As a new series of Desert Island Discs gets underway, we investigate the least talked about but most fascinating aspect of the show: the castaway’s book choice… This March, in the most momentous archival unveiling since Glasnost, the entire back catalogue of the world’s longest-running factual radio programme, BBC Radio 4’s Desert Island Discs, went
A few weeks ago it looked like this column might have to be rechristened Feather Duster Jobs of the Month. The High Court judgment that The Telegraph pay £65,000 in damages over a “spiteful” book review would, we panicked, lead to a climate of fear on Grub Street, with literary editors terrified to publish anything
Which books are making the critics lose their cool? We’ve rounded up the best bad reviews: Mary Beard (Guardian) on Rome by Robert Hughes “The first half of the book, especially the three chapters dealing with the early history of Rome, from Romulus to the end of pagan antiquity, is little short of a disgrace
Book reviewers are, on the whole, a polite bunch, and rarely say what they really think. Instead they use a clever code, whereby “her most experimental novel yet” means “an utter mess”, “exhaustive and scholarly” = “I fell asleep”, “draws heavily on previous studies” = “the scoundrel has copied and pasted his entire book”, and
The only time in the last decade I’ve bought something other than wrapping paper from Waterstone’s was when last winter’s snow prevented my Amazon order showing up in time for Christmas. Two hardbacks cost me a whopping £22 more than I had paid online. Short of forking out £50,000 for a super-injunction I can’t imagine
If the Observer was hoping to reignite the debate on the future of cultural criticism they couldn’t have found a soggier squib than American academic Neal Gabler’s unenlightening essay. Professional criticism, thinks Gabler, is dead. According to him, reviewers, or “cultural commissars”, used to be able to control what we “ordinary folk” read, watched and