For Competition 3397 you were invited to recast the ‘Hokey-Cokey’ in the style of a poet of your choice. An appreciative nod to Tracy Davidson’s William McGonagall: ‘And the whole body should feel the vibration/ As your waggling appendage commits oscillation.’ High fives also go to David Blakey, Max Gutmann, J.S. White, Peter Smalley, Tom
For Competition 3394 you were invited to submit a vernal triolet. In 1894, the poet Banjo Paterson wrote a heartfelt triolet in dispraise of the triolet and Brian Allgar did the same this week: I really hate the triolet, And, Spring or not, I find them hell. ‘Oh, tra-la-la, it’s cold and wet.’ I really
For Competition 3391 you were invited to submit one of Keats’s odes rewritten as a sonnet or a limerick. Four out of the five odes composed by Keats in the spring of 1819 feature in the winning line-up, as does ‘To Autumn’, written in September of that year. Once again there were many more winners
For Competition 3388 you were invited to submit a poem written from the point of view of a prepper. While the topic of this challenge was a bit of a downer, the standard of your poems – inventive, sad and funny – was cheering. I was sorry not to be able to fit in Chris
Competition 3346 invited you to write an ‘Epitaph on a Tyrant’. There were fewer Putins than expected but both T Rex and Caligula cropped up more than once. It was a strong field and hard to whittle down but £25 goes to each of the following. Beast, twelve feet tall and forty long,Fast, clever and
In Competition No. 3345, you were invited to submit a report on a popular sporting event as it might have been written by someone who is not first and foremost a sportswriter. In a high-class field, David Silverman, the Revd Dr Peter Mullen and Ben Hale were unlucky to lose out on the £25 which
In Competition No. 3344 you were invited to submit a poem expressing feelings – positive or negative – about a poetic form. The standard was impressively high, with near-misses for Max Ross, Sylvia Fairley and David Silverman, whose entry ended by rendering Paradise Lost in a single haiku (‘Angel turns nasty/ Temptation in the garden/
In Competition No. 3343 you were invited to submit a sermon on a subject of contemporary relevance in the style of a well-known writer. This challenge drew a medium-sized entry, mostly of great merit, pronouncing on subjects that ranged from the evils of mobile phones to deep fakes and potholes. Frank McDonald’s Alexander Pope –
In Competition No. 3342 you were invited to submit a proposal of marriage in the style of a famous writer. The overall standard was high, and entries that impressed and amused include Bob Trewin’s Hemingway, Dorothy Pope’s Larkin and Nicholas Lee’s Conan Doyle. Janine Beacham’s Masefield’s also shone: I must go down on one knee
In Competition No. 3341 you were invited to submit a poem about a great work of art – a challenge prompted by George Steiner’s observation that ‘the best readings of art are art’. The writer Geoff Dyer has cited W.H. Auden’s 1938 ‘Musée des Beaux Arts’ – about Pieter Bruegel the Elder’s ‘Landscape with the Fall
In Competition No. 3340 you were asked to submit a poem calling for a particular food to be banned. It was Julie Bindel’s impassioned anti-balsamic vinegar piece that prompted me to invite you to share your culinary bêtes-noires (three of mine – Battenberg, tripe and Liquorice Allsorts – cropped up in the entry). Adrian Fry
In Competition No. 3339 you were invited to submit a crime story in sonnet form. Poems that have the suggestion of a criminal act at their heart – Robert Browning’s ‘My Last Duchess’, for example – were at the back of my mind when I set this challenge, and it attracted a terrific crop of
In Competition No. 3338 you were invited to submit an essay on the topic of evolution in the style of the writer of your choice. In a top-notch entry, Basil Ransome-Davies’s twist on Larkin’s ‘Annus Mirabilis’, Janine Beacham’s Edgar Allan Poe and Russell Chamberlain’s imagining of Kipling’s final Just So story, How Every Creature Got
In Competition No. 3337 you were invited to submit a soliloquy composed by Giovanni Fontana’s marble statue of Shakespeare, which has graced Leicester Square since 1874. Bill Greenwell, Alan Millard, Sylvia Fairley and Paul A. Freeman were star performers, but a standing ovation and £20 go to the winners below. Here stand I, with Lord
In Competition No. 3336 you were invited to supply the story behind the composition of a famous poem. This challenge drew a smart and diverse entry that proved tricky to whittle down to a prizewinning half-dozen. But after lengthy consideration, D.A. Prince, Brian Murdoch and Paul Voogt are awarded commendations and those printed below earn
In Competition No. 3335 you were invited to submit an acrostic poem for Valentine’s Day whose acrostic contains an unValentine-ish sentiment. The prize winners, printed below, pocket £20 apiece. Venus, darling, gorgeous snuggly-wuggly, Apple of my ever-loving eye, Let me kiss you, squeeze you, honey-bunny, Ever-treasured sugar, sweetie-pie, Nuzzle me, my gorgeous, hot stud muffin,
In Competition No. 3334 you were invited to submit a poem about conspiracy theories. Trawling the net for examples, I found, alongside the more familiar ones – a reptilian elite, JFK’s assassination, commie fluoridation – whispers of chemicals in the water to turn the frogs gay and that Finland is a myth. In a hotly
In Competition No. 3333 you were invited to submit a short story that features Donald Trump or another politician of your choice in a well-known fictional landscape. Joan Didion once observed that Ronald Reagan was the American politician to most fully embrace his own fictionality, making up stories in which he played the starring role. Didion
In Competition No. 3332 you were invited to supply, in verse form, a retraction of beliefs previously believed in passionately. You weren’t obliged to step into the shoes of a real poet but many chose to and some smart, entertaining about-turns included Robert Schechter’s ‘Palinode on a Grecian Urn’: ‘Truth is beauty,’I said smugly,but lived
In Competition No. 3331 you were invited to write a resentful note of departure on behalf of a well-known figure from the field of fact or fiction. This challenge, set some time ago owing to seasonal production deadlines, was prompted by Suella Braverman’s splenetic broadside, but I decided to widen the brief beyond the political
