This fiendishly difficult challenge, to submit a sonnet with the name of a Shakespearean character hidden in each line, pulled in a gratifyingly bumper haul of entries – from old hands and newcomers alike. The odd one or two described it as ‘fun’, but many were considerably less keen – C. Paul Evans, for example:
In Competition No. 3077 you were invited to submit a sonnet with the name of a Shakespearean character hidden in each line This one pulled in a bumper haul of entries, from old hands and newcomers alike. While some competitors described the challenge as ‘fun’, others greeted it with a squeal of horror. C. Paul
You seemed to embrace the latest challenge – to supply seriously misguided love poems – especially wholeheartedly, and I admired your powers of invention in finding so many ways of making my toes curl. Even Brexit got a look-in: ‘Let me be your Brexit backstop/ I will never set you free…’ (Ian Barker). Dishonourable mentions
In Competition No. 3076 you were invited to submit seriously misguided love poems. You seemed to embrace this task especially wholeheartedly, and I admired your powers of invention in finding so many ways of making my toes curl. Even Brexit got a look-in: ‘Let me be your Brexit backstop/ I will never set you free…’ (Ian
For this week’s challenge you were invited to submit poems by Donald Trump. The Beautiful Poetry of Donald Trump, which is the brainchild of Rob Sears, represents the fruits of Mr Sears’s efforts to find evidence of the president’s sensitive, poetic side in his tweets and transcripts. The verses in the book are stitched together
In Competition No. 3075 you were invited to submit poems by Donald Trump. The Beautiful Poetry of Donald Trump, which is the brainchild of Rob Sears, represents the fruits of Mr Sears’s efforts to find evidence of the President’s sensitive, poetic side in his tweets and transcripts. The verses in the book are stitched
The latest challenge was to submit a scam letter ghostwritten by a well-known author, living or dead. Falling for a scam is costly and tedious (and more easily done than you might think), but the comedian James Veitch found a silver lining when he decided to en-gage with his persecutors: the ensuing correspondence — lengthy,
In Competition No. 3074 you were invited to submit a scam letter ghostwritten by a well-known author, living or dead. Falling for a scam is costly and tedious (and more easily done than you might think), but the comedian James Veitch found a silver lining when he decided to engage with his persecutors: the
The spark for the latest challenge — to write a short story in the Gothic style with a topical twist — came from the recent reopening of Strawberry Hill House and Garden, the neo-Gothic creation of Horace Walpole, whose 1764 chiller The Castle of Otranto is regarded as the first Gothic novel. Russell Clifton deployed
In Competition No. 3073 you were invited to submit a short story in the Gothic style with a topical twist. The seed of this challenge was the recent reopening of Strawberry Hill House and Garden, the neo-Gothic creation of Horace Walpole, whose 1764 chiller The Castle of Otranto is regarded as the first Gothic
The latest challenge, to supply a short verse biography of a well-known figure from history, produced a commendable entry in which notables long gone — Diotisalvi, Vercingetorix the Gaul, Dr Dee — rubbed shoulders with those still very much with us — Anthony Weiner, Donald Trump, Boris Johnson. There were borrowings from Edward Lear and
In Competition No. 3072 you were invited to supply a short verse biography of a well-known figure from history. In a commendable entry, notables long gone — Diotisalvi, Vercingetorix the Gaul, Dr Dee — rubbed shoulders with those still very much with us — Anthony Weiner, Donald Trump, Boris Johnson. There were borrowings from
For the latest competition you were invited to supply a demotivational poem. This was your opportunity to come up with a bracing antidote to the worldview peddled by an eye-wateringly lucrative self-help industry that feeds on a mix of insecurity and the aspirational narcissism du jour. You came at the challenge from various angles, but
In Competition No. 3071 you were invited to supply a demotivational poem. This was your opportunity to come up with a bracing antidote to the world-view peddled by an eye-wateringly lucrative self-help industry that feeds on a mix of insecurity and the aspirational narcissism du jour. You came at the challenge from various
The performance poet Megan Beech was so incensed by the abuse heaped by Twitter trolls on her idol Mary Beard that she wrote a poem called ‘When I Grow Up I Want to Be Mary Beard’ (‘an academic and a classy lady to boot’). With this in mind, I invited you to provide a poem
In Competition No. 3070 you were invited to provide a poem with the title ‘When I Grow Up I Want to Be [insert name here]’. Performance poet Megan Beech was so incensed by the abuse heaped by Twitter trolls on her idol Mary Beard that she wrote a poem called ‘When I Grow Up
The idea for the latest challenge, to provide a spoof version of the song ‘My Favourite Things’ for the constituency/demographic of your choice, was prompted by my discovery of a reimagining of the Rodgers and Hammerstein classic recast as it might have been sung by an elderly Julie Andrews (‘Maalox and nose drops and needles
In Competition No. 3069 you were invited to provide a spoof version of the song ‘My Favourite Things’ for the constituency/demographic of your choice. I decided to set this comp after stumbling across the Rodgers and Hammerstein classic recast as it might have been sung by an elderly Julie Andrews (‘Maalox and nose drops and
The latest competition asked for a sonnet in reverse, modelled on Rupert Brooke’s ‘Sonnet Reversed’, which turns upside-down both the form — it begins on the rhyming couplet — and the Petrarchan concept of idealised love, starting on a romantic high but ending in prosaic banality. This challenge produced a delightfully varied and engaging entry.
In Competition No. 3068 you were invited to provide a sonnet in reverse, using as your model Rupert Brooke’s ‘Sonnet Reversed’, which turns upside-down both the form — it begins on the rhyming couplet — and the Petrarchan concept of idealised love, starting on a romantic high but ending in prosaic banality. This challenge