Culture

Alan Hollinghurst’s The Line of Beauty has been turned into a stage show directed by Michael Grandage. We’re in the early 1980s and Nick has just left Oxford with a literature degree. He lodges with his wealthy friend, Toby Fedden, in their family home and he offers to keep an eye on Toby’s troubled sister,

The Assembled Parties, by Richard Greenberg, is a rich, warm family comedy that received three Tony nominations in 2013 following its New York première. Hampstead has taken a slight risk with this revival. The cryptic title doesn’t suggest an easygoing drama full of excellent jokes. The Yiddish slang may be unfamiliar to English ears, and

Da Vinci’s Laundry is based on an art world rumour. In 2017, Leonardo’s ‘Salvator Mundi’ sold at Christie’s for $450 million but some experts claimed that the attribution was inaccurate. Could the world’s costliest artwork be a fake? Writer, Keelan Kember, considers the provenance of a fictional Leonardo owned by a thuggish oligarch, Boris, who

Tracy Letts’s Mary Page Marlowe is a biographical portrait of an emotionally damaged mother struggling with romantic and family problems. Susan Sarandon shares the lead with four other actresses which makes the show a little hard to follow. And the timeline is jumbled up so that the audience has to find its bearings at the

I have my routine down to a science. At 6.59, I’m sitting in the stairwell, typing on my laptop or scribbling in a book. At 7.01, I’m speeding down the hall to Dressing Room 18, where the rest of the girls are semi-apparelled, laughing, blasting out Tyla; or some days, silent, headphones in, munching pre-show

Clarkston is an American-backed production featuring a Netflix star, Joe Locke. He plays a young graduate with a terminal illness, Jake, who works at a Costco warehouse in a failing midwest town. Jake is a brainbox with an IQ of 140 who takes a scholarly interest in early American history. On his first day at

What a coincidence. Two plays running in London have the same storyline: an obsessed lover bursts into a family gathering to reclaim the woman who spurned him.The Lady from the Sea, written and directed by Simon Stone, is based on a late drama by Ibsen. Alicia Vikander stars as the neurotic Ellida, who feels repelled

A new play by Lawrence Marks and Maurice Gran, the writers of Birds of a Feather, feels like a major event. This is a period drama that examines an imaginary association between Hitler and Freud and develops into an enquiry about the nature of evil. As Hitler grows into adulthood he gravitates towards the Freud

Born With Teeth is a camp two-hander starring a pair of TV luminaries, Ncuti Gatwa and Edward Bluemel, as Marlowe and Shakespeare. The year is 1591 and the great dramatists are holed up in a tavern working on an early draft of Henry VI (Part 3). Not much writing gets done. It’s all rhetoric and

Interview is a blind-date play. Only it’s not a blind date but a showbiz interview for a journal called the New York Chronicle. The characters (played by Robert Sean Leonard and Paten Hughes) bicker, flirt and get emotionally involved during a 90-minute conversation. Naturally it all starts badly. The interviewer, Pierre, arrives at Katya’s Brooklyn

The theatre impresario Michael White rang me one day in 1964, and said he was presenting a play at the Lyric Hammersmith, where there was a small role he thought might suit me. The play was an adaptation of the novel Oblomov by Ivan Goncharov, where the eponymous hero spends most of his life in

Good Night, Oscar is a biographical play about Oscar Levant, a famous pianist who was also a noted wit and raconteur. The script starts as a dead-safe comedy and it develops into a gripping battle between the forces of anarchy, represented by Oscar, and the controllers of NBC who want to censor his crazy humour.

Edinburgh seems underpopulated this year. The whisky bars are half full and the throngs of tourists who usually crowd the roadways haven’t materialised. There’s a sharp chill in the air too. Anoraks and hats are worn all day, and anyone eating outdoors in the evening is dressed for base camp. Perhaps tourists don’t want to

Make It Happen is a portrait of a bullying control freak, Fred Goodwin, who turned RBS into the largest bank in the world until it came crashing down in 2008. Fred the Shred’s character makes him a tough subject for a drama. His morning meetings were called ‘morning beatings’ by terrified staff. He ordered executives

Inter Alia, a new play from the creators of Prima Facie, follows the hectic double life of Jess, a crown court judge, played by Rosamund Pike. As a high-flying lawyer with a family to care for, she knows that ‘having it all’ means ‘doing it all’. When not in court, she skivvies non-stop for her

The Estate begins with a typical NHS story. An elderly Sikh arrives in A&E after a six-hour wait for an ambulance and he’s asked to collect his own vomit in an NHS bucket. The doctors tell him he’s fine and sends him home where he promptly dies. His only son, Angad, inherits all his property,

The memory of Nye Bevan is being honoured at the National Theatre. Having made his name as a Marxist firebrand, Nye was quick to take advantage of the privileges enjoyed by the governing classes whom he affected to despise. He entered parliament in 1929 and began to hang around the Commons bar plying female MPs

Evita, directed by Jamie Lloyd, is a catwalk version of the Andrew Lloyd Webber musical. The actors perform on the steps of a football stadium where they race through an effortful series of dance routines accompanied by flashy lights and thumping tunes. It’s more a drama-school showcase than an epic human tragedy. There are no

A Moon for the Misbegotten is a dream-like tragedy by Eugene O’Neill set on a barren farm in Connecticut. Phil Hogan and his daughter Josie have worked the rocky soil for 20 years and they’ve come up with a joke. ‘If cows could eat stones this would be a grand dairy farm.’ Phil is a

The Ministry of Lesbian Affairs is a comedy that feels as sweet and comforting as a knickerbocker glory. The show is set in a leaky scout hut where a bunch of lesbians meet to perform choral music. The conductor, Connie, has the bluff, good-natured energy of an RAF squadron leader. ‘Snippety-snap,’ she calls as she

Stereophonic is a slow-burning drama set in an American recording studio in 1976. A collection of hugely successful musicians, loosely based on Fleetwood Mac, are working on a new album which they hope will match the success of their previous number one smash. This is an absolute treat for anyone who appreciates subtle, oblique and

Actors are easily bored on long runs. Phoebe Waller-Bridge once revealed that she staged distractions in the wings to amuse her colleagues. On the last night of Hay Fever, egged on by another actor, she bent over ‘and showed [her] arsehole’ to the on-stage actors. Nabokov’s plays are seldom performed. But he was alive to

George Bernard Shaw’s provocative play Mrs Warren’s Profession examines the moral hypocrisy of the moneyed classes. It opens with a brilliant young graduate, Vivie Warren, boasting about her dazzling achievements as a mathematician at Newnham College, Cambridge. She explains her future plans to a pair of mild-mannered chaps who clearly adore her. Like most of

Sanity returns to the Globe. Recent modern-dress productions have failed to make use of the theatre’s virtues as a historical backdrop. The Crucible by Arthur Miller is set in the 1690s (about a century after Shakespeare’s heyday) and the script works beautifully on this spare, wooden stage. To make the groundlings feel involved, the playing

Richard Bean appears to be Hampstead Theatre’s in-house dramatist, and his new effort, House of Games, is based on a 1987 movie directed by David Mamet. The script sets up a rather laborious collision between two vastly different cultures. A gang of small-time crooks in Chicago are visited by a beautiful, high-flying, Harvard-educated academic who

Two hours of yakking about Israel. That’s all you get from Giant at the Harold Pinter Theatre. Endless wittering laced with venomous bigotry. The year is 1983 and the celebrated kiddie author, Roald Dahl, has kicked up a massive stink by denouncing Israel for attacking Lebanon in late 1982. His latest scribble, The Witches, is