Lois McLatchie Miller is the Senior Legal Communications Officer for ADF.
For years, the SNP has relied on a particular political alchemy. It takes on extremely liberal social positions to appeal to the left, while dangling independence as a carrot to those on the right. But with the publication of a recent abortion law review, it appears to have gone too far. In attempting to make
Taylor Swift’s new album, The Life of a Showgirl, has done more than dominate the charts. It’s reignited one of the oldest – and fiercest – battles in modern womanhood. Once again, the pop icon has found herself cast as both heroine and heretic in the (pop) culture war’s endless inquest into what women should want. In The Tortured Poets Department, the mask began to
Last week, a 75-year-old Christian grandmother was bundled into the back of a police van outside a Glasgow hospital. Her alleged crime? Conversation. Rose Docherty wasn’t spray-painting walls or blocking doorways. She wasn’t shouting or shoving leaflets into anyone’s hands. She simply held a sign offering a listening ear: ‘Coercion is a crime. Here to talk, only if you want.’ In the eyes
Taylor Swift is engaged – and women the world over are rejoicing. Not merely because they care about Kansas City Chiefs tight end Travis Kelce or the Ralph Lauren shorts he wore at the proposal, but because, in a profound way, her story has become theirs. Swift is not just the world’s biggest pop star;
As of today, in Britain, it will be illegal to ‘intentionally or recklessly influence any person’s decision to access… abortion services’ within approximately 500 feet of the building. If the national law mirrors local prototypes, it may even prohibit silent prayer, or offers of help. Politicians voted to implement these localised bans – known as
