The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Some dance works age, some don’t. Yet it is difficult to pinpoint the factors that bestow immortality on something as ephemeral as ballet. In the case of Kenneth MacMillan’s Manon, however, timelessness stems mainly, though not exclusively, from a masterly woven dramatic layout; it is through the possibility of diverse interpretative readings that the ballet
Most novel-readers will be aware that Anthony Powell’s celebrated roman-fleuve A Dance to the Music of Time is named after and inspired by Poussin’s great painting in the Wallace Collection. As Jeremy Warren, head of collections at the Wallace and this exhibition’s curator, points out: ‘Both novel and picture examine the nature of mortality and
As a child I would stand looking in fascinated horror at the enormous polar bear pinning down an unfortunate seal. Then on to the equally immense tiger ‘shot by King George V’, roaring and prowling in its glass case. Followed by the mummy, donated in 1827 by ‘J. Morrison, London’. Who was J. Morrison of
The notion of updating Shakespeare always strikes me as a curious one. For a start it assumes that the audience is stupid. Do we say, ‘I hadn’t realised that Julius Caesar contains universal themes of ambition and betrayal until I saw it set on the floor at the Chicago Board of Trade’? Or, ‘It never
John Brockman, the New York literary agent and science writer, had an artist friend, James Byars, who had a grand idea. It was ‘to gather the 100 most brilliant minds in the world together in a room, lock them in and have them ask each other the questions they were asking themselves’. The result, he
The British, publishers and booksellers regularly tell us, have an antipathy to the short story; they respond unfavourably to even a well-known writer coming up with a collection, and for an emergent one to devote creative energy principally to the medium would be regarded as literary suicide. And this despite determined efforts by certain key
One of Sir Mark Thatcher’s friends once told him he was ‘born guilty’. Many, including the two authors of this book, would contend that he has done his best to live up to his billing. Apparently, in moments of persecution, he has taken to quoting this observation about himself in the most rueful of tones.
‘The most intellectual British poet of the 19th century’ is Anthony Kenny’s judgment of Arthur Hugh Clough — a tribute which implies the absence of Tennysonian musi- cality in his verse as well as a prescient understanding of contemporary philosophical and scientific issues that far exceeds Browning’s or Arnold’s. Kenny’s study of this still underrated
In bad light, after some confusion, the bails were ceremonially removed by the umpires late in the evening of 12 September 2005, to signify that the game was ended, was a draw and that England had won the Ashes. Less than three weeks later, a handsome, well-written account of that exhausting 25-day battle, Ashes Victory,
In the reviewer’s childhood, Scott was a national hero, almost as revered as Nelson. Revisionists did what they could in the 1960s and 1970s to cut him down to size; generations have been brought up to despise him. David Crane’s new life seeks to restore the balance, to show the man as he was and
Commander Chipps Selby Bennett was a traditional officer and a gentleman; a Dorset dandy with a monocle, tartan trews and size 12 shoes. He’s a man whose life experience encompasses the navy, hunting and the Conservative party. His autobiography, Seahorse! Between the Sea and the Saddle, reflects with characteristic eloquence his surprisingly wide-ranging life, and
In the late 1990s it began to look as if the media were gunning for millionaire Tories in alphabetical order. First Jonathan Aitken, a joint target of Granada and the Guardian. Then Jeffrey Archer, jailed after a sting operation by the News of the World. Next in line seemed to be the mysterious Michael Ashcroft,
History and fiction have their differences. The most obvious and the most important is that scrupulous historians hesitate to say anything for which they cannot provide some form of documentary evidence. But history and fiction are also more alike than is usually acknowledged. Both historians and novelists seek to show how the world operates (or
A TV interviewer recently asked Stephen Hawking, author of A Brief History of Time, ‘What existed before the universe began?’ and was snubbed. ‘That’s a meaningless question.’ Oh no, it isn’t. Hawking may be an expert mathematician and a distinguished physicist but he evidently knows little of the uses of English and the problems of
The Exploits of Mr Saucy Squirrel (1976) by Woodrow Wyatt LORD WYATT of Weeford, Chairman of the Tote, the ‘Voice of Reason’, and the only member of the British peerage whose cigars could remain alight underwater, says in the preface to this tale, ‘Mr Saucy Squirrel has an alert and enquiring mind. That is how
Ten strangers having a black-tie dinner in an airport lounge. That’s the opening tableau of And Then There Were None. The airport lounge turns out to be a posh house on a tiny island to which the guests have been invited by an absent puppet-master named U.N. Owen. Speaking from a pre-recorded LP, the mysterious
‘The motto of the British Air Force Special Services,’ announces Orlando Bloom, ‘is, “Those who risk, win”.’ Close enough, I suppose. Mr Bloom is from Canterbury and, if he doesn’t care, there’s no reason why I should. But it is oddly representative of Elizabethtown — a movie that even as it insists how true it
I don’t usually associate the Vienna State Opera with adventurous programming, but staying in the city for a few days last week I was able, by chance, to catch the première of a double bill of two quite exceptionally rare operas, one of which largely deserves its fate, the other certainly doesn’t. They were performed
The National Gallery really is a remarkable place. In addition to displaying its diverse and beautiful permanent collection in increasingly sympathetic and attractive ways, it continues to mount a string of temporary exhibitions of great interest and unobtrusive scholarship. Yet these loan shows are generally housed in a suite of cellar rooms oppressive to the
It comes as something of a shock to realise that I have known Liz Anderson, this magazine’s admirable arts editor, for almost 20 years. We first met in 1987, as junior sub-editors on the Telegraph’s arts pages, and sat trembling in shock and awe together as the arts page supremo, Miriam Gross, and her deputy,
For some time now I have been aware that there was something badly wrong with my life without ever being quite able to put my finger on exactly what. Now, having watched Rome (BBC2, Wednesday), I know: I was born in the wrong place, 1,953 years too late. Take religion. I don’t wish to knock
When I am asked what I do, I say I am a musician. The response is invariably, ‘Which instrument do you play?’ When I say I conduct, I am aware that I have passed beyond the easy into the more difficult, but I know at the same moment that I have not lost my audience.
Shocking, I know, but I hadn’t paid much attention to Clive James since my dim distant undergraduate days 30 years ago, when I remember being vastly amused by his verse satire of Grub Street parvenus, Peregrine Prykke’s Pilgrimage. Since then he’s rather passed me by — I never thought his television shows up to much,
Everyone loves a good dictator, at least at a distance. Dictators exert the same horror and fascination that snakes have for some people; Latin American literature, for example, would be very much the poorer without them. It seems that we cannot ever know too much about their daily lives, for their arbitrary power over life
Alan Jacobs quotes Philip Hensher on C. S. Lewis: ‘Let us drop C. S. Lewis and his ghastly, priggish, half-witted money-making drivel about Narnia down the nearest deep hole … They are mean-minded books, written to corrupt the minds of the young with allegory, smugly denouncing anything that differs in the slightest respect from Lewis’s
Seven years after the groundbreaking Border trilogy, Cormac McCarthy has returned to that literary landscape he has made his own, the American-Mexican border: a near-fantastic tabula rasa of unmapped and unknowable spaces and histories, populated by people in thrall to geographic and climatic necessity, and for whom both the present and the future represent only
Prospect is a monthly magazine with high aims, and it is therefore welcome. To borrow from the old advertisement for Mars Bars, it fills the gap. It is hard to think of any comparable outlet in this country — as opposed to the United States — where it is possible to publish contributions of 5,000
There are some classic novels about a boy growing up — Great Expectations and Kes spring to mind. Well, here is another. The Highest Tide is one of the best novels it has been my pleasure to read for many a day. And its cover is one of the worst it has been my misfortune
Take Harold Pinter: dismissed at the outset for having written an impenetrable play, but who nearly 50 years on ends up being awarded the Nobel Prize for literature. I ask you, who’d be a critic? I mention this by way of an apology should, in 50 years’ time, Simon Liberati pick up a gong of