Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A world of drivers and passengers

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VJ night, the war in the Pacific is finally over, and in William Kennedy’s Albany the war of senatorial election is about to begin. The candidates stand up to be counted and the consequences of their election are considered. Small crooks fresh out of crook school and the army rise into the lower reaches of

Nature versus Nurture: the state of play

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The Blank Slate, more readily recognised in its original Latin as tabula rasa, is the soubriquet for the view that in the eternal Nature-Nurture debate the scales tip heavily in favour of the environment: when it comes to the human mind, nothing is left to the caprice of genes. Steven Pinker, well known for The

A bleak kind of optimism

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After several acclaimed novels, including last year’s Pulitzer prize-winning Empire Falls, Richard Russo has now produced a volume of short stories. However, the qualities which endear the novels to their readers – a wry sense of humour, vivid characterisation and the sense of lives being lived over time – are less apparent here; the shorter

No room at the top

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In the years following the second world war, Tony Crosland, Roy Jenkins and Denis Healey either became Labour Members of Parliament or worked closely with the Labour party. Few parties in so short a time can have gathered three recruits so obviously of prime-ministerial calibre. No other party could have so contrived things that none

Deceiving only those who want to believe

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Forgery ranked with murder as a capital crime well into the 19th century. Faked texts and signatures could falsify wills and violate the sanctity of property, until photolithography, then typing, devalued the uniqueness of the handwritten text. But a modern forger can still make a decent profit by turning out the fake-historical or fake-literary stuff

How the master of landscape was transformed

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In 1760s Bath, the promenade from the Pump Room to the tree-lined Walks of Orange Grove passed a row of luxury shops and a sign reading ‘Mr Gainsborough, Painter’. The artist’s showroom shared the ground floor of a handsome town house with his sister’s millinery shop, and the smell of the perfumes on sale mingled

As sharp as cut tin

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In fiction, as in other branches of the creative arts, reputation is all, or nearly all. One of my most cherished bookworld fantasies involves a bored literary agent plucking A. S. Byatt’s latest (not the internationally celebrated author, but an A. S. Byatt who has laboured on unregarded for 40 years) from the unsolicited manuscripts

A new lease of life

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The heroine of Margaret Drabble’s new novel is on first sight pretty depressing, and supposed to be so. The opening part of The Seven Sisters is in the form of Candida Wilton’s diary, written from the time she moves to a modest flat in London after the break-up of her marriage. Despite her incongruously glamorous

Unblinking, even for a second

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Some novels are something; others are about something. If fiction is an art, then the former class is more likely to qualify. When, for instance, Lolita is said to be ‘about’ paedophilia, or at least nymphetolepsy, it becomes aesthetically dubious. Hence admirers insist that Nabokov is using H. Humbert’s passion as a metaphor for the

When inner and outer reality collide

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Coleridge’s Notebooks have been a companion during most of my mature life and this is a marvellously judged and varied selection, 1794 to 1820, from his 22nd year to his 48th. By that time he had become the loquacious Sage of Highgate, ‘an archangel, a little damaged’. To the end he was a self-observer, still

The heart of the master

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THE HUMOUR AND THE PITY: ESSAYS ON V. S. NAIPAULedited by Amitava KumarBuffalo Books, in association with the British Council, New Delhi, Rs 175, pp. 174, ISBN 8187890029 In ‘London’, a short essay written for the Times Literary Supplement in 1958, the up-and-coming V. S. Naipaul accurately analysed why his fictions about the Caribbean would

Plucking at the sighing harp of time

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William Trevor is the voice of a civilised Anglo-Ireland capable of apologising for ancient privileges and extensive estates while discreetly lamenting their departure. Laying out and constantly refolding a finely observed landscape (County Cork) of water, rock and sand, of religious divide and class deference, Trevor conveys the baffled rage of Fenian fire-bombers and the

Grimly comic menace

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Porno is billed as ‘the sequel to Trainspotting’, which immediately is a worrying sign, like the blow-up doll that stares out from the front cover. Why is Irvine Welsh returning to the territory of his phenomenal debut after all these years? Does it mean he has run out of ideas? And does anyone really want

A phoenix rising from European ashes

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It is impossible in a short space to convey not merely how good, but how important Geoffrey Hill’s writing is. In his mystic journey to the Goldengrove of his Worcestershire childhood this latter-day Blakean reopens problems which philosophy had long ago abandoned as intractable and which politics in its corruption had discarded. If I had

Sniggling with a darning needle

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I have always counted myself a loyal, even an enthusiastic eel fan. I seek them out and buy them whenever I can find them live: they deteriorate quickly and should be killed just before cooking. The French like to buy them skinned. This is a culinary error and usually, though not necessarily, means they are

A second passage to India

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In September 1946 a 23-year-old Englishwoman sailed for India in one of the first passenger liners to be reconverted from a trooper. She spent the following Cold Weather as the dogsbody with a documentary unit making films about tea gardens in Assam. Fifty-four years on she would describe this excursion into Asia as ‘a huge

A set of linked doodles

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The niceties of Saul Steinberg’s cartoon drawings are doodle-related. Figures begin at the nose, become elaborately hatted and shod and strut like clockwork toys; words are transformed into free-standing objects; horizontal lines denote runways or table edges. Often, it seems, the draughtsman’s pen went on automatic, pen-pushing the same old absurdities, perplexities and double-takes on

This side of greatness

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If Kafka had never existed, critics might now be using the word Warneresque, instead of Kafkaesque, to describe the sort of fiction represented by the three remarkable early novels for which Rex Warner is now chiefly remembered. But then, if Kafka had never existed, perhaps The Wild Goose Chase, The Professor and The Aerodrome would

Swagger, colour and dash

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A. N. Wilson claims that he can imagine nothing more agreeable than the life of a country parson, ‘born in the 1830s with the genetic inheritance of strong teeth’. The Victorians are still vivid to him: from his 1950s childhood, he can recall the last vestiges of their way of life – gas-lit station waiting-rooms,

Toby Young

From Festival to Fringe

Features

The big play at Edinburgh this year – the one with Tim Robbins and Susan Sarandon in it – was The Guys, a heartfelt tribute to the ‘ordinary’ heroes of 11 September. Written by a journalist called Ann Nelson, it tells the story of her encounter with a New York fire captain who asked for

Obsessive, compulsive behaviour

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The young author of this survey of our childlike passion for grabbing a thing and shouting ‘it’s mine!’ is good company, generating in easy-going prose the scholarly tensions of an auction room. He calls collecting ‘Noah’s task’: things must not be allowed to perish. The inanimate and the humble are just as much in need

From agony to ecstasy

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This is a selection of the original letters written in the 1870s by the Victorian globe-trotter, Isabella Bird, to her younger sister, Henrietta on the Isle of Mull. They were posted from the USA, Australia, New Zealand, Hawaii, China and the Malay Peninsula. Henrietta edited them, it is thought heavily, and on her brief spells

Of rats and men

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This racy tale of plague in the modern era focuses on two outbreaks 100 years apart: Hong Kong 1894 and Surat 1994. Edward Marriott treats the earlier outbreak as an episode of medical detection, in which two competing scientists, a famous Japanese and a less well-known Frenchman, are bent on discovering the bacillus that causes

Fiddler on the run

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This is the story of a strange and intense friendship between two orthodox Jews, one a violinist seen as the next Kreisler, the other a clever plodder who falls under his spell, almost wrecking his own life in the process. The two meet as boys just before the war. Dovdl Rapoport, called David, a refugee