Deborah Ross

Deborah Ross is the chief film critic of The Spectator

Super trouper

Mamma Mia PG, Nationwide Mamma Mia has to be the most fun you can have with your clothes on. Or is it off? When you get to my age, it’s such a struggle to remember. Either way, though, if you are now expecting this review to be subtly and cleverly interweaved with punning ABBA song

Four play | 18 June 2008

The Edge of Love 15, Nationwide The Edge of Love, which is based loosely on real events, explores the ménage à quatre that existed for a few years between the Welsh poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his childhood friend Vera Phillips (Keira Knightley) and her eventual husband, William Killick (Cillian

Drawing a blank | 11 June 2008

Irina Palm 15, Barbican and key cities The big film this week is, I suppose, The Incredible Hulk but I chose not to see it because, aside from anything else, isn’t this the second Hulk film in about ten minutes? When was the Ang Lee one? I have no idea why it’s come round again

Saved by the horses

Mongol 15, Nationwide Mongol traces the early years of the legendary warrior Genghis Khan and does not feature, at any point, the world’s greatest adventurer/archaeologist or four fortysomething women living and loving in New York. Yes, it is probably safe to come out now. They’re all gone! However, having said that, the other morning when

Perfect package

Sex and the City 15, Nationwide  I do know that not everyone gets Sex and the City. Bubbles, for example, does not get Sex and the City. ‘I don’t know what you see in this crap,’ he would say, whenever I watched it on television, and before going off to do something pointedly manly in

Fast and furious

Indiana Jones and the Kingdom of the Crystal Skull 12A, Nationwide After a 19-year break, Indiana Jones, the world’s greatest adventurer and probably the world’s worst ever archaeologist — listen, even I know you can’t go around ripping open ancient mummies whenever you so fancy — is back. He is back because he has to

Sister act

Caramel PG, Key cities Caramel is a lovely and engaging film and just what we all need right now. You may well ask: how do I know what you need? Have I canvassed your friends? Your family? Of course. And what they all say is: yes, this is just the sort of film you need

Spot the point

Where in the World is Osama Bin Laden? 12A, Nationwide OK, we’re busy people, so straight to the point on this one, and yet I’m already struggling, because there isn’t any point to get straight to. This is a pointless film. It is sans point, has zilch point, scores nul points in the point department.

Tired old friend

Iron Man 12A, Nationwide Iron Man is a Hollywood superhero blockbuster and probably the first of a franchise, even though it already feels like the 64th. These movies are always, in their way, whopping piles of junk, but they can be hugely enjoyable whopping piles of junk. The first Superman with Christopher Reeve, Tim Burton’s

Too black and white

Persepolis 12A, London and key cities Persepolis, an animated feature about coming of age in Iran, is kind of interesting and is kind of original but its telling moments are told so often it’s like going out to dinner and being served the same course over and over. You’ll look at it coming and think,

Blame Quentin

In Bruges 18, Nationwide This film is about two Irish hitmen, Ken and Ray, who are forced to take a sort of minibreak in Bruges (hence the title; hence why this film isn’t, say, In Milton Keynes) on the instruction of their boss, Harry, who wants them to lie low for a while. The film

Oh, George, how could you?

Leatherheads PG, Nationwide Leatherheads is George Clooney’s third outing as a director and the first in which he plays a starring role, and it must have looked good on paper, just as anything with George Clooney’s name attached to it probably looks good on paper. A musical based on the plumbing-supplies aisle in B&Q would

Two little boys

Son of Rambow 12A, nationwide Son of Rambow is the tale of two young boys — one from a strict religious background; the other a troubled troublemaker — who come together to shoot a backyard version of Rambo: First Blood to enter it into the BBC’s Screen Test competition. It is a British film, set

Waste of life

Beaufort 15, Key Cities Beaufort is the Israeli war film that won the Silver Bear at Berlin and was nominated for an Oscar for best foreign language film and it is very, very dull. After I had seen it I sent a friend to see it who is much more war-literate than I am and

Living doll

Lars and the Real Girl 12A, Nationwide Lars and the Real Girl is a comedy which tells the story of an introverted, emotionally backward loner (Ryan Gosling, in bad knitwear and anorak) who believes a sex doll is real and introduces her to the local community as his girlfriend. It all sounds gorgeous, as if

Teenage pain

Water Lilies 15, Curzon Soho and key cities I did consider seeing this week’s big high-concept film, Disney’s Hannah Montana & Miley Cyrus: Best of Both Worlds Concert in 3D — but just couldn’t face it. Based on a popular American pre-teen TV series, I felt I couldn’t be certain I’d like Hannah in any

To catch a king

The Other Boleyn Girl 12A, Nationwide The Other Boleyn Girl, based on the bestselling historical romance by Philippa Gregory, stars Natalie Portman as Anne Boleyn and Scarlett Johansson as the other girl, her ‘plainer’ sister Mary, which, considering Scarlett Johansson has just been voted the most beautiful woman in the world, must be a lesson

Family at war | 27 February 2008

Margot at the Wedding Nationwide, 15 Margot at the Wedding is one of those unsettling and bothersome films which will bother and unsettle you during, afterwards and possibly for much of the next day, like a flea in the ear. If this is your sort of film, then you will like it and if you

Count me out

The Bucket List 12A, Nationwide As Rob Reiner should know better and Jack Nicholson should know better and Morgan Freeman should know better, what you have here is a film which has to make you ask: how come they didn’t? You’d think one, at least, would say somewhere along the line: ‘Thanks, but if it’s

Pure genius

There Will Be Blood 15, nationwide Juno 12A, nationwide There Will Be Blood (oh, yes) stars Daniel Day-Lewis as Daniel Plainview, a late-19th-century American oilman whose own view could not be plainer: find oil, beat off the competition, buy the land, drill it, get rich. And that’s about it, not that it matters. It’s the