Andrew Lambirth

Richard Hamilton: Modern Moral Matters Serpentine Gallery, until 25 April This year is the 40th anniversary of the Serpentine Gallery, that most welcoming of exhibition venues — the gallery in the park — with its wide views and well-appointed rooms. Expectation rises as the visitor walks through gardens burgeoning with spring, even if it is

Andrew Lambirth on how a powerful Easter message can be found in images of the Crucifixion Easter is not just a time for bonnets and bunnies, but also for reexamining the fundamentals of life and faith. In the self-denial of Lent, whether we’ve given up chocolate or alcohol, or something even more difficult, we are

I admire J.G. Ballard, who died last year, but much of his writing leaves me cold — as if abandoned in one of the lunar jungles or deserts that Max Ernst’s paintings so often depict. I admire J.G. Ballard, who died last year, but much of his writing leaves me cold — as if abandoned

Painting History: Delaroche and Lady Jane Grey National Gallery, until 23 May Just up the road from where I write is the dramatic ruin of Framlingham Castle, the historical seat of the Howard family and the Dukes of Norfolk. The castle was granted to Princess Mary by her half-brother King Edward VI, and she took

Michelangelo’s Dream Courtauld, until 16 May This is one of the series of exhibitions built around a single masterpiece from the Courtauld’s collection — in this case Michelangelo’s remarkable presentation drawing ‘The Dream’ — placed in an informative context of closely related loans. The Courtauld does it superbly: quietly stated, rigorously researched, laid out with

Henry Moore Tate Britain, until 8 August Even some of the greatest artists go in and out of fashion, though market forces are grimly determined (in the short term) that this should not be so. Death often brings a lull in interest, or conversely a revival. An artist who has been overrated may be for

Paul Nash: The Elements Dulwich Picture Gallery, until 9 May Paul Nash (1889–1946) is one of those rare artists whose work manages to be British, Modernist and popular at the same time without imploding. It is thus curious that there are not more exhibitions of his beautiful and poignant work. The last general Nash survey

Last year, within the space of five weeks before Christmas, I lost two friends who had illumined the world for me and made it a more enlivening place. Both were artists, both were in their eighties and both were determined individualists who recognised each other’s work without being in any way close allies. John Craxton

Gillian Ayres at 80 Alan Cristea Gallery, 31 & 34 Cork Street, W1, until 13 March Claude Monet Helly Nahmad Gallery, 2 Cork Street, W1, until 26 February Birthday greetings are in order for Gillian Ayres, who has just celebrated her 80th with an exhibition of new work of undiminished vigour, inventiveness and sheer uplift.

Chris Ofili Tate Britain, until 16 May There’s always something temporary-looking about an installation of Chris Ofili’s early paintings. These works are not hanging on the wall, but lean against it, propped up on feet of elephant dung — the best-known ingredient of this Turner Prize-winning artist’s work. As a consequence, the exhibition looks as

The Real Van Gogh: The Artist and His Letters Royal Academy, until 18 April Sponsored by BNY Mellon From time to time we need to remind ourselves of the astonishing fact that Vincent van Gogh (1853–90) produced more than 800 paintings and 1,200 drawings in a mere ten-year career. He also wrote letters, of a

On the Move: Visualising Action Estorick Collection, 39a Canonbury Square, London N1, until 18 April The Estorick Collection, which specialises in modern Italian art, has mounted a series of rewarding exhibitions in recent years, all of which bear some essential relationship to its permanent holdings. Futurism remains the best known and most widely celebrated modern

The Conversation Piece The Queen’s Gallery, Buckingham Palace, until 14 February A visit to the Queen’s Gallery is always a civilised, enjoyable experience. Apart, that is, from the airport-style security to which the visitor is subjected — a saddening sign of the retrograde times we live in. The treasures of the Royal Collection are worth

Drawing Attention Dulwich Picture Gallery, until 17 January Last chance to see a really excellent selection of works on paper from the Art Gallery of Ontario in Canada. It’s a relatively new collection, begun in 1969, but despite that it includes many of the great names of Western art. From the Italian Renaissance to 18th-century