Lloyd Evans is The Spectator's sketch-writer and theatre critic
Covid changes its identity more often than Grant Shapps. The latest strain emerged with the appealingly exotic name ‘Indian’. Now it’s been given a more military-sounding tag, ‘the Delta variant.’ Today’s PMQs featured a tussle over the date on which this dangerous mutant sneaked through the UK’s borders. Sir Keir Starmer waved a file of
The latest movie to turn into a musical is Amélie, from 2001, about a Parisian do-gooder or ‘godmother of the unloved’. Some rate Amélie as the worst film ever made in France. Some consider it the worst film ever made. Our heroine is a 20-year-old waitress, a sort of proto-Greta, who plays truant from her
What is Prime Ministers’ Questions? Is it a simple contest of ideas? Or is it a judicial roasting in which a lone defendant, governed by strict rules, must face an army of malign inquisitors? Boris thinks it’s an open debate about policy. Speaker Hoyle sees it as a court-hearing over which he presides as judge
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press night, there were eight sentries patrolling the forecourt where just 42 masked spectators watched a revival of Sean Holmes’s A Midsummer Night’s Dream. The Globe describes his show as ‘raucous’. The action is set in
This was perhaps the most heavily-trailed Kleenex moment in recent TV history. The advance clips of Sir Keir Starmer’s interview with Piers Morgan suggested that the Labour leader would well up on-screen as he recalled his parents’ deaths and the fate of a family pet that was killed in a shed fire. We’re accustomed to
A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel Redford whose Borat accent becomes grating after a little. She plays Masha, a computer wizard and language expert, who works for a firm of hackers appointed to spread fake news ahead of the referendum. Masha
Here it was. At long last. Dominic Cummings in the flesh at the parliamentary select committee. He was dressed in the same immaculate white cotton shirt that he sported for his ‘agony in the garden’ appearance in Downing Street a year ago. But this time he wasn’t in the dock. He was like a school
Lockdown is about to end but some theatres are gripped by cabin fever and want to explore the two new formats created by the pandemic. One is the Zoom play with multiple actors, the other is the sequence of filmed soliloquys linked by a theme or storyline. Tim Crouch has directed a Zoom version of
The great thing about being trashed in the polls is that the tiniest improvement looks like a triumphant comeback. At PMQs the Labour leader, Sir Keir Starmer, needed to do some minor damage to Boris’s armour. The teeniest dent could be spun as a glorious revival. But Sir Keir was defeated by his own strategy.
A new work by Alan Bennett features in Still Life, a medley of five ‘untold stories’ from Nottingham Playhouse. The dramas were filmed during lockdown. Before the Bennett première, there’s a monologue by a wittering granny complaining about the price of cereal in a deserted food bank. Then, a banality-crammed slice of jabber between two
Money is a new internet play about financial corruption starring Mel Giedroyc. She appears on-screen for less time than it takes to eat a Malteser. Giedroyc plays the boss of a palm-oil firm that wipes out orangutan habitats in Asia and wants to launder its reputation by donating cash to a London charity. A million
The Bush Theatre’s new strand, 2036, opens with a monologue, Pawn, which takes its name from the most downtrodden piece on the chessboard. The speaker, Jordan, is an amiable dimwit of mixed Trinidadian and South African heritage whose mother explains his background to him like a condescending anthropologist: ‘Trinidad and South Africa are countries with
He blew his stack. His mop almost came loose from his scalp. He wasn’t just jabbing his forefinger and tossing his arms around, he was throwing combinations and swinging at punch-bags. He almost did the Ali shuffle. At PMQs Boris delivered an amazingly combative performance. Last week he smouldered like Etna. This week the summit
Hats off to the Orange Tree Theatre in Richmond. They’ve discovered a new form of racism. Some people say we have enough ethnic division already but in south-west London they’re gagging for more apparently. A new play, Prodigal, examines the prejudice endured by a Ugandan chap whose mother moved to London when he was a
Oh dear. Those texts. A bit awkward isn’t it? At PMQs, Sir Keir quizzed Boris about the exchanges between James Dyson and the PM which have been leaked by a saboteur. Boris was rattled. The texts reveal a side of his nature that he wants kept secret. The smug and rather puerile grandee luxuriating in
How will the theatre look after lockdown? A clue emerges in a statement made by Guy Jones, the literary associate of the Orange Tree in Richmond. ‘The victims of this year are many. Homelessness is on the rise, loneliness is deadly, the monster of racism lurks in every-day interactions… and many of the inequalities we
General Secretary is a new drama with a dull title and an off-putting poster. A pair of angry women in sombre clothing glare into the middle distance. But the satirical premise is intriguing. What if two young females with no experience took over the world? Georgie and Cassie are working from home when they receive
‘Keir today, gone tomorrow.’ The whisper before Easter was that Labour’s troubled leader might not survive until the next election but the spectre of Tory sleaze – which felled John Major’s government – has come to the rescue. Sir Keir started PMQs by alluding to David Cameron’s freelance activities for Greensill Capital. ‘Are the current
Everyone knows Helen of Troy. The feckless sex popsicle betrayed her husband, Menelaus, and ran off with the dashing Paris, which triggered the ten-year Trojan war. The Greeks were victorious but after sacking the city they went straight home again. So what was the point? Euripides’s play Helen takes a radically different approach in this
Jina and the STEM Sisters is a blatant act of propaganda. And its intentions are excellent. This is a musical puppet show that sets out to encourage girls of eight and older to take up careers in science where women remain under-represented. The heroine, Jina, is a schoolgirl who embarks on a hike through a
