Lloyd Evans is The Spectator's sketch-writer and theatre critic
Fascinating details dominated PMQs today. Instead of the usual custard pie-fight this was a game of chess. Things began with talk of downpours and sandbags. Both leaders were concerned that the sodden folk of Cumbria are receiving enough hot soup and blankets. The PM reminded us that he’d recently popped up there to squelch around
The Habit of Art Lyttelton Cock Royal Court Upstairs Here’s my theory. Alan Bennett alighted on Auden and Britten as a promising theme. Two interesting old poofs collaborating on an opera shortly before their deaths. The first draft turned out to be static, chat-heavy and lacking in dramatic movement. Start again. Write a play about
Even before the Queen had trundled back to Buckingham Palace, Mandy had let the cat out of the bag. Speaking on BBC News he said of the Gracious Speech, ‘All these laws are relevant … and achievable. It will be for the public to decide whether they want them or not.’ There you have it.
Mixed Up North Wilton’s Music Hall Letting in Air Old Red Lion Do you love theatre and hate musicals? Let me recommend the work of Robin Soans. In the past five years Soans has established himself as the most successful practitioner of verbatim theatre, plays drawn from the testimony of eyewitnesses. Where musicals aim for
Armistice Day suits Brown down to the ground. When everyone is obliged wear funeral-director garb, his grey hair and sombre jowls fit the mood perfectly while Dave’s polished and youthful glow looks a trifle out of place. Gordon performed confidently at PMQs today. So did Dave, as it happens, but the skirmish came to nothing
Origin of Species Arcola Seize the Day Tricycle Oh, not again. Yup, I’m afraid so. I had no wish to return to the vexed topic of Darwinism but a much-praised show in east London tempted me out on a frosty night to the Arcola theatre. Bryony Lavery’s new play has a storyline that’s as nutty
Very funny guy, John O’Farrell. Very funny guy, John O’Farrell. His columns are a hoot and his excellent memoir, Things Can Only Get Better, turned me temporarily into an insomniac. His latest book, a facetious history of the last 60 years, lacks the cohesion of his memoir and the concentrated force of his columns. Because
Cameron had little choice today. At PMQs he played it sober and he played it statesmanlike. The Afghan issue, which is close to becoming a crisis, dominated the session. Both main party leaders were standing shoulder to shoulder, and Cameron used five of his six questions asking the same thing. ‘Are we both right in
What Fatima Did… Hampstead Mrs Klein Almeida What Fatima Did… is billed as a play. Really, it’s a fugue, a variation on a theme, a crude and boisterous tone poem. The plot is deliberately small-scale. A gang of fun-loving inner-city sixth-formers are shocked to learn that one of their pals, Fatima, has forsaken Western values
Does Cameron fluff PMQs on purpose? Some theorists say he lets Brown off the hook in order to keep the weakling in his job. I don’t buy that. A politician’s natural instinct makes him want to win every session, every question. But Brown sometimes sneaks through intact because Dave rarely varies his tactics. He doesn’t
The Rise and Fall of Little Voice Vaudeville Life is a Dream Donmar Midnight in a northern slum. The pubs have closed and a boozy, blousy, past-it single mum is trying to seduce a handsome young talent scout. He deters her advances until he hears her teenage daughter, alone in her bedroom, singing jazz classics.
Mobs of howling protestors outside the BBC. Police cordons being smashed by anti-fascists. News clips of upended students being dragged across the foyer of the TV Centre shouting, ‘Shame on you for defending fascism.’ It was chaotic, it was emotive, it was anarchic. But, ultimately, it was a marvellously British occasion. Thanks to the BNP,
A poor showing by Dave today. All he managed was a spot of outmoded Labour-bashing and a biscuit joke that didn’t exactly take the biscuit. He attacked the PM over the postal strike and quoted a minister of state admitting that union militants had been emboldened by the government’s indecision over part-privatisation. ‘This trade union,’
Comedians Lyric, Hammersmith Liberace, Live from Heaven Leicester Square Theatre They gushed, they cheered, they purred, they sighed. When a young Richard Eyre read Trevor Griffiths’s new play Comedians in 1975 he prounounced it ‘great’ on the spot. ‘Trev,’ said Rich, ‘you’re knocking on Chekhov’s door.’ Eyre’s production was picked up by an equally thrilled
The Power of Yes Lyttelton My Real War 1914–? Trafalgar Studios Here comes Hare. And he’s got the answer to the credit crunch. His energetic, well-researched and richly informative new work opens with an actor playing the writer himself (curious frown, Hush Puppies) as he sets out to discover why the markets jumped off a
Poppy day came early to Westminster today. Brown began proceedings by reciting the names of the 37 men killed in Afghanistan over the summer. This took two minutes. The house was silent, funereal, almost awe-struck with the solemnity of the occasion. Brown looked like a man deeply moved by personal grief as he worked his
Michael Palin is the meekest, mildest and nicest of the Pythons. The latest chunk of his diaries traces his attempt during the 1980s to break away from his wacky colleagues and forge a film-making career in his own right. The title, Halfway to Hollywood, reflects his modest, circumspect nature. We first meet the millionaire filmstar
Clever in its lack of cleverness. Cameron’s performance today was shrewd and unexciting, a speech of nursery-school simplicity. Large bland ideas, plain language. No detail. This was certainly no masterpiece. It didn’t have to be. Cameron’s in a holding pattern. Keep circling and he’ll land safely. Before he arrived, William Hague frustrated the eager delegates
Breakfast at Tiffany’s Theatre Royal Haymarket Inherit the Wind Old Vic ‘What do you want?’ a film producer asks Holly Golightly about half an hour into Breakfast at Tiffany’s. ‘I don’t know,’ she says, ‘but if I find out I’ll tell you first.’ At this point my hopes for the evening collapsed. Rule one of
Mother Courage and Her Children Olivier Speaking in Tongues Duke of York’s Mother Courage, Brecht’s saga of conflict and suffering, is set during the Thirty Years’ War. The title character is a maternal archetype who ekes out a perilous existence selling provisions to the warring factions and chasing off the recruiting sergeants who want to