Lloyd Evans is The Spectator's sketch-writer and theatre critic
Lloyd Evans mingles with sozzled Scots, benumbed punters and performers with nothing to lose at this year’s Fringe It’s for losers, Edinburgh. The world’s down-and-outs come here in droves every August. This year I was one of them. Having failed to secure my usual lodging, a spartan cell on the university campus, I had to
Hit and miss at Edinburgh. It always is. Random impulses drive you to select one show from the thousands on offer. Coffin Up (10 Dome) contained the hint of a macabre pun (‘coughing up’?), so along I went. It begins in a mortician’s office. There’s a coffin centre stage. The lid springs open and a
The Cambridge Footlights (King Dome) have a lot going for them. Poise, brains, clean-cut looks, nice accents and privileged status at the Edinburgh Fringe as keepers of a sacred flame. But in reality these advantages count against them. Audiences know that comedy comes from a paranormal neverland, from damaged grotesques, from halting, slobbering outsiders. Comedy
Weird experiments in stone and glass clutter the South Bank opposite the Tower of London. The near-spherical City Hall looks like a speeding squash ball photographed at the moment of impact with a racquet. Around it stretches an acre of sloping flagstones, ideal for freestyle biking and skateboarding. (Sure enough, both activities are vigorously suppressed
They’re back. In August the capital fills with bored, dim-witted, half-naked semi-vagrants who have nothing to do here but get in the way of Londoners who do have things to do here. Tourism is an invitation to robbery. If you aren’t going to a place to work, you’re going there to get worked over. The
Loyalty at Hampstead is two sensations in one. First, it’s a sensational drama written by the partner of a key Blair aide, Jonathan Powell, about the build-up to the invasion of Iraq in 2003. Second, it’s a sensational finale to Mr Powell’s career. The author, Sarah Helm, records events unfolding in London and Washington from
Kafka, I was informed at school, was a genius. Now that I’ve grown up a bit I can see that my teachers were being typically overgenerous in their estimate of moderate abilities. Kafka was a cartoonist. He’s the Magritte of literature. His outlandish surrealism is so potent that it has succeeded in occupying the imaginations
The Royal Court’s at it again. The Royal Court’s at it again. The boss, Dominic Cooke, likes to place his theatre at the disposal of Sloaney young princesses with an itch to write. It’s a great policy — mad, innovative, unpredictable and at times revelatory. Some of these women are seriously talented. Trouble is, Mr
Was there ever a PMQs like this? The mood was like a revolutionary court. On the central issue – the judge-led inquiry into the hacking affair – there was general agreement. But the doors of justice have been flung open at last and hosts of other crimes are rushing in to receive an airing. Ed
Was it curvature of the spine? Was it a club foot? Was it just an epic dose of facial acne? We don’t know exactly where, how or in what degree Richard III’s deformities manifested themselves. Was it curvature of the spine? Was it a club foot? Was it just an epic dose of facial acne?
Wow. That was a hell of a session. It shouldn’t have been but it was. A few days ago Mr Miliband seemed to be in the dog-house again. Fresh from his Ed Nauseam interview to a TV reporter – when he repeated the same soundbite on public sector strikes about 36 times in a row
Secularism is a greater threat to Christianity than Islam Royal Geographic Society June 29th 2011 Chair Rod Liddle Proposing Fr Timothy Radcliffe OP Damian Thompson Prof Tariq Ramadan Opposing The Very Rev’d Patrick Sookhdeo Nick Cohen Douglas Murray Fr Timothy Radcliffe, a Dominican friar based in Blackfriars Oxford, proposed the motion arguing
Sir Tom and Sir Trevor — Stoppard and Nunn — have teamed up to realise Sir Trevor’s ‘40-year dream’ of bringing Sir Tom’s breakthrough play to the West End. Sir Tom and Sir Trevor — Stoppard and Nunn — have teamed up to realise Sir Trevor’s ‘40-year dream’ of bringing Sir Tom’s breakthrough play to
Superwonk Ed was back today. For the third week running he tried to nobble Cameron at PMQs by taxing him on some miniscule detail of policy. ‘Of the 163 statutory organisations in the health service’, asked Miliband, ‘how many will be left after the government’s top-down reforms?’ Cameron hadn’t a clue. And even at this
The title Her Deepness is partly satirical, partly reverential. The woman herself, Sylvia Earle, is an American oceanographer and a global campaigner for maritime preservation. She dropped into London last week to collect a medal from the Royal Geographical Society and her visit coincided with a month-long promotion at Selfridges in Oxford Street. The shop
I bumped into a restoration expert last week. ‘What’s new in heritage these days?’ I asked him. ‘Oh, same old, same old,’ he told me. I bumped into a restoration expert last week. ‘What’s new in heritage these days?’ I asked him. ‘Oh, same old, same old,’ he told me. In similar vein, London has
The Prime Minister declared war at PMQs today. Not once but twice in the same sentence. ‘We’re at war in Libya and in Afghanistan,’ he said, in a throwaway footnote to some ritual noises about his ‘huge respect for our armed forces.’ Until this historic moment Britain had been engaged in peace-keeping and nation-building in
Here’s the thing. This box-set business. Do you get it? I tried. I failed. But everyone else goes stark raving mad about these fictional treasures. Once you’ve sampled a box set (or boxed-set?), you’re hooked. Here’s the thing. This box-set business. Do you get it? I tried. I failed. But everyone else goes stark raving
Crafty old Ed. After a week on death row, he was expected to arrive at PMQs and do the decent thing. Drink down a foaming cup of hemlock and depart the political stage for good. But Ed is made of sterner stuff than many of us realised. He was cunning, passionate and articulate today and
Rupert Everett doesn’t care for critics. Rupert Everett doesn’t care for critics. ‘You see them coming into the theatre,’ he says, ‘like the homeless who’ve lost their soup-kitchen, shuffling in with their plastic bags, deranged and vacant.’ After watching him play Henry Higgins in Pygmalion the reviewers have dumped poor Rupe in the poop. ‘Sad
