figure, celebrated in the same breath as Le Corbusier, Marcel Breuer, Mies van der Rohe, Alvar Aalto and Charles Eames. I was first aware of her as the aunt of the
I’ll be honest. I’ve watched less than bugger-all TV this week. The three bridge evenings (one of them, get this, tutored by the legendary Susanna Gross) didn’t help, nor yet did the parents’ barbecue evening at our kids’ new school, and Wednesday night is Pilates night so obviously that’s no good, and you wouldn’t seriously
News of England’s Ashes victory spread rapidly though Cortona’s ancient streets last Monday evening, as those with satellite TV rang the mobile phones of friends and families to pass on the momentous news. It was not, of course, Italians calling; Tuscans observed uncomprehendingly as the holidaying English roared at the result; and one resident Englishwoman
E. H. Gombrich was born in Vienna in 1909. As a boy he had seen the Emperor Franz Joseph walking in his garden. As a young man, himself a Jew, he had watched Jewish students being beaten up in the streets by Nazi thugs. In January 1936, two years before Hitler’s troops marched into Vienna
The gung-ho photo on the dust jacket — battle fatigues, the red beret of the Paras, eyes narrowed to determined slits — suggests a touch of the Paddy Ashdowns. But that is at odds with the picture of the author that emerges from this his first book: ‘For my part, I do not think I
In 1994 the membership of the American Contract Bridge League voted S. J. Simon’s 1946 classic, Why You Lose at Bridge, the best bridge book ever. To that extent, all bridge books live in its considerable shadow. According to Simon you lose at bridge for two reasons: lack of skill and losing tactics. He doesn’t
As soon as the British had pretty much done for their larger mammals, they took up birds. The ones you shoot or eat had been protected from time immemorial, and in the 1880s people began to look after the ones that it was just nice to have around. Parliament began passing protective laws, lobbied by
If you were a Martian, whiling away the time on an intergalactic beach holiday by reading an account of the Cuban missile crisis, you could be forgiven for dismissing it as wildly implausible fiction. All the blockbuster ingredients are there: the clash of superpowers, one led by the clean-cut American hero, the other by the
It is a remarkable but little known fact that in 1901 the entire Indian subcontinent with a population totalling 300 million was administered by a British ruling elite which consisted of no more than 1,000 men. Still more extraordinary, their rule rested neither on military force nor on terror or corruption. On the contrary, the
According to this new biography by an earnest, academically inclined American, Peggy Guggenheim deserves to be given a respected place in the history of modern art and not dismissed as a poor little rich girl with more money than sense. In fact, Peggy Guggenheim’s reputation was well earned, not to say established early on by
War With Honour (1940) by A. A. Milne Alan Milne rather resented being known only as the author of Winnie-the-Pooh. As he liked to point out, he had also written plays, novels and non-fiction. Among his works in the latter category was Peace with Honour (1934), which called on Britain to avoid war with Germany
The Royal Opera’s new season began with a nice big surprise: Donizetti’s last opera, Dom Sébastien, roi de Portugal, written for Paris in 1843, shortly before his fatal syphilitic illness set in. Far from there being any traces of failing powers, it strikes me as the strongest serious opera he wrote, even though it has
A publisher has just reprinted, in time for its centenary, H.E. Marshall’s Our Island Story (Galore Park, £19.99), which in its day was the immensely successful ‘History of Britain for Boys and Girls, from the Romans to Queen Victoria’. I’m old enough to remember this from first time round — it went through many editions