A few years back, Harper’s & Queen magazine asked me to write an article in a series entitled ‘Something I have never done before’. (No, it was not: Write a short book review.) The piece that appeared in the month before mine was Norman Lamont on falconry — a hard pterodact to follow. I decided
Most great artists begin as mimics. They do not, as Clara Schumann claimed Brahms did, come into the world ‘ready-made’. Manet prided himself on painting ‘straight from nature’, but he had spent many hours copying Old Masters in the Louvre, and his friend Degas thought they were guiding his brush as surely as they were
The word ‘camp’ is often used as shorthand for ‘homosexual’. Its wider cultural sense has been best defined by Susan Sontag: the sublime treated as ridiculous or the ridiculous treated as sublime. In Sontag’s first category might be Marcel Duchamp’s daubing a moustache on the Mona Lisa. And in the second? Well, suppose somebody wrote
If a car is travelling behind a tractor for five miles on a narrow road, and at last the tractor turns off down a side street, often you will see that car, from its driver’s pent-up frustration, suddenly shoot forward, trashing the speed limit. Something similar happened to writing about sex after the Lady Chatterley
Softback edition – £29.95 ISBN 1904537111 Self-portraiture is akin to what used to be called self-abuse: often done for want of anyone else at hand. Artists’ models cost money and, with the invention of colour photography, the demand for oil portraits declined. But, just as every autobiographer is the world authority on his or her
A gushy woman told Whistler that she thought he was the greatest artist since Velazquez. ‘Why drag in Velazquez?’ Whistler drawled. One of the bonuses of any book on absinthe is that it drags in — corrals — more or less all the great French artists and writers from the 1860s to the early 1900s,
In the ancien régime of John Murray (before the publishing firm was taken over by Hodder Headline) it used to be joked that their typical book title would be Sideways Through Abyssinia by Freya Stark. Rupert Hart-Davis suggested as a characteristic Faber title How to Grow Grass on an En Tout Cas Court. In the