Deborah Ross

Plan 75 is a dystopian Japanese drama about a government-sponsored euthanasia programme introduced to address Japan’s ageing society. Aged 75 or over? Agree to die and we’ll give you $1,000 to spend as you like in your last days! With a collective funeral thrown in for free! Actually, it’s not sold aggressively like that, as

Peter Pan & Wendy is Disney’s latest live-action remake (the animated version was in 1953) and it’s quite the sombre affair. It takes itself and its story so seriously that I kept waiting for it to be fun and it never was. There is an underlying sadness to J.M. Barrie’s original story, but it is

The Unlikely Pilgrimage of Harold Fry is an excellent adaptation of Rachel Joyce’s bestselling novel (2012) about a retired old fella who traverses England on foot in the belief he can save a friend dying of cancer. It could have been twee or sentimental (that was the fear) but instead it is spare and restrained

Sick of Myself is a satire from Norway that skewers the ‘look at me, look at me’ generation addicted to social media and asks: how far will someone go? Too far, is the short answer. Much, much, much too far, is the longer one. Indeed, although this starts out as a dark comedy, it does

I first discovered writer Patricia Highsmith (Strangers on a Train, Carol, the five Ripley novels) as a young teenager working my way through Golders Green Library. I guess she came shortly after Georgette Heyer, and I was hooked. I only later became aware of her virulent anti-Semitism, and on this count she was not half-hearted

There are some films that you know will be quality simply by the actors who have agreed to be in them. They’re like a kitemark. Emily Watson is such an actor, as is Paul Mescal, who hasn’t put a foot wrong since Normal People and must have an excellent agent or just a feel for

The Beasts is a rural psychological thriller from Spain that has won many awards across Europe and even though we don’t set any store by awards – the multi-Oscar winning Everything Everywhere All At Once is known as Extremely Baffling As Well As Dull in this house – it is a riveting, merciless study of

Allelujah, based on the stage play by Alan Bennett, is set in a geriatric ward in a Yorkshire hospital and has a stellar cast: Jennifer Saunders, Derek Jacobi, David Bradley, Julia McKenzie, Lorraine Ashbourne, Dame Judi Dench – but not Dame Maggie Smith, inexplicably. Maybe she missed the call. It’s directed by Richard Eyre and

Champions is an underdog sports movie starring Woody Harrelson as a baseball coach forced to take on a team with intellectual disabilities. But the main thing you need to know is it is so formulaic I could have written it, you could have written it, it could have written itself. Heck, it’s so predictable it

The Belgian film Close, written and directed by Lukas Dhont, which won the Grand Prix at Cannes and is up for an Oscar, is a coming-of-age-story that’s exquisite and heart-breaking. Take tissues, and probably not just the one box. I was deeply touched by their little white vests, purchased no doubt from the Belgian equivalent

With a title like Cocaine Bear you’ll probably be happily anticipating one of those B-movie cultural moments. It’s a bear! On cocaine! Sign me up! You go to a film like this in the spirit of trash-loving glee. It’ll be fun. It’ll be 90 minutes of low camp entertainment rather than a four-hour Oscar-contending head-scratcher

Women Talking, which has received Oscar nominations for best picture and adapted screenplay, is one of those films that, on paper, is a hard sell. It is women talking, and talking and talking, after enduring the most horrifying experience at the hands of men. All of which sounds barely cinematic and even less entertaining. But

I can’t work out if Darren Aronofsky’s The Whale, which stars Brendan Fraser as a man weighing 600lb – that’s 42 stone in real money – is ‘abhorrently cruel’, as some have said, or a film of ‘rare compassion’, as others have said. Either way, it is compelling, although whether that’s for the right reasons

There can’t be anyone anywhere who hasn’t somehow been touched by a Steven Spielberg film. Some of us, for example, haven’t  dipped their toe into the sea for going on 40 years now. (Thanks for that, Jaws.) He has thus surely earned the right to finally turn the camera on himself, as he does with

Bank of Dave is the ‘true(ish)’ story, as this puts it, of Dave Fishwick, the Burnley businessman who wanted to set up a high street bank to help the local community. He was, Fishwick said in a recent interview, at home when the call came from Piers Ashworth in LA. ‘He’s the writer of Mission

Todd Field’s Tár stars an insanely glorious Cate Blanchett – if she doesn’t win an Oscar I’ll eat my hat – as a world-famous orchestral conductor about to record Mahler’s Fifth Symphony. There is also Elgar’s Cello Concerto in this film, and a bit of Bach, but it’s not about music. To say it’s about

Sam Mendes’s Empire of Light, which he wrote as well as directed, is billed as a ‘love letter to cinema’ although, alas, in this instance cinema does not appear to love him back. The magic of film-going is the theme but there is almost no film-going in it and what there is isn’t magic. Peculiarly

Corsage is a biopic of Empress Elisabeth of Austria who was prized for her beauty and fashion sense and may have been, I don’t think it’s too much of a stretch to say, the Princess Diana of her day. But then disaster strikes: she turns 40. I know, but in 1877 that is old. That