In Competition No. 2884 you were invited to submit a poem in praise or dispraise of beards. The beard has been rehabilitated since the dark days of Mr Twit, Jimmy Hill and The Joy of Sex. It will, as Ekow Eshun points out in his insightful essay ‘Welcome to Beardland-ia’, one day stand as ‘the
The Japanese novelist-turned-agony uncle Haruki Murakami is currently dishing out advice to fans on topics that range from cats and hate speech to parenting and infidelity. The call to cast a well-known writer, living or dead, in a similar role was an opportunity to check out the counselling skills of other literary greats — and
In Competition No. 2883 you were invited to cast a well-known writer, living or dead, in the role of agony aunt or uncle and provide a problem of your invention and their solution. Mark Shelton’s Ted Hughes begins his reply to the question ‘how can I be more confident with girls?’ thus: ‘Stoat does not
The most recent challenge asked for blues songs from well-known politicians contemplating the forthcoming general election. In a small but accomplished entry the Lib Dem leader dominated the stage. John O’Byrne’s Nick Clegg drew inspiration from B.B. King’s ‘Worry, worry’ — ‘Apologies, apologies, apologies/ Apologies are all I can do’ — and the ghosts of
In Competition No. 2882 you were invited to submit a blues song written by a well-known politician contemplating the impending general election. The ghosts of Robert Johnson, B.B. King and Big Bill Broonzy stalked the entry, which was smallish but accomplished. Basil Ransome-Davies’s submission was a clever twist on Kris Kristofferson’s ‘Sunday -Mornin’ Comin’ Down’
In Competition No. 2881 you were invited to take your lead from Carol Ann Duffy and provide an amusing poem about a piece of government legislation. The first line of Duffy’s poem ‘22 Reasons for the Bedroom Tax’, ‘Because the badgers are moving the goalposts’, is, of course, a reference to environment secretary Owen Paterson’s
In Competition No. 2881 you were invited to do as Carol Ann Duffy has done and provide an amusing poem about a piece of government legislation. The first line of her poem ‘22 Reasons for the Bedroom Tax’, ‘Because the badgers are moving the goalposts’, is, of course, a reference to environment secretary Owen Paterson’s
The recent call for publicity blurbs that sell the bible to a modern audience attracted a host of new competitors as well as the old-timers. Kieran Corcoran’s entry presented Jesus as a social media sensation — ‘He used to have 12 followers but now he has TWO BILLION!’. Derek Morgan’s pitched the Good Book as
In Competition No. 2880 you were invited to provide a publicity blurb for the Bible to sell it to a modern audience. Kieran Corcoran presents Jesus as a social media sensation — ‘He used to have 12 followers but now he has TWO -BILLION!’ — and Derek Morgan pitches the Good Book as the go-to
The latest competition invited you to take a leaf out of Hilary Mantel’s book and provide a scene that shows a well-known villain from history or literature in an uncharacteristically kindly light. Mantel has said that she was driven by a ‘powerful curiosity’ rather than by any desire to rehabilitate Cromwell. ‘I do not run
In Competition No. 2879 you were invited to follow in the footsteps of Hilary Mantel and provide a scene that shows a well-known villain from history or literature in an uncharacteristically kindly light. Mantel has said that she was driven by a ‘powerful curiosity’ rather than by any desire to rehabilitate Cromwell. ‘I do not
Your New Year challenge was to submit a poem composed of three haikus that looks forward to the year ahead. The traditional Japanese haiku contains 17 syllables in three unrhymed lines of five, seven and five syllables (though these rules are not always observed by western poets). It is neatly summed up here by the
In Competition No. 2878 you were invited to submit a poem composed of three haikus that looks forward to the year ahead. The traditional Japanese haiku contains 17 syllables in three unrhymed lines of five, seven and five syllables (though these rules are not always observed by western poets). It is neatly summed up here
This year’s festive comp asked for Christmas round robins as they might have been written by a well-known fictional character. It was all there: the boasts, bad jokes, inappropriate intimacies and inconsequential detail. Most of the entries were bursting with forced jocularity, but Basil Ransome-Davies, in the shape of an unusually frank Jeeves, neatly subverts
In Competition No. 2877 you were invited to submit a Christmas round robin as it might have been written by a well-known fictional character. Most of the entries were bursting with forced jocularity, but Basil Ransome-Davies, with an unusually frank Jeeves, neatly subverts the round-robin tradition of presenting a relentlessly positive face to the world.
The latest competition invited you to follow in the footsteps of Andrew Motion, who as poet laureate wrote a ‘rap’ to mark Prince William’s 21st birthday. It was bad enough to feature in a Telegraph piece by Charlotte Runcie on the worst poems by great writers and commenters on the BBC website were equally unimpressed:
In Competition No. 2876 you were invited to submit an example of an ill-advised foray by a poet laureate, past or present, into rap. Andrew Motion’s ‘rap’, written to mark Prince William’s 21st birthday, featured in a Telegraph piece by Charlotte Runcie on the worst poems by great writers and elicited such withering comments on
It was ‘In Praise of Cocoa — Cupid’s Nightcap’ by that legend of the comping world Stanley J. Sharpless that gave me the idea for the most recent challenge, to write a poem about an unlikely aphrodisiac. How confessional your entries were, who can say, but I liked Adrienne Parker’s account of an erotic encounter
In Competition No. 2875 you were invited to submit a poem about an unlikely aphrodisiac. Thanks are due to that legend of the comping world Stanley J. Sharpless, whose ‘In Praise of Cocoa — Cupid’s Nightcap’ gave me the idea for this challenge. How confessional your entries were, who can say, but I liked Adrienne
The call for scenes describing a well-known character from children’s literature past grappling with a 21st-century problem drew an entry full of wit and variety. Pamela Dow reimagined Louisa May Alcott’s girls posting selfies and practising mindfulness, while Harriet Elvin’s Eeyore longed for someone to invent anti-social media, and Adrian Fry provided a thoroughly 21st-century
