Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars (Hodder & Stoughton, £18.99) he returns with gusto to his dark side and explores the perils of getting what you ask for. Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars (Hodder
Christmas is coming, which generally leads to a surge in sales of crime fiction. Fortunately for readers, some delectable crime novels have appeared in the past few months. Among them is Val McDermid’s Trick of the Dark (Little, Brown, £18.99). This is not one of her series novels but a standalone thriller whose plot revolves
Here is the latest Book End column from this week’s issue of the Spectator: Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars he returns with gusto to his dark side and explores the perils of getting what you ask for. The first and longest of these four
When does a novel stop being a novel and become a crime story? It’s often assumed that there is an unbridgeable gap between them, but that’s not necessarily so. When does a novel stop being a novel and become a crime story? It’s often assumed that there is an unbridgeable gap between them, but that’s
In John le Carré’s fiction, personal morality collides messily with the grimly cynical expediencies of global politics. In John le Carré’s fiction, personal morality collides messily with the grimly cynical expediencies of global politics. Loyalty is never something to take for granted. That is the issue at the heart of his new novel, his 22nd,
The ghost story is a literary form that favours brevity. Its particular emotional effects — the delicious unease it creates, the shapeless menace and the unsettling uncertainty — work particularly well in concentration, as both Henry James and M. R. James knew so well. A ghost story does not need distractions. Susan Hill has already
Kate Atkinson’s latest novel is the fourth in her series about Jackson Brodie, the ex-soldier, ex-police officer and ex-husband who now works in a desultory way as a private investigator. Kate Atkinson’s latest novel is the fourth in her series about Jackson Brodie, the ex-soldier, ex-police officer and ex-husband who now works in a desultory
Michael Ridpath, best known for his excellent financial thrillers, explores new territory in Where the Shadows Lie, which combines elements of the American cop crime novel with J. R. R. Tolkein and post-credit-crunch Iceland. Magnus, a detective with the Boston Police Department, is a key prosecution witness in a case that may bring down a
Tudor thrillers are thick on the ground nowadays but this one is rather special. The Bones of Avalon (Corvus, £16.99) is something of a departure for Phil Rickman, best known for his excellent Merrily Watkins series about a diocesan exorcist in contemporary Herefordshire. Here he writes in the first person as Dr John Dee, the
The strange, unsettled decades between the wars form the backdrop of much of D. J. Taylor’s recent work, including his novel, Ask Alice, and his social history, Bright Young Things. At the Chime of a City Clock is set in 1931, with a financial crisis rumbling in the background. The strange, unsettled decades between the
In little more than a decade, the cosy world of Anglo-American crime fiction has been transformed by wave after wave of Scandinavian invaders. Some, like Steig Larsson, are suddenly parachuted into the bestseller lists almost before we have had time to become aware of their existence. Others, like Iceland’s Arnaldur Indridason and Norway’s Karin Fossum,
The Diary of Miss Idilia presents the reader with an unusual problem. The writing is entirely comprehensible, the tale it tells couldn’t be easier to follow. The tricky bit, though, comes with trying to work out what on earth the book is. In 1851, 17-year-old Idilia Dubb was on holiday in the Rhineland with her
Blue Lightning (Macmillan, £16.99) is the fourth novel in Ann Cleeves’ excellent Shetland quartet. Blue Lightning (Macmillan, £16.99) is the fourth novel in Ann Cleeves’ excellent Shetland quartet. It is just as good as its predecessors. Cleeves has found a way to serve up many of the pleasures of the traditional mystery in an unusual
Fever of the Bone (Little, Brown, £18.99) is the sixth novel in Val McDermid’s Jordan and Hill series. Fever of the Bone (Little, Brown, £18.99) is the sixth novel in Val McDermid’s Jordan and Hill series. Someone is using a networking website to lure young teenagers, both boys and girls, to their deaths. Meanwhile Detective
For a crime writer, success comes with its dark side. As Conan Doyle learned to his cost, your readers often become obsessively attached to your series hero, while you yourself find him or her increasingly tiresome — and limiting. Ian Rankin’s well-deserved success with the genre has largely derived from his Inspector Rebus novels set
An Empty Death (Orion, £18.99) is the second instalment of the series Laura Wilson began with her previous book, the award-winning Stratton’s War. An Empty Death (Orion, £18.99) is the second instalment of the series Laura Wilson began with her previous book, the award-winning Stratton’s War. Time’s moved on to 1944, and Hitler’s doodlebugs are
Dublin has a special relationship with fiction, which in recent years has inspired some excellent crime novels. Among them is Declan Hughes’s Ed Loy series, which gives a distinctively Irish twist to the flawed private investigator of American pulp fiction. Loy has many of the classic characteristics of the breed, including the tastes for hard
The Ignorance of Blood (Harper Collins, £17.99) is the fourth of Robert Wilson’s novels to feature Inspector Javier Falcon of Seville, and it completes a planned quartet examining some of the demons, old and new, plaguing modern Spain. The Ignorance of Blood (Harper Collins, £17.99) is the fourth of Robert Wilson’s novels to feature Inspector
Ruth Rendell’s Kingsmarkham series is set against the changing backdrop of a provincial town over more than 40 years. But her London-based books, though they lack recurring characters and locations, almost amount to a series in their own right. She has made the city her own, and writes with both knowledge and compassion about its
Alan Furst, The Spies of Warsaw George Pelecanos, The Turnaround Ian Rankin, Doors Open Alan Furst’s espionage novels have a melancholic tinge, depending, as they so often do, on the debacles of recent history and, on a personal level, on the mechanics of betrayal. His tenth, The Spies of Warsaw (Weidenfeld, £16.99), is set in