The call for elegies on the death of the High Street brought in a large entry that was poignant and clever, and transported me back to teenage Saturdays under the spell of Dolcis, Lilly & Skinner and Freeman, Hardy & Willis. John Morrison’s lines ‘Oh Amazon how swift you rise!/ Swamping all before your eyes…’
In Competition No. 3056 you were invited to submit an elegy on the death of the High Street. Your entries were poignant and clever, and transported me back to teenage Saturdays frittered away in the likes of Dolcis, Lilly & Skinner and Freeman, Hardy & Willis. John Morrison’s lines ‘Oh Amazon how swift you
The latest challenge was to cast a well-known figure on the world stage, living or dead, in the role of agony aunt/uncle, submitting a problem of your invention and their solution. Adrian Fry, channelling Emperor Nero, had these nuggets of wisdom for Worried of Dorking, who is concerned about his grandson’s pyromania: ‘I agree that
In Competition No. 3055 you were invited to take a well-known figure on the world stage, living or dead, and cast them in the role of agony aunt/uncle, submitting a problem of your invention and their solution. There is space only to high-five the winners below, who take £25 each. Bill Greenwell gets £30.
The latest challenge was to compose double dactyls about double acts. I didn’t include the rules about double dactyls this time round as they are rather long-winded and I’ve done it before — and in any case they are easily Googled. Most of you seemed thoroughly at home with the form, and in a large,
In Competition No. 3054 you were invited to compose double dactyls about double acts. I didn’t include the rules about double dactyls as it takes up space and I’ve done it before — and in any case they are easily Googled. Most of you seemed thoroughly at home with the form, and in a large,
Anthony Horowitz’s reflections on creating female characters for his latest Bond novel prompted me to invite you to provide an extract from a well-known work that might be considered sexist by today’s standards and rework it for the #MeToo age. Highlights in a thoroughly enjoyable entry included Brian Allgar’s Constance Chatterley instructing Mellors in the
In Competition No. 3053, an assignment prompted by Anthony Horowitz’s reflections on creating female characters for his latest Bond novel, you were invited to provide an extract from a well-known work that might be considered sexist by today’s standards and rework it for the #MeToo age. Highlights in a thoroughly enjoyable entry included Brian Allgar’s
The request for sonnets inspired by a well-known contemporary figure’s characteristic feature went down a storm. Entries ranged far and wide, from Victoria Beckham’s pout via Gorbachev’s birthmark to the rise – and fall – of Anthony Weiner’s penis. But both John O’Byrne and Barrie Godwin used Sonnet 18 to hymn hairstyles – Donald Trump’s
In Competition No. 3052 you were invited to supply a sonnet inspired by a well-known contemporary figure’s characteristic feature. There was a spot of preposition-related confusion this week — my fault entirely — and sonnets either ‘to’ or ‘on’ were acceptable. Entries ranged far and wide, from Victoria Beckham’s pout via Gorbachev’s birthmark to
The latest challenge, to supply an entry by a well-known diarist describing the wedding day of Prince Harry and Meghan Markle, saw you at your waspish best. Here’s Noël Coward’s verdict on the groom: ‘Massively butch but far too hairy, when he wasn’t even in the Navy. Are beards de rigueur these days?…’ And Alan
In Competition No. 3051 you were invited to supply an entry by a well-known diarist describing the wedding day of Prince Harry and Meghan Markle. There was a bracingly waspish streak running through your contributions. Here’s Noël Coward’s verdict on the groom: ‘Massively butch but far too hairy, when he wasn’t even in the
The germ of the latest challenge, to submit a school essay written by a well-known author about one of their works, was the revelation that the novelist Ian McEwan helped his son to write an A-level essay about one of his books (Enduring Love), only to be awarded a less than stellar ‘C+’. Strong performers
In Competition No. 3050 you were invited to submit a school essay written by a well-known author, living or dead, about one of their works. The germ of this challenge was the revelation that the novelist Ian McEwan helped his son to write an A-level essay about one of his books (Enduring Love), only to
This time round, competitors were asked to provide poems about a bromance. Pairings including Friedrich and Karl, Laurel and Hardy, Nigel and Donald lit up an entry that was witty, touching and generally pleasingly varied. I liked Chris O’Carroll’s ‘Boris and Donnie’, a twist on Jimmie Rodgers’s ‘Frankie and Johnny’. And Bill Greenwell had the
In Competition No. 3049 you were invited to submit a poem about a bromance. Pairings including Friedrich and Karl, Laurel and Hardy, Nigel and Donald lit up an entry that was witty, touching and generally pleasingly varied. I liked Chris O’Carroll’s ‘Boris and Donnie’, a twist on Jimmie Rodgers’s ‘Frankie and Johnny’. And Bill
Inspiration for the latest challenge came from across the pond, courtesy of the Washington Post’s Style Invitational column, whose regular neologism-themed contests are always a blast. You were asked to take an existing word and alter it by a) adding a letter, b) changing a letter, and c) deleting a letter — and to supply
In Competition No. 3048 you were invited to take an existing word and alter it by a) adding a letter, b) changing a letter, and c) deleting a letter — and to supply definitions for all three new words. Inspiration for this challenge came from across the pond, courtesy of the Washington Post’s Style
The latest challenge asked competitors to supply an imaginary testimonial for a high-profile figure that is superficially positive but contains hidden warnings to a potential employer. This was an exercise in the artful deployment of ambiguity, as displayed in Robert J. Thornton’s L.I.A.R. The Lexicon of Intentionally Ambiguous Recommendations, a handbook for those who, whether
In Competition No. 3047 you were invited to supply an imaginary testimonial for a high-profile figure that is superficially positive but contains hidden warnings to a potential employer. This was an exercise in the artful deployment of ambiguity, as displayed in Robert J. Thornton’s L.I.A.R. The Lexicon of Intentionally Ambiguous Recommendations, a handbook for